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Stephen Baysted (born 1969 in London, England) is a British composer of film, television and video game music. He is Professor of Film, TV and Games Composition at the University of Chichester, and is known for composing music for racing simulator video games such as Need for Speed: Shift , Shift 2: Unleashed , and Project CARS 2 . Baysted's games work has been nominated for a number of awards including two Golden Reels and two Game Audio Network Guild Awards. [1] [2] [3] [4] [5] [6]
Video game music (VGM) is the soundtrack that accompanies video games. Early video game music was once limited to sounds of early sound chips, such as programmable sound generators (PSG) or FM synthesis chips. These limitations have led to the style of music known as chiptune, which became the sound of the first video games.
James Hannigan is a BAFTA Award winning composer, sound designer, producer, and conference founder. His composing credits include the bestselling, full-cast audio adaptations of Neil Gaiman's The Sandman; entries in the Harry Potter, Command & Conquer, Dead Space, Warhammer, Cloudy with a Chance of Meatballs, RuneScape, Evil Genius, EA Sports and Theme Park video game series; Discworld, the Audie Award winning Alien dramas directed by Dirk Maggs (2016–2019), Unseen Academicals, BBC Radio 4's adaptations of Neil Gaiman’s Good Omens, Neverwhere, and more. His music has been heard in numerous television shows, such as the BBC's Top Gear, Amazon's The Grand Tour, Disney's The World According to Jeff Goldblum, BBC America's Primeval, and his other credits include Freelancer, Privateer 2: The Darkening, Space Hulk and other games, television shows, commercials and installations.
Richard Adrian Jacques is a British composer of film, television and video game music. Best known for his scores for games such as Sonic R, Headhunter, Jet Set Radio Future, Mass Effect, James Bond 007: Blood Stone, LittleBigPlanet 2, and Guardians of the Galaxy. Jacques has collaborated with numerous premier TV and movie theatre campaigns for some of the world's largest media agencies including Saatchi & Saatchi and McCann Erickson, and global brands such as Audi, Bacardi, Mercedes-Benz and Stella Artois. His music for television includes top brand shows for the BBC, ITV and Channel 4.
Jeremy Soule is an American composer of soundtracks for film, television, and video games. He has composed soundtracks for over 60 games and over a dozen other works during his career, including The Elder Scrolls, Guild Wars, Icewind Dale, and the Harry Potter series.
Peter Nelson McConnell, also known as Peter Mc, is an American video game composer and musician, best known for his work at LucasArts and for composing the soundtracks for every Sly Cooper game since the second installment.
Bill Brown IV is an American composer known for creating music for several video games and films. He is best known for his work on Microsoft's Windows XP operating system, composing the system sounds as well as music for the tour software. His father was renowned New York City radio disc jockey, Bill Brown (III).
Inon Zur is an Israeli-American composer of soundtracks for film, television, and video games. Throughout his career, he has composed music for dozens of video games, and other projects, including Dragon Age, EverQuest, Fallout, Prince of Persia, Star Trek, the Syberia series, and Starfield. Well-known film trailer music he's contributed to include Harry Potter and the Order of the Phoenix, The Hobbit, and Avengers: Age of Ultron. He has received numerous nominations—including three BAFTAs—and has won a number of awards, which include: an Emmy Award and two Game Audio Network Guild Awards, the first in 2004 for Best Original Instrumental Track for Men of Valor and another in 2009 for Best Interactive Score for Crysis. Received two Hollywood Music in Media Awards in 2009 for Best Original Song for Dragon Age: Origins and in 2019 for Best Original Score/Song for The Elder Scrolls: Blades.
Brian L. Schmidt is a music composer for various video games and pinball machines.
Jack Wall is an American video game music composer. He has worked on video game music for over 20 games including the Myst franchise, Splinter Cell, Jade Empire, Mass Effect, and Call of Duty. Wall earned a degree in civil engineering from Drexel University in Philadelphia, Pennsylvania, and, after a brief stint working in civil engineering, transitioned into music production. He worked with musicians such as John Cale, David Byrne, and Patti Smith, and, after performing increasingly complex production and sound engineering tasks, moved into music composition in 1995.
