Robert Leroy Johnson was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is recognized as a master of the blues, particularly the Delta blues style, and as one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as perhaps "the first ever rock star".
Exile on Main St. is the tenth studio album by the English rock band the Rolling Stones, released on 12 May 1972 by Rolling Stones Records. The 10th released in the UK and 12th in the US, it is viewed as a culmination of a string of the band's most critically successful albums, following Beggars Banquet (1968), Let It Bleed (1969) and Sticky Fingers (1971). Exile on Main St. is known for its murky, inconsistent sound due to more disjointed musicianship and production, along with a party-like atmosphere heard in several tracks.
Robert Lockwood Jr. was an American Delta blues guitarist, who recorded for Chess Records and other Chicago labels in the 1950s and 1960s. He was the only guitarist to have learned to play directly from Robert Johnson. Robert Lockwood was one of the first professional black entertainers to appear on radio in the South, on the King Biscuit Time radio show. Lockwood is known for his longtime collaboration with Sonny Boy Williamson II and for his work in the mid-1950s with Little Walter.
The Rolling Stones, Now! is the third American studio album by English rock band The Rolling Stones, released in March 1965 by their initial American distributor, London Records. Although it contains two previously unissued songs and an alternative version, the album mostly consists of songs released earlier in the United Kingdom, as well as the group's recent single in the United States, "Heart of Stone" backed with "What a Shame". Mick Jagger and Keith Richards wrote four of the songs on the album, with the balance composed by American rhythm and blues and rock and roll artists.
"Love in Vain" is a blues song written by American musician Robert Johnson. Johnson's performance – vocal accompanied by his finger-style acoustic guitar playing – has been described as "devastatingly bleak". He recorded the song in 1937 during his last recording session and in 1939 it was issued as the last of his original 78 rpm records.
Matthew Tyler Murphy, known as Matt "Guitar" Murphy, was an American blues guitarist. He was associated with Memphis Slim, The Blues Brothers and Howlin' Wolf. In 2012, Murphy was elected to the Blues Hall of Fame.
"Cross Road Blues" is a song written by the American blues artist Robert Johnson. He performed it solo with his vocal and acoustic slide guitar in the Delta blues style. The song has become part of the Robert Johnson mythology as referring to the place where he sold his soul to the Devil in exchange for musical genius. This is based largely on folklore of the American South that identifies a crossroads as the site where Faustian bargains can be made