Spongebath Records

Last updated
Spongebath Records
SpongebathRecordsLogo.gif
Founded1993;32 years ago (1993)
Founder
DefunctSeptember 20, 2002;22 years ago (September 20, 2002)
Distributor(s)
Genre
Country of originUnited States
Location Murfreesboro, Tennessee

Spongebath Records was an independent record label based in Murfreesboro, Tennessee during the mid-nineties. During its heyday, Spongebath was often viewed as the vibrant center of Murfreesboro/Nashville's (and the Southeast's) music scene with a robust artist roster of critically acclaimed bands, singers, and songwriters.

Contents

From 1997 to 1999, Spongebath attracted national press and media attention for garnering co-label deals with DreamWorks Records (for Self's 1999 album Breakfast with Girls ) and with Elektra Records (for the Katies self-titled 1999 album.) Bands/artists on Spongebath at one time or another included: Self, Fluid Ounces, the Katies, The Features, Count Bass D, Fleshpaint, The C60's, The New System, The Roaries, Gumption, Call Florence Pow, Ruby Amanfu, and Knodel.

History

The label began as the brainchild of three people: Self frontman Matt Mahaffey (who had just dropped out of MTSU), singer/songwriter Seth Timbs (of Fluid Ounces), and Mahaffey's manager Rick Williams. Timbs, in fact, was the one who came up with the name "Spongebath."[ citation needed ]

In the mid-to-late '90s, there was a resurgence of interest in the Middle Tennessee rock scene, when Spongebath Records began to turn heads for signing promising, talented local bands like Self, Fluid Ounces, and The Features. Their office was located at 101 N. Maple in downtown Murfreesboro, and they were impossible to miss—the walls were painted in bright purple, yellow, and red colors, allowing it to stand out amidst a sleepy, rather drab and comfortably geriatric courthouse/downtown square.[ citation needed ]

The label even got the attention of Billboard, which ran a cover story in August 1997 chronicling Murfreesboro's rise as "an emerging music mecca," while other writers half-jokingly began to refer to the scene as "little Seattle."[ citation needed ] In reality, the Murfreesboro music scene was much more in line with progressive college-towns like Athens, Georgia and Austin, Texas—towns that had a rich history of championing indie rock and quality bands.

Regionally, at least, the Spongebath brand itself became fairly synonymous with top quality music, ranging from the melodic indie pop of the Features, the Katies' radio-friendly brand of hard rock, or the genre-blurring hip-hop of Count Bass-D. All the Spongebath releases—largely recorded on minimal, scattershot budgets—tended to receive wonderful critical acclaim. Even the packaging for Spongebath releases was different: Brian Bottcher's artwork for albums like Self's Breakfast with Girls, Fluid Ounces' In the New Old-Fashioned Way, or Count Bass-D's Art for Sale all had an unmistakable, distinct, and sophisticated visual flair.[ citation needed ]

Self was the most successful of the label's artists, the band having modest success and developing a cult following with Subliminal Plastic Motives while getting spins for "So Low" and "Cannon" on MTV. Because of Spongebath's prime location (on the downtown Square and only a few doors down from Sebastian's, one of the most frequented clubs in Murfreesboro during that time) and casual, fun atmosphere, one would often find various labelmates/band members at the Spongebath offices answering phones, sending mail, making posters, folding t-shirts, or just hanging out. Spongebath encouraged fans of the label and of the bands to come by the office, and many did, either begging Williams to listen to their demo tape or simply asking how or where they could meet the label's most visible star, Matt Mahaffey. (One of the few if only bands that reportedly benefited from an unsolicited demo submission to the label was Call Florence Pow, two teenage fans of Mahaffey's. The strength of their demo got them a deal with Spongebath, with Mahaffey producing their first and only album for Spongebath, These Are the Plans.) Other bands were rumored to have lived, jammed and recorded in the Spongebath basement.

Spongebath succeeded as a breeding ground that fed hip new bands to major labels—however, it was unable to sustain itself, and was essentially finished by 2001.

