When Harry Met Sally... is a 1989 American romantic comedy film directed by Rob Reiner and written by Nora Ephron. Starring Billy Crystal, Meg Ryan, Carrie Fisher, and Bruno Kirby, it follows the title characters from the time they meet in Chicago and share a drive to New York City through twelve years of chance encounters in New York, and addresses the question "Can men and women ever just be friends?"
Ideas for the film began when Reiner and Penny Marshall divorced. An interview Ephron conducted with Reiner provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards from Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance.
In 1977, Harry Burns and Sally Albright graduate from the University of Chicago. Harry is dating Sally's friend Amanda Reese, leading to Harry and Sally ride-sharing to New York City. Sally is attending journalism school there and Harry has a job waiting.
During the drive, Harry and Sally discuss their differing ideas about relationships; Sally disagrees with Harry's assertion that men and women cannot be friends as "the sex part gets in the way". They stop at a diner, and when Harry tells Sally she is very attractive, she angrily accuses him of making a pass. They part company in New York, never intending to see each other again.
Five years later in 1982, Harry and Sally find themselves on the same flight. Sally is dating Harry's neighbor Joe, and Harry is engaged to Helen, which surprises Sally, as it seems uncharacteristically optimistic of him. Harry suggests they become friends, forcing him to qualify his previous position about the impossibility of male-female friendships. They separate, concluding that they will not be friends.
Five years later in 1987, Harry and Sally run into each other at a bookstore. They have coffee and talk about their previous relationships; Sally and Joe have broken up and Helen has left Harry for another man. They agree to pursue a friendship and have late-night phone conversations, go to dinner, and spend time together discussing their love-lives.
During a New Year's Eve party, Harry and Sally find themselves growing attracted to each other and share an awkward midnight kiss. They remain friends and set each other up with their respective best friends, Marie and Jess. When the four go out, neither Marie nor Jess is attracted to Harry or Sally and instead immediately fall for each other. Soon after, the two are engaged.
One night, Sally tearfully calls Harry to say that her ex, Joe, is getting married. Harry goes to Sally's apartment to comfort her but they end up having sex. Harry leaves the next morning, feeling awkward and filled with regret. Their friendship cools until they have a heated argument at Jess and Marie's wedding reception. Harry attempts to mend their relationship, but Sally feels that they can no longer be friends.
At a 1988 New Year's Eve party with Jess and Marie, Sally misses Harry. He is spending New Year's Eve at home, watching Dick Clark's 16th annual New Year's Rockin' Eve. Before midnight, Harry walks around the city. As Sally is about to leave the party, Harry appears and declares his love for her. She claims he is only there because he is lonely, but he lists the many reasons he loves her. Harry and Sally marry three months later, exactly 12 years and three months after their first meeting.
The film contains several interspersed segments of older couples discussing how they met. The true stories, gathered by Nora Ephron, are reenacted by actors. The final couple interviewed, before the closing credits, is Harry and Sally.
In 1984, director Rob Reiner, producer Andrew Scheinman, and writer Nora Ephron met over lunch at the Russian Tea Room in New York City to develop a project.[2] Reiner pitched an idea for a film that Ephron rejected.[3] The second meeting transformed into a long discussion about Reiner and Scheinman's lives as single men. Reiner remembers, "I was in the middle of my single life. I'd been divorced for a while. I'd been out a number of times, all these disastrous, confusing relationships one after another."[4] The next time they all met, Reiner said that he had always wanted to do a film about two people who become friends and do not have sex because they know it will ruin their relationship but have sex anyway. Ephron liked the idea, and Reiner acquired a deal at a studio.[2]
For materials, Ephron interviewed Reiner and Scheinman about their lives, creating the basis for Harry. Reiner was constantly depressed and pessimistic yet funny. Ephron also got bits of dialogue from these interviews. Sally was based on Ephron and some of her friends.[2] She worked on several drafts over the years while Reiner made Stand by Me (1986) and The Princess Bride (1987).[3] Billy Crystal "experienced vicariously" Reiner's (his best friend at the time) return to single life after divorcing comedian/filmmaker Penny Marshall and in the process was unconsciously doing research for the role of Harry.[2]Tom Hanks, Richard Dreyfuss, Michael Keaton and Albert Brooks were all offered the role of Harry Burns but all of them turned it down, with Brooks feeling the movie was too reminiscent of Woody Allen's work.[5][6]
