Stefanie Hessler | |
---|---|
Born | 1987 (age 34–35) |
Nationality | German |
Occupation | Curator |
Stefanie Hessler is a German-born contemporary art curator, [1] an art writer, and the current director of Swiss Institute in New York. [2] From 2019 to 2022 she was the director of Kunsthall Trondheim in Trondheim, Norway. [3]
Hessler studied art theory in Germany and at Stockholm University where she received her MA in art curation in 2011. [4]
She co-founded the experimental performance space "Andquestionmark" along with artist Carsten Höller in Stockholm, Sweden, in 2013. [5] [6] Hessler was a curator for the TBA21–Academy in London, UK, [7] between 2016 and 2019, and was the director of Kunsthall Trondheim from 2019 to 2022.
Hessler has curated art exhibitions with a focus on interdisciplinary research, ecology, intersectional and queer feminism, sensory experience, and focused among others on the topic of ocean ecology. In 2021 she was project co-leader for the transdisciplinary research project and exhibition "Sex Ecologies" exploring the intersections of gender, sexuality, and nature as well as pleasure, affect, and the powers of the erotic in human and more-than-human worlds. [8] She edited the eponymous compendium published by The MIT Press, Kunsthall Trondheim and The Seed Box with new essays by Mel Y. Chen, Jack Halberstam, Astrida Neimanis, and others. [9] The exhibition included artists Jes Fan, Anne Duk Hee Jordan, Okwui Okpokwasili, Margrethe Pettersen, Alberta Whittle, and others.
In 2021 she was chief curator of the 17th MOMENTA biennale in Montreal, Canada. The biennale was titled "Sensing Nature." It centred indigenous and non humanist notions of nature and attended "to how contemporary and emerging non-white, Indigenous, queer and crip artists, collectives and communities feel nature and/or are felt by it in return." [10]
In 2020 she co-curated the exhibition “Down to Earth” at the Gropius Bau in Berlin.
In 2019 Hessler curated the exhibition and performance "Moving Off The Land II" by Joan Jonas at Ocean Space in Venice, [11] and the exhibition "More-than-humans" by Dominique Gonzalez-Foerster and Tomás Saraceno at the Thyssen-Bornemisza Museum in Madrid, Spain. [12]
In 2018 she curated an exhibition on the artist Juan Downey at the Royal Institute of Art in Stockholm, [13] the exhibition "Prospecting Ocean" with artist Armin Linke at the Institute of Marine Sciences in Venice, Italy, which was commissioned by TBA21–Academy and in partnership with Istituto di Scienze Marine (CNR-ISMAR), [14] as well as a performance by Joan Jonas at the Tate Modern's Turbine Hall entitled "Moving Off The Land". [15] The same year she was one of three curators for the 6th edition of the Athens Biennale, [16] [17] and she curated the symposium "Practices of Attention" for the São Paulo Biennale on the politics of attention. [18]
In 2017 Hessler curated the exhibition "Sugar and Speed" at the Museum of Modern Art in Recife, Brazil [6] [19] and the project "Fishing for Islands" with Chus Martínez at the Hamburger Bahnhof in Berlin, Germany. [20]
In 2015 she co-curated the 8th MOMENTUM biennale in Moss, Norway. [6] [21]
Hessler has worked with artists such as Christine Sun Kim, Florian Hecker, [22] Jenna Sutela, Joan Jonas, Tomás Saraceno, Dominique Gonzalez-Foerster, Frida Orupabo, Isabel Lewis, Adrian Piper, Sissel Tolaas, Tabita Rezaire.
Hessler was a guest professor in art theory at the Royal Institute of Art in Stockholm between 2017 and 2019. [23] She is currently visiting research scholar at the University of Westminster in London.
Hessler is the author of Prospecting Ocean published by MIT Press that explores ocean extraction through artistic research. Bruno Latour wrote a foreword to the book. Hessler is also the editor of the book Tidalectics: Imagining An Oceanic Worldview through Art and Science, also published by MIT Press, which is a collection of essays, research, and art projects. [24]
Hessler is a writer of arts criticism and contributes to publications such as Art Review [25] Art Agenda [26] and Mousse Magazine. [27]
Joan Jonas is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s. Jonas' projects and experiments were influential in the creation of video performance art as a medium. Her influences also extended to conceptual art, theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada.
Jens Hoffmann Mesén is a writer, editor, educator, and exhibition maker. His work has attempted to expand the definition and context of exhibition making. From 2003 to 2007 Hoffmann was director of exhibitions at the Institute of Contemporary Arts London. He is the former director of the CCA Wattis Institute for Contemporary Art from 2007 to 2016 and deputy director for exhibitions and programs at The Jewish Museum from 2012 to 2017, a role from which he was terminated following an investigation into sexual harassment allegations brought forth by staff members. Hoffmann has held several teaching positions including California College of the Arts, the Nuova Accademia di Belle Arti and Goldsmiths, University of London, as well as others.
The Brooklyn Rail is a publication and platform for the arts, culture, humanities, and politics. The Rail is based out of Brooklyn, New York. It features in-depth critical essays, fiction, poetry, as well as interviews with artists, critics, and curators, and reviews of art, music, dance, film, books, and theater.
Beatriz Colomina is an architecture historian, theorist and curator. She is the founding director of the Program in Media and Modernity at Princeton University, the Howard Crosby Butler Professor of the History of Architecture and Director of Graduate studies in the School of Architecture.
