| "Sticks and Stones" | ||||
|---|---|---|---|---|
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| Single by Mudvayne | ||||
| Released | September 11, 2025 | |||
| Recorded | 2024–2025 | |||
| Genre | ||||
| Length | 3:54 | |||
| Label | ||||
| Songwriters | ||||
| Producer | Nick Raskulinecz | |||
| Mudvayne singles chronology | ||||
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| Music video | ||||
| Sticks and Stones on YouTube | ||||
"Sticks and Stones" is a song by the American heavy metal band Mudvayne. It was released as a single on September 11, 2025, through Alchemy and BMG. The track marked the band's second release following their reunion in 2021 and served as a follow-up to the group's first comeback single "Hurt People Hurt People" three weeks prior on August 28, 2025. [1] Both new singles are expected to appear on the band's upcoming sixth studio album expected to be released in 2026, their first full-length album in over sixteen years, the last being their November 2009 self-titled album. [2]
After reuniting in 2021 following an extended hiatus that began in 2010, Mudvayne spent the first couple of years the reunion touring and gradually re-establishing their collaborative rhythm before returning to the studio to work on new music before doing so in 2023. [3] [4] "Sticks and Stones" was developed during the same recording sessions as their first comeback single, "Hurt People Hurt People" with producer Nick Raskulinecz and mastering engineer Ted Jensen, as well as Josh Wilbur serving as mixing engineer and Nathan Yarborough an additional audio engineer with the goal of capturing the heavier elements of their debut album L.D. 50 , released in August 2000. [5]
In a September 2025 interview Gray commented on the track, saying the song explores the lingering effects of emotional abuse and verbal harm, referencing the phrase "sticks and stones may break my bones, but words will never hurt me". He stated, "I was always told that it's a great nursery rhyme, but I couldn't disagree more," adding that words "have teeth and they won't let go." Gray elaborated that he wrote the lyrics as a reminder for parents "to love their children" and not to use them as "a bullet to fire into your ex." [6] [7] [8]
Gray further described the song as addressing personal resilience and the emotional toll of internal conflict, using the childhood phrase "sticks and stones may break my bones" as a metaphor for psychological endurance and recovery. [9] The songwriting process was collaborative among all four members, similar to their earlier work on albums like L.D. 50 and The End of All Things to Come . [10] [11]
"Sticks and Stones" was officially released as a single on September 11, 2025, through Alchemy Recordings and BMG, marking the band's second release with their new record deal. [12] The single arrived three weeks after "Hurt People Hurt People" continuing the rollout of new music leading up to the band's next studio album. [13] Upon release, the band premiered an official music video on YouTube featuring performance footage intercut with surreal, symbolic imagery depicting psychological struggle and transformation. They performed Sticks and Stones" live for the very first time in St. Louis, Missouri during the opening show on the band's Fall 2025 tour with Static-X. [14] [15]
The song blends the syncopated rhythms and aggressive bass tones characteristic of Mudvayne's early 2000s sounds with a more streamlined, contemporary production style. [16] [17] Composed in drop-C tuning, "Sticks and Stones" is driven by guitar riffs, distinctive drum patterns, and bass lines resonating throughout in a counter-melodic presence. [18] The track alternates between heavy, distorted verses and a melodic chorus featuring layered vocal harmonies giving it a balance between intensity and accessibility. [19]
"Sticks and Stones" received mixed to positive responses from music journalists. Revolver Magazine , Metal Injection , and Metal Insider praised the track's production, emotional depth, and lyrical introspection, calling it a strong continuation of Mudvayne's signature style while embracing melodic growth. [20] [21] In contrast, MetalSucks offered a more critical take, describing the song as "less rhythmically complex" than the band's early work and suggesting that it leaned closer in tone to Chad Gray's later project Hellyeah than to the progressive edge of L.D. 50 or The End of All Things to Come . [22] Reviewers generally agreed that the song's polished sound marked a stylistic evolution for the group after its sixteen-year hiatus. [23] [24]
| Chart (2025) | Peak position |
|---|---|
| US Mainstream Rock ( Billboard ) [25] | 21 |
Production credits sourced from Apple Music. [26]