During the screenwriting process when Ephron did not feel like writing, she would interview people who worked for the production company. Some of the interviews appeared in the film as the interludes between certain scenes featuring couples talking about how they met,[2] although the material was rewritten and reshot with actors. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal.[7] For example, the scene depicting Sally and Harry in split-screen conversing with each other by telephone and simultaneously watching television and channel surfing was something that Crystal and Reiner did every night.[7]
Originally, Ephron wanted to call the film How They Met and went through several different titles. Reiner even started a contest with the crew during principal photography: whoever came up with the title won a case of champagne.[3] In order to get into the lonely mindset of Harry when he was divorced and single, Crystal stayed by himself in a separate room from the cast and crew while they were shooting in Manhattan.[7] The script initially ended with Harry and Sally remaining friends and not pursuing a romantic relationship because she felt that was "the true ending", as did Reiner.[3] Eventually, Ephron and Reiner realized that it would be a more appropriate ending for them to marry, though they admit that this was generally not a realistic outcome.[8] Reiner related that the film originally had a sad ending before he met his second wife Michele, which inspired him to change the ending.[9]
When posed the film's central question, can men and women just be friends, Ryan replied, "Yes, men and women can just be friends. I have a lot of platonic (male) friends, and sex doesn't get in the way." Crystal said, "I'm a little more optimistic than Harry. But I think it is difficult. Men basically act like stray dogs in front of a supermarket. I do have platonic (women) friends, but not best, best, best friends."[10] Reiner's mother Estelle and daughter Tracy both played roles in the film.
Katz's Delicatessen scene
Film still from the famous restaurant sceneKatz's Deli hangs this sign above the table.
In a scene featuring the two title characters having lunch at Katz's Delicatessen, a well-known Jewish Deli in Manhattan, the couple is arguing about a man's ability to recognize when a woman is faking an orgasm. Sally claims that men cannot tell the difference, and to prove her point, she vividly (fully clothed) fakes one as other diners watch. The scene ends with Sally casually returning to her meal as a nearby patron (played by Reiner's mother) places her order, deadpan: "I'll have what she's having." When Estelle Reiner died at age 94 in 2008, The New York Times referred to her as the woman "who delivered one of the most memorably funny lines in movie history".[11] This scene was shot "over and over again",[12] and Ryan demonstrated her fake orgasms for hours.[8] Katz's Deli still hangs a sign above the table that says, "Where Harry met Sally... hope you have what she had!"[13][14]
The memorable scene was born when the film started to focus too much on Harry. Crystal remembers saying, "'We need something for Sally to talk about,' and Nora said, 'Well, faking orgasm is a great one,' and right away we said, 'Well, the subject is good,' and then Meg came on board and we talked with her about the nature of the idea and she said, 'Well, why don't I just fake one, just do one?'"[2] Ryan suggested that the scene take place in a restaurant,[15] and it was Crystal who came up with the scene's classic punchline – "I'll have what she's having."[2] In 2005, the quote was listed 33rd on the AFI's 100 Years... 100 Movie Quotes list of memorable movie lines. Reiner recalls that at a test screening, all of the women in the audience were laughing while all of the men were silent.[3]
In late 2013, Improv Everywhere, the New York City initiative behind the annual No Pants Day in the subways and various flash-mob stunts, convened and filmed a re-enactment in Katz's Delicatessen. While a look-alike couple performed the scene, 30 others joined as if it was contagious. Surprised staff and customers responded in appreciation. The film and follow-up interviews are public.[16] In October of the same year, Katz's invited Baron Von Fancy to display his ten-foot-high mural quoting the famous line in its pop-up gallery next door, The Space.[17]