Basak Senova is an art curator, writer and designer from Istanbul, Turkey. She lives and works in Vienna since 2017.
Charles Esche is a museum director, curator and writer. His focus is on art and how it reflects, provokes and influences changes in society. He lives between Edinburgh and Eindhoven.
Paul Ramírez Jonas is an American artist and arts educator, who is known for his social practice artworks exploring the potential between artist, audience, artwork and public. Many of Ramirez Jonas's projects use pre-existing texts, models, or materials to reenact or prompt actions.
The Kochi-Muziris Biennale is an international exhibition of contemporary art held in the city of Kochi in Kerala, India. It is the largest art exhibition in the country and the biggest contemporary art festival in Asia. The Kochi-Muziris Biennale is an initiative of the Kochi Biennale Foundation with support from the Government of Kerala. The concept of Kochi-Muziris Biennale was ideated and executed by Dr. Venu IAS, who was the culture Secretary, Government of Kerala. The exhibition is set in spaces across Kochi, with shows being held in existing galleries, halls, and site-specific installations in public spaces, heritage buildings and disused structures.
Knut Ljøgodtknʉt jøɡɔt is a Norwegian art historian. He was museum director of The Northern Norway Art Museum in Tromsø between 2008-2016 and founding director of Kunsthall Svalbard in Longyearbyen since 2015. In the past he held curatorial positions in The National Museum, Oslo, The Munch Museum and Blaafarveverket.
BiennaleOnline is a biennial exhibition of contemporary art. This exhibition's platform is the first of its kind to be held online. The exhibition aims to focus on the most promising emerging visual artists worldwide, presenting works in New Media, Installation, Traditional Media, Photography and Performance. These artists will come from Europe, North America, South America, Asia, and the Middle East, and have been selected by 29 leading international curators.
The Incheon Women Artists' Biennale, held in Incheon, South Korea, and inaugurated in 2004, subsequently had editions in 2007, 2009, and 2011 that focused on the work of contemporary women artists. It is the first and only art biennale in the world focused on the work of female artists.
Hannah Ryggen, born Hannah Jönsson, was a Swedish-born Norwegian textile artist. Self-trained, she worked on a standing loom constructed by her husband, the painter Hans Ryggen. She lived on a farm on a Norwegian Fjord and dyed her yarn with local plants.
Galit Eilat, born 1965 in Israel, is an independent curator and writer living in the Netherlands.
Barbara Vanderlinden is an art critic, editor, and independent curator. She began her career in the mid-1990s as co-curator of the contemporary art program of Antwerp '93, European Capital of Culture, under its auspices, co-organized the exhibitions New Sculptures for Middelheim (1992), Middelheimmuseum, Middelheim; On Taking a Normal Situation... (1993), MuHKA Museum van Hedendaagse Kunst Antwerpen, Antwerp; and The Sublime Void: On the Memory of the Imagination (1993), Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerp. She has gone on to be the founding director of Roomade, Brussels (1996–2005) where she initiated and produced projects in collaboration with artists such as Mullican Matt Mullican under Hypnosis (1996), Carsten Höller, Boudewijn Experiment, Deliberate Experiment in Doubt (2000), and Andreas Slominski (1997), and produced a series of artist's films and exhibitions such as Laboratorium (1999) co-curated. In 2005, she founded the Brussels Biennial, and was the artistic director of it first edition Brussels Biennial I, “Re-used Modernity” (2008–09).
Agnieszka Kurant is an interdisciplinary, conceptual artist who examines how economic, social, and cultural systems work in ways that blur the lines between reality and fiction.
Lisbon-born Filipa Ramos is a writer, lecturer and curator. She received a Doctor of Philosophy (PhD) from the School of Critical Studies at Kingston University, London. Her research, manifested in critical and theoretical texts, lectures, workshops and edited publications, focuses on how culture addresses ecology, attending to how contemporary art fosters relationships between nature and technology.
Yuko Hasegawa is the director of the 21st Century Museum of Contemporary Art, Kanazawa and professor of curatorial and art theory at Tokyo University of the Arts.
The Brazilian pavilion houses Brazil's national representation during the Venice Biennale arts festivals.
Kunsthall Trondheim is a contemporary art institution in Trondheim, Norway. Located in a former firehall, it opened in October 2016. Between 2013 and 2016, Kunsthall was run as a preliminary project in a temporary space by former director Helena Holmberg. Since 2019, Stefanie Hessler is Kunsthall Trondheim director. The faciliry offers exhibitions and public programmes.
Sheelasha Rajbhandari, is a Nepali visual artist and cultural organizer who was born in 1988 in Kathmandu. She completed her MFA from Tribuvan University in 2014. Her work examines alternative narratives through folk tales, oral traditions, myths, material culture, performances and rituals, and presents them as counterpoints to mainstream history and narratives. She often seeks to challenge social taboos and patriarchal discourses by focusing on women's struggles and celebrating their resilience. Her long-term research plans and artistic practice often synthesize knowledge and experiences gained as a result of individual and collective discourses. Rajbhandari is also a curator noted for her contributions to the Kathmandu Triennale 2077 and first Nepal Pavilion, at the 59th International Art Exhibition – La Biennale di Venezia in 2022. In 2013, she co-founded the art collective Artree Nepal alongside Hit Man Gurung, Subas Tamang, Mekh Limbu, and Lavkant Chaudhary.
{{cite web}}
: CS1 maint: url-status (link){{cite web}}
: CS1 maint: url-status (link)