"Stompin' at the Savoy" is a 1933 jazz standard composed by Edgar Sampson. It is named after the famed Harlem nightspot the Savoy Ballroom in New York City. [1]
Although the song is often credited to Benny Goodman, Chick Webb, Edgar Sampson, and Andy Razaf, it was written and arranged by Sampson, Rex Stewart's alto saxophonist. Sampson wrote the song when he was with Stewart's orchestra at the Empire Ballroom in 1933. It was used as the band's theme song until the band broke up, after which Sampson joined Chick Webb's band, taking the song with him. [2] Webb’s recording rose to number ten on the charts in 1934. Famously, on Webb's 1934 version (Columbia 2926) the tenor saxophone hits a wrong note after the introduction, however, Columbia did not cut another take. Two years later, the piece charted with versions by Ozzie Nelson and Benny Goodman.
Both Webb and Benny Goodman recorded it as an instrumental, Goodman's being the bigger hit. [1] Goodman first recorded Savoy for the Rhythm Makers series for radio on June 5, 1935. His first commercially released version was on Victor 25247 with his full orchestra, recorded January 24, 1936. He recorded it again with his Quartet (Goodman, Gene Krupa, Teddy Wilson and Lionel Hampton) on December 2, 1936. This recording was released on Victor 25521 [3] . Lyrics were added by lyricist Andy Razaf. [4] Goodman's 1936 version is written in 32-bar song form with four 8-bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab13 chord sequence. The tempo is medium fast.
Since becoming a jazz standard, the song has been recorded hundreds of times.
Ella Fitzgerald, Chick Webb's vocalist two years after Savoy's release, sang the song in concert in 1957 in Los Angeles to great acclaim (Verve MG V-8264). Her version of the song is in the musical form of "scat" and has been widely hailed by fans of one of the single greatest examples of that form (references needed).
In 1992, Beverly M. Sawyer wrote a scenario from song Stompin' at the Savoy. American actress, dancer, choreographer, singer, director and producer Debbie Allen thus directed a 2 hour movie starring Vanessa Williams, Lynn Whitfield, Jasmine Guy and Vanessa Bell Calloway.The plot revolves around four young African-american women, who, in 1939 share an apartment. All three women frequent the happening Savoy Ballroom in New York City. Debbie Allen has a small role as a prostitute named Estelle. It was first broadcast on US television channel on CBS and again on NBC in 2018. It was distributed on VHS by CIC Victor Video in Japan in 1993. Choreographer Norma Miller was nominated for an Emmy award that year for Outstanding Individual Achievement in Choreography.
William Henry "Chick" Webb was an American jazz and swing music drummer and band leader.
Edgar Melvin Sampson, nicknamed "The Lamb", was an American jazz composer, arranger, saxophonist, and violinist. Born in New York City, he began playing violin aged six and picked up the saxophone in high school. He worked as an arranger and composer for many jazz bands in the 1930s and 1940s. He composed two well-known jazz standards: "Stompin' at the Savoy", and "Don't Be That Way".
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Ella in Rome: The Birthday Concert is a live album by Ella Fitzgerald, with a jazz trio led by Lou Levy, and also featuring the Oscar Peterson trio. Recorded in 1958, it was released thirty years later.
Ella Fitzgerald at the Newport Jazz Festival: Live at Carnegie Hall is a 1973 live album by the American jazz singer Ella Fitzgerald, accompanied by a reconstructed Chick Webb Band, the pianist Ellis Larkins, and for the second half of the album, the Tommy Flanagan Quartet.
When Harry Met Sally... is the soundtrack to the 1989 film of the same name starring Billy Crystal and Meg Ryan. The songs are performed by pianist Harry Connick Jr., who won the Grammy Award for Best Jazz Male Vocal Performance.
Live at Donte's is a live album by American jazz guitarist Joe Pass recorded in 1974 but first released in 1981 on Pablo Records as a double album. After spending over ten years playing in relative obscurity, Pass released the critically acclaimed solo-guitar Virtuoso and also played on two Ella Fitzgerald albums.
Intercontinental is an album by jazz guitarist Joe Pass that was released in 1970. The album is a collection of mainly swing and Latin jazz standards with the exception of the country/pop hit "Ode to Billie Joe". It features drummer Kenny Clare and bassist Eberhard Weber. This album is notable as a rare example of Eberhard Weber playing straight ahead bass on covers of standards.
Sittin' In is a 1957 studio album by Dizzy Gillespie, featuring the saxophonists Stan Getz, Paul Gonsalves and Coleman Hawkins.
Hey There is an album by jazz group The Three Sounds featuring performances recorded in 1961 and released on the Blue Note label. In March 2015, it was released for the first time on SHM-CD in Japan, featuring all the pieces recorded at an August 13, 1961 session, including the previously unissued "Billy Boy" and the tracks from Babe's Blues.
Red Garland's Piano is an album by jazz pianist Red Garland, released in 1957 on Prestige Records. It features tracks recorded mainly on March 22, 1957.
Live at the Half-Note is an album by Art Farmer's Quartet featuring guitarist Jim Hall recorded in 1963 at the Half Note Club and released on the Atlantic label.
A Generation Ago Today is an album by guitarist Kenny Burrell featuring standards associated with the Benny Goodman Sextet and Charlie Christian recorded in 1966 and 1967 and released on the Verve label.
Max Roach + 4 on the Chicago Scene is an album by the American jazz drummer Max Roach featuring tracks recorded in Chicago in 1958 and released on the EmArcy label in mono; alternate versions of four tracks were released in Japan on a 1984 stereo reissue.
Boss Tenor is an album by saxophonist Gene Ammons recorded in 1960 and released on the Prestige label.
Louis Bellson Quintet is an album by American jazz drummer Louis Bellson featuring performances recorded in 1954 for the Norgran label.
Solo Piano is an album by jazz pianist Tommy Flanagan. It was recorded in 1974 and released in 2005 by Storyville Records.
Timeless Jazz is an album by saxophonist Coleman Hawkins which was recorded in 1954 for the mail order Jazztone label and rereleased as Jazz Tones on Xanadu Records in 1982.
Musician of the Year is an album led by jazz trombonist Eddie Bert recorded in 1955 and first released on the Savoy label.
Capital Hill is an album by saxophonist Buck Hill which was recorded in 1989 and released on the Muse label.