The When Harry Met Sally... soundtrack album features American singer and pianist Harry Connick Jr.Bobby Colomby, the drummer for Blood, Sweat & Tears, was a friend of Reiner's and recommended Harry Connick Jr., giving the director a tape of the musician's music.[18] Reiner was struck by Connick's voice and how he sounded like a young Frank Sinatra. The movie's soundtrack album was released by Columbia Records in July 1989. The soundtrack consists of standards performed by Harry Connick Jr. with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy for Best Jazz Male Vocal Performance.[19]
Columbia Pictures released When Harry Met Sally... using the "platform" technique which involves opening a film in a few select cities then letting word of mouth generate interest before gradually expanding distribution over subsequent weeks. On its opening weekend, the movie grossed $1,094,453 in 41 theatres,[23] the second highest-grossing opening weekend for a film on fewer than 50 screens, behind Star Wars (1977).[24] Billy Crystal was worried that the film would flop at the box office because it was up against several summer blockbuster films, like Indiana Jones and the Last Crusade and Batman.[2] The film opened in early July and went into wide release on July 21, 1989, grossing $8.8million in 775 theaters in its first weekend of national release.[23] The film later expanded to 1,174 theaters, and ultimately grossed $92.8million in North America, well above its $16million budget.[23]
Critical response
On the review aggregator Rotten Tomatoes, When Harry Met Sally... holds an approval rating of 90% based on 124 reviews, with an average rating of 7.9/10. The website's critics consensus reads, "Rob Reiner's touching, funny film set a new standard for romantic comedies, and he was ably abetted by the sharp interplay between Billy Crystal and Meg Ryan."[25] On Metacritic, the film has a weighted average score of 76 out of 100, based on 17 critics, indicating "generally favorable reviews".[26] Audiences polled by CinemaScore gave the film a rare "A+" grade.[27]
The film led Roger Ebert to call Reiner "one of Hollywood's very best directors of comedy", and said the film was "most conventional, in terms of structure and the way it fulfills our expectations. But what makes it special, apart from the Ephron screenplay, is the chemistry between Crystal and Ryan."[28]
In a review for The New York Times, Caryn James called When Harry Met Sally... an "often funny but amazingly hollow film" that "romanticized lives of intelligent, successful, neurotic New Yorkers"; James characterized it as "the sitcom version of a Woody Allen film, full of amusing lines and scenes, all infused with an uncomfortable sense of déjà vu".[29]
Rita Kempley of The Washington Post praised Meg Ryan as the "summer's Melanie Griffith – a honey-haired blonde who finally finds a showcase for her sheer exuberance. Neither naif nor vamp, she's a woman from a pen of a woman, not some Cinderella of a Working Girl."[30] Mike Clark of USA Today gave the film three out of four stars, writing, "Crystal is funny enough to keep Ryan from all-out stealing the film. She, though, is smashing in an eye-opening performance, another tribute to Reiner's flair with actors."[31]David Ansen provided one of the rare negative reviews of the film for Newsweek. He criticized the casting of Crystal, "Not surprisingly he handles the comedy superbly, but he's too cool and self-protective an actor to work as a romantic leading man", and felt that as a film, "of wonderful parts, it doesn't quite add up".[32]
When Harry Met Sally... was first released on VHS in late 1989, a few months after its theatrical release. It was later re-released on VHS in 1994 as part of a Billy Crystal collection,[50] and in 1997 under the Contemporary Classics edition; the latter release included trailers that were not included in the original VHS release. It was released on DVD for the first time on January 9, 2001, and included an audio commentary by Reiner, a 35-minute "Making Of" documentary featuring interviews with Reiner, Ephron, Crystal, and Ryan, seven deleted scenes, and a music video for "It Had To Be You" by Harry Connick Jr.[51] A Collector's Edition DVD was released on January 15, 2008, including a new audio commentary with Reiner, Ephron, and Crystal, eight deleted scenes, all new featurettes (It All Started Like This, Stories Of Love, When Rob Met Billy, Billy On Harry, I Love New York, What Harry Meeting Sally Meant, So Can Men And Women Really Be Friends?), and the original theatrical trailer.[52] The film was released on Blu-ray on July 5, 2011, containing all of the special features found on the 2008 DVD release.[53] In 2019, a 30th anniversary Blu-ray was released by Shout! Factory from a new 4K transfer of the original camera negative, containing special features from previous home media releases, as well as a new interview with director Rob Reiner and Billy Crystal.[54] In 2012, critic Linda Holmes observed that significant portions of the soundtrack had been changed for the Amazon digital release.[55]