Chance Thomas is an American composer, author, and entrepreneur. As a composer, he creates original music for animation, video games, movies, television, and virtual reality. His music has received critical acclaim and commercial success, including an Oscar, an Emmy, and billions of dollars in sales worldwide.
Winnie Waldron is an American music producer for video games, a producer for radio, a radio script editor / adapter, a manuscript editor and a radio host.
Garry Schyman is an American film, television, and video game music composer. He graduated from the University of Southern California with a degree in music composition in 1978, and began work in the television industry, writing music for such television series as Magnum, P.I. and The A-Team. By 1986, he was composing for movies such as Judgement and Hit List. At the request of a friend in 1993, he composed the music for the video game Voyeur, but after creating the music for two more games he left the industry, citing the low budgets and poor quality of video game music at the time. He continued to compose for film and television, only to return to video games for 2005's Destroy All Humans!. Finding that in his absence the quality and perceived importance of video game music had risen substantially, he has since composed for several games, writing the scores to BioShock and Dante's Inferno among others. He still composes for film however, his latest being Brush with Danger directed by young Indonesian director Livi Zheng. He has won numerous awards for his video game scores, including several "soundtrack of the year" awards. During his career, he has worked on over 25 television shows, 10 films, and 13 video games.
Neal Acree is an American composer of film, television, and video game music. He has scored 30 feature films, contributed music to the popular Blizzard Entertainment video game franchises StarCraft II, World of Warcraft, Diablo III, Overwatch, as well as the Chinese MMO Revelation Online. His television work includes the series Stargate SG-1, Stargate Atlantis, Witchblade and the first season of Sanctuary.
Darren Korb is an American songwriter, composer, and voice actor. Korb is best known for writing the music featured in Bastion, Transistor, Pyre and Hades, all of which were developed by indie developer Supergiant Games. Korb also voice-acted in the latter two games, including providing the voice for Zagreus, the protagonist of Hades.
Geoff Knorr is an American composer, orchestrator, and sound designer. He has worked on video game titles such as Civilization V, Civilization: Beyond Earth, Civilization VI, Galactic Civilizations III, and Ashes of the Singularity.
Gordy Haab is an American film, video game and television composer based in Los Angeles, California. His work has been featured in works associated with franchises including Star Wars Battlefront II, for which he won Video Game Score of the Year from the American Society of Composers, Authors and Publishers. Haab is also known for his work on Microsoft's Halo Wars 2, for which he was nominated for a 2017 HMMA award. His score for Electronic Arts' Star Wars: Battlefront, won three awards at the 2016 GDC G.A.N.G. Awards: Music of the Year, Best Interactive Score, and Best Instrumental Score. Haab was also nominated for a BAFTA Games Awards for his work on Star Wars: Battlefront.
Hexany Audio is an audio post-production studio based in the Greater Los Angeles area. It provides custom sound, original music, voice over, audio programming, and sound branding for video games, virtual reality (VR) and interactive media.
The music of the Dead Space media franchise, created by Visceral Games and published by Electronic Arts around a series of survival horror video games, was mainly composed by Jason Graves. Graves composed the music for all mainline entries in the series and the majority of spin-off titles. Other composers have been involved in the series; Grave's recurring collaborator Rod Abernethy acted as an early advisor for the titular first game, James Hannigan co-composed the score for Dead Space 3, while Seth Podowitz and Christopher Tin were the respective composers for the movies Dead Space: Downfall and Dead Space: Aftermath.
Andrew Prahlow is an American video game, film, and television composer based in Los Angeles, California. He is a BAFTA-nominated composer. Prahlow is best known for his work on the action-adventure game Outer Wilds and its expansion, Outer Wilds: Echoes of the Eye. His music has been featured in many trailers, including Star Wars: The Force Awakens and The Martian. He also co-wrote music featured at Disney's Epcot and in Westworld. He began his career as a composer's assistant for Legend of Korra and Kung Fu Panda: Legends of Awesomeness.
has been nominated for three Jerry Goldsmith Awards, two Motion Picture Sounds Editors Golden Reel Awards, a Golden Joystick Award and two Game Audio Network Guild Awards
Matthew Sweet looks at how you set about composing music for a video game and visits composer Stephen Baysted to discover some of the unique techniques the medium demands.
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