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Spooky | |
|---|---|
 Spooky in 2006. Left to right: Duncan Forbes, Charlie May | |
| Background information | |
| Origin | Manchester, England |
| Genres | |
| Years active | 1990–present |
| Members |
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| Website | Spooky on Bandcamp |
Spooky are a British electronic music production and DJ duo consisting of Duncan Forbes and Charlie May. [1]
They debuted with Gargantuan in 1993 after signing to Guerilla Records. [1] In 1995 and 1996, they released three EPs (Clank, Stereo and Shunt) on their own Generic Records label, followed quickly in mid-1996 by their second album, Found Sound. Two singles from this album were released: "Fingerbobs" and "Bamboo".
Charlie May collaborated with Sasha on his 1999 Xpander EP and 2000's "Scorchio", and in 2002 he co-produced some tracks on Sasha's Airdrawndagger album. The same year saw the release of "Belong", the first Spooky single on Deviant Records, which Sasha later used on his mix album Involver . A white label single, "Andromeda", was released in 2003 [2]
A single entitled "Strange Addiction" was given a limited release in 2005 on Spooky's new self-owned label, spooky.uk.com. "Strange Addiction" featured in a trailer for The Great Global Warming Swindle which broadcast on British television channel Channel 4 in March. [3] This was followed in September 2006 with the release of No Return as a download and promotional CD. Spooky later bought back the rights to their entire back catalogue from the five record companies that previously owned their music, which had all gone out of business. [4]
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Gargantuan is the debut studio album by English electronic duo Spooky, released by William Orbit's Guerilla Records in March 1993. Having established their place at the forefront of the progressive house scene, Spooky recorded the album in two London studios using analogue production. The record is largely instrumental and incorporates rigid percussion and rhythms with melodic house phrasings. The single "Schmoo" reached the UK Singles Chart, but Gargantuan under-performed commercially. It was however well received by critics, and today is regarded as a landmark album in the history of progressive house and British dance music. After the album went out-of-print, Spooky re-released it themselves in 2006.
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