Legacy
Over the years, When Harry Met Sally... has become "the quintessential contemporary feel-good relationship movie that somehow still rings true".[56] Before she died, Ephron still received letters from people obsessed with the film and still had "people who say to me all the time, 'I was having a Harry-and-Sally relationship with him or her'."[56] The film is 23rd on AFI's 100 Years... 100 Laughs list of the top comedy films in American cinema and number60 on Bravo's "100 Funniest Movies."[57]Entertainment Weekly named it as one of the Top10 romantic movies of all time.[58] The magazine also ranked it 12th on their Funniest Movies of the Past 25 Years list.[59] The periodical also ranked it 7th on their 25 Best Romantic Movies of the Past 25 Years list[60] and #3 on their Top 25 Modern Romances list.[61] The film has inspired countless romantic comedies, including A Lot Like Love,[62]No Strings Attached, Hum Tum,[63] and Definitely, Maybe.[64] In addition, the film helped popularize many ideas about love that have become household concepts now, such as the "high-maintenance" girlfriend and the "transitional person".[52] "You can find traces of 'When Harry Met Sally' DNA in virtually every romantic comedy that's been made since," The A.V. Club noted.[65]
In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. When Harry Met Sally was acknowledged as the sixth best film in the romantic comedy genre.[66] It is also ranked #15 on Rotten Tomatoes' 25 Best Romantic Comedies.[67] In early 2004, the film was adapted for the stage in a Theatre Royal Haymarket production starring Luke Perry and Alyson Hannigan.[68]Molly Ringwald and Michael Landes later replaced Hannigan and Perry for the second cast.[69] In 2022, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[1]
William Edward Crystal is an American actor, comedian, and filmmaker. He is known as a standup comedian and for his film and stage roles. Crystal has received numerous accolades, including six Primetime Emmy Awards and a Tony Award as well as nominations for three Grammy Awards and three Golden Globe Awards. He was honored with a star on the Hollywood Walk of Fame in 1991, the Mark Twain Prize for American Humor in 2007, the Critics' Choice Lifetime Achievement Award in 2022, and the Kennedy Center Honors in 2023.
Joseph Harry Fowler Connick Jr. is an American singer, pianist, composer, actor, and former television host. As of 2019, he has sold over 30 million records worldwide. Connick is ranked among the top60 best-selling male artists in the United States by the Recording Industry Association of America, with 16million in certified sales. He has had seven top20 U.S. albums, and ten number-one U.S. jazz albums, earning more number-one albums than any other artist in U.S. jazz chart history as of 2009.
Robert Reiner is an American film director, producer, screenwriter, and actor.
The Princess Bride is a 1987 American fantasy adventure comedy film directed and co-produced by Rob Reiner and starring Robin Wright, Cary Elwes, Mandy Patinkin, Chris Sarandon, Christopher Guest, Wallace Shawn, and André the Giant. Adapted by William Goldman from his 1973 novel, it tells the story of a swashbuckling farmhand named Westley, accompanied by companions befriended along the way, who must rescue his true love Princess Buttercup from the odious Prince Humperdinck. The film preserves the novel's metafictional narrative style by presenting the story as a book being read by a grandfather to his sick grandson.
The Apartment is a 1960 American romantic comedy-drama film directed and produced by Billy Wilder from a screenplay he co-wrote with I. A. L. Diamond. It stars Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston, Jack Kruschen, David Lewis, Willard Waterman, David White, Hope Holiday, and Edie Adams.
Margaret Mary Emily Anne Hyra, known professionally as Meg Ryan, is an American actress. Known for her leading roles as quirky, charismatic women since the late 1980s, Ryan is particularly recognized for her work in romantic comedies, a genre she dominated during the 1980s and 1990s. Dubbed "America's Sweetheart" by the media, she became one of Hollywood's most bankable stars of the latter decade.
Annie Hall is a 1977 American satirical romantic comedy-drama film directed by Woody Allen from a screenplay written by Allen and Marshall Brickman, and produced by Allen's manager, Charles H. Joffe. The film stars Allen as Alvy Singer, who tries to figure out the reasons for the failure of his relationship with the eponymous female lead, played by Diane Keaton in a role written specifically for her.