At one point or another, Spongebath employees included: Rory Daigle (manager of the Features), Bingham Barnes (bassist for indie rock darlings Glossary), Andy McLenon (who went on to work at Sire Records), Andy Kotowicz (who went on to become the Vice President of Sales and Director of Marketing for Sub Pop), Matt Meeks (eventually co-managing The Features with Daigle), Justin Meyer (who went on to play drums for Fluid Ounces), Michael Eades (who created the company's website and online presence), Neill Dietz (whose brother, Jason, would later play bass for Fluid Ounces), Chris Moon, Chris Crawford, Harrison Rogers, Christian Rocco, Joli Hummel, and several others.

Discography

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<i>Subliminal Plastic Motives</i> 1995 studio album by Self

Subliminal Plastic Motives is the debut studio album by American pop rock band Self, released on October 24, 1995, through Zoo Entertainment and Spongebath Records. Its songs were written and recorded by brothers Mike and Matt Mahaffey, the band's sole members. The album was promoted through the singles "Cannon" and "So Low", each receiving airplay and accompanied by music videos that contributed to the album's success.

<span class="mw-page-title-main">Self (band)</span> American band

Self is an American pop rock band formed in 1993 in Murfreesboro, Tennessee. The band is led by vocalist and multi-instrumentalist Matt Mahaffey, additionally consisting of keyboardist Chris James, bassist Mac Burrus, and drummer Jason Rawlings. Former members include guitarist Mike Mahaffey and touring bassist Tim Nobles. The group began as a duo on Spongebath Records with the Mahaffey brothers, immediately picked up by Zoo Entertainment to release their debut album, Subliminal Plastic Motives (1995). It sold over 40,000 copies in its first two years with support from the singles "Cannon" and "So Low". After expanding the lineup for live performances, the band embraced an experimental approach with The Half-Baked Serenade (1997), followed by a compilation of demos, Feels Like Breakin' Shit (1998).

<i>The Half-Baked Serenade</i> 1997 studio album by Self

The Half-Baked Serenade is the second studio album by American pop rock band Self, released through Spongebath Records on March 5, 1997.

<i>Feels Like Breakin Shit</i> 1998 compilation album by Self

Feels Like Breakin' Shit is the first compilation album by American alternative rock band Self, released for free via Spongebath Records and DreamWorks Records as an internet download in 1998. It consists of songs scrapped from the band's first two albums along with other demos, covers, and parodies.

<i>Breakfast with Girls</i> 1999 album by Self

Breakfast with Girls is the third studio album by American pop rock band Self, released on July 13, 1999, by DreamWorks Records and Spongebath Records. Its songs were mainly written and composed by Matt Mahaffey, the band's lead member. The album prominently maintains a power pop/art rock soundscape with elements of hip-hop and jazz.

<i>Gizmodgery</i> 2000 studio album by Self

Gizmodgery is the fourth studio album by American pop rock band Self, released on September 5, 2000, by Spongebath Records. Recorded entirely with toy instruments, its music was written and composed by lead member Matt Mahaffey, with the band's other members contributing to select songs. The album received positive reviews from critics, discussing its unique production and playful energy. Commercially, Gizmodgery sold 10,000 copies in its first week and debuted at number nine on CMJ's Alternative Radio Airplay chart. The album was distributed on vinyl through El Camino Media in 2015.

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<span class="mw-page-title-main">Fluid Ounces (band)</span>

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<span class="mw-page-title-main">Cannon (song)</span> 1995 single by Self

"Cannon" is a song by American pop rock band Self, released on October 24, 1995. It was the band's debut single, distributed simultaneously with their album Subliminal Plastic Motives by Zoo Entertainment and Spongebath Records. It became an alternative rock radio hit, boosted by its Jesse Peretz-directed music video airing on MTV.

<i>Ornament and Crime</i> (album) 2017 studio album by Self

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<span class="mw-page-title-main">Runaway (Self song)</span> 2014 single by Self

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<span class="mw-page-title-main">Trunk Fulla Amps</span> 2001 single by Self

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