Steven Watson (born 1947) is an author, art and cultural historian, curator, and documentary filmmaker.
His 1991 book Strange Bedfellows: The First American Avant-Garde was called "a chapter in our national biography" by Stefan Kanfer for the Los Angeles Times [1] and "a marvelous group portrait of a band of cultural renegades" by Publishers Weekly . [2] Watson has written five books about 20th century American avant-garde and counterculture movements, curated two exhibitions at the National Portrait Gallery ("Group Portrait, The First American Avant-Garde" and "Rebels: Painters and Poets of the 1950s"), [3] [4] and served as consultant curator for the Whitney Museum exhibition "Beat Culture and the New America". [5]
Watson was born in 1947. He grew up in the suburbs of Minneapolis, Minnesota and graduated from Mound High School. He majored in English at Stanford University and participated in anti-Vietnam War protests, including a guerrilla theater piece called Alice in ROTC-Land, co-starring with Sigourney Weaver. After graduation, he founded an alternative elementary school called KNOW School in Auburn, California. He studied psychology at the University of California, Santa Barbara, where he received his Ph.D. in 1976, and he worked for nineteen years as the staff psychologist of the Putnam County Community Mental Health Clinic. In 1976, Watson also began writing articles for the Village Voice, New York Newsday, Soho Weekly News, and Gaysweek. His work on gay culture included the first major article about Marsha P. Johnson, [6] an early extended interview with Sylvia Rivera, and a book about the transgender figure, Minette. [7] At the same time, he began writing books about key circles of the twentieth century. He currently lives in New York City.
Books:
Films:
Artifacts at the End of a Decade, organized by Steven Watson and Carol Huebner Venezia, is a boxed multiple that contains the work of 44 artists. [14] Conceived in 1979 and published in 1981, it includes works by Sol Lewitt, Laurie Anderson, Robert Wilson, R. Crumb, Lucinda Childs, Futura 2000 and other graffiti artists, John Ashbery, Betsey Johnson, Robert Kushner, Martha Rosler, and others. Upon its publication, art critic John Perreault wrote that "the work is an anthology of sorts, but it is also an object in its own right. It can be compared to artists books, print portfolios, multimedia multiples, etc. In truth, however, there is little to compare Artifacts within the realm of art." [15]
Artifacts is currently in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Centre Pompidou, the Tate Modern, the Victoria and Albert Museum, the Hamburger Bahnhof, and the Whitney Museum of American Art, among others.
Artifacts was exhibited at the Centre Pompidou in the summer of 2022, following its acquisition by the Bibliothèque Kandinsky. [16]
In the arts and literature, the term avant-garde identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
Jean Philippe Arthur Dubuffet was a French painter and sculptor of the Ecole de Paris. His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art movement art brut, and for the collection of works—Collection de l'art brut—that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured in many exhibitions throughout his lifetime.
Charles Henry Buckius Demuth was an American painter who specialized in watercolors and turned to oils late in his career, developing a style of painting known as Precisionism.
Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas's work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers' Cooperative, and the journal Film Culture. He was also the first film critic for The Village Voice.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Harold Foss "Hal" Foster is an American art critic and historian. He was educated at Princeton University, Columbia University, and the City University of New York. He taught at Cornell University from 1991 to 1997 and has been on the faculty at Princeton since 1997. In 1998 he received a Guggenheim Fellowship.
Olga Vladimirovna Rozanova was a Russian avant-garde artist painting in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism.
Kenneth Feingold is a contemporary American artist based in New York City. He has been exhibiting his work in video, drawing, film, sculpture, photography, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, among others.
Claire Zeisler was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber.
Katarzyna Kobro was a Polish avant-garde sculptor and a prominent representative of the Constructivist movement in Poland. A pioneer of innovative multi-dimensional abstract sculpture, she rejected Aestheticism and advocated for the integration of spatial rhythm and scientific advances into visual art.
Henryk Stażewski was a Polish painter, visual artist and writer. Stażewski has been described as the "father of the Polish avant-garde" and is considered a pivotal figure in the history of constructivism and geometric abstraction in Central and Eastern Europe. His career spanned seven decades and he was one of the few prominent Polish artists of the interwar period who remained active and gained further international recognition in the second half of the 20th century.
Florine Stettheimer was an American modernist painter, feminist, theatrical designer, poet, and salonnière.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Tetsumi Kudо̄ was a Japanese avant-garde artist whose multidisciplinary practice included painting, performance, installation and sculpture. Associated with the Anti-Art (Han-geijutsu) movement in Japan in the late 1950s and early 1960s, Kudо̄'s provocative art was nourished by lifelong interests in science, sport and everyday objects. His work often presents a radically transformed and grotesque vision of the human body, calling into question its desires and its limits, as well as its future and origins. Never having officially identified with any one group or movement throughout his international career, the artist's body of work evades art historical classification.
Martha Wilson is an American feminist performance artist and the founding director of Franklin Furnace Archive art organization. Over the past four decades she has developed and "created innovative photographic and video works that explore her female subjectivity through role-playing, costume transformation, and 'invasions' of other peoples personas". She is a recipient of two National Endowment for the Arts fellowships, a New York Foundation for the Arts fellowship, and an Obie Award and a Bessie Award for commitment to artists’ freedom of expression. She is represented by P.P.O.W. Gallery in New York City.
Florence Henri was a surrealist artist; primarily focusing her practice on photography and painting, in addition to pianist composition. In her childhood, she traveled throughout Europe, spending portions of her youth in Paris, Vienna, and the Isle of Wight. She studied in Rome, where she would encounter the Futurists, finding inspiration in their movement. From 1910 to 1922, she studied piano in Berlin, under the instruction of Egon Petri and Ferrucio Busoni. She would find herself landlocked to Berlin during the first World War, supporting herself by composing piano tracks for silent films. She returned to Paris in 1922, to attend the Académie André Lhote, and would attend until the end of 1923. From 1924 to 1925, she would study under painters Fernand Léger and Amédée Ozenfant at the Académie Moderne. Henri's most important artistic training would come from the Bauhaus in Dessau, in 1927, where she studied with masters Josef Albers and László Moholy-Nagy, who would introduce her to the medium of photography. She returned to Paris in 1929 where she started seriously experimenting and working with photography up until 1963. Finally, she would move to Compiègne, where she concentrated her energies on painting until the end of her life in 1982. Her work includes experimental photography, advertising, and portraits, many of which featured other artists of the time.
Christopher Felver is an American photographer and filmmaker who has published several books of photos of public figures, especially those in the arts, most notably those associated with beat literature. He has made numerous films, including a documentary on Lawrence Ferlinghetti, Ferlinghetti: A Rebirth of Wonder, released in 2013.
Hildegarde Lasell Watson was an American actress, singer, writer and arts patron.
Artifacts at the End of a Decade (1981) is a boxed multiple containing works from 44 artists who were active in New York City in the 1970's. Assembled by Steven Watson and Carol Huebner Venezia, Artifacts is a collection of pieces designed uniquely for this project. The portfolio is 15 in × 18 in × 6 in and weighs 17 pounds. Its "pages" are made from everything from glass, copper, clay, rope, felt, and film to lycra, neoprene, polyester, mylar, vinyl, stucco, and glitter. Artifacts was described by Jessica Scott of UMass Amherst as a "multidisciplinary American survey of the 1970's in the form of an artists' archive." Artifacts is a limited edition of 100.