City Lights is a 1931 American synchronized sound romantic comedy-drama film written, produced, directed by, and starring Charlie Chaplin. While the film has no audible dialog, it was released with a synchronized musical score with sound effects. The story follows the misadventures of Chaplin's Tramp as he falls in love with a blind girl and develops a turbulent friendship with an alcoholic millionaire.
Carl Reiner was an American actor, author, comedian, director and screenwriter whose career spanned seven decades. He was the recipient of many awards and honors, including 11 Primetime Emmy Awards, a Grammy Award, and the Mark Twain Prize for American Humor. He was inducted into the Television Hall of Fame in 1999.
The Jerk is a 1979 American comedy film directed by Carl Reiner and written by Steve Martin, Carl Gottlieb, and Michael Elias. This was Martin's first starring role in a feature film. The film also features Bernadette Peters, M. Emmet Walsh, Catlin Adams, Maurice Evans, and Jackie Mason. Critical reviews were mostly positive, and The Jerk was a major financial success.
Sleepless in Seattle is a 1993 American romantic comedy film directed by Nora Ephron, from a screenplay she wrote with David S. Ward and Jeff Arch. Starring Tom Hanks and Meg Ryan, the film follows a journalist (Ryan) who becomes enamored with a widowed architect (Hanks), when the latter's son calls in to a talk radio program requesting a new partner for his grieving father. In addition to Bill Pullman, Ross Malinger, and Rob Reiner, the film features Rosie O'Donnell, Gaby Hoffmann, Victor Garber, Rita Wilson, Barbara Garrick, and Carey Lowell.
Nora Ephron was an American journalist, writer, and filmmaker. She is best known for writing and directing romantic comedy films and received numerous accolades including a British Academy Film Award as well as nominations for three Academy Awards, a Golden Globe Award, a Tony Award and three Writers Guild of America Awards.
City Slickers is a 1991 American Western comedy film directed by Ron Underwood and starring Billy Crystal, Daniel Stern, Bruno Kirby and Jack Palance, with supporting roles by Patricia Wettig, Helen Slater and Noble Willingham, and Jake Gyllenhaal making his acting debut.
Marc Shaiman is an American composer and lyricist for films, television, and theatre, best known for his collaborations with lyricist and director Scott Wittman, actor Billy Crystal, and director Rob Reiner. Shaiman has received numerous accolades including two Grammy Awards, two Primetime Emmy Awards, and a Tony Award. He has also received seven Academy Awards nominations.
Katz's Delicatessen, also known as Katz's of New York City, is a kosher-style delicatessen at 205 East Houston Street, on the southwest corner of Houston and Ludlow Streets on the Lower East Side of Manhattan in New York City.
The Story of Us is a 1999 American romantic comedy-drama film directed by Rob Reiner, and starring Bruce Willis and Michelle Pfeiffer as a couple married for 15 years.
When Harry Met Sally... is the soundtrack to the 1989 film of the same name starring Billy Crystal and Meg Ryan. The songs are performed by pianist Harry Connick Jr., who won the Grammy Award for Best Jazz Male Vocal Performance.
Estelle Reiner was an American actress and singer, described by The New York Times as "matriarch of one of the leading families in American comedy". She was the wife of Carl Reiner and the mother of Rob Reiner.
Tracy Reiner is an American actress. She is known for her roles in When Harry Met Sally..., Masque of the Red Death, A League of Their Own, and Apollo 13.
Everything Is Copy — Nora Ephron: Scripted & Unscripted is an American documentary film that premiered on March 21, 2016 on HBO. Directed and written by Jacob Bernstein and Nick Hooker, the film explores the life and legacy of legendary writer and film director Nora Ephron.
↑ Baldwin, Kristen; Brown, Scott; Burr, Ty; Cruz, Clarissa; Feitelberg, Amy; Fonseca, Nicholas; Kepnes, Caroline; Lee, Alice M. (February 8, 2002). "Top 25 Modern Romances". Entertainment Weekly. Archived from the original on June 21, 2013. Retrieved February 26, 2009.
↑ Rocchi, James (February 14, 2008). "Review: Definitely, Maybe". Cinematical. Archived from the original on February 15, 2008. Retrieved June 22, 2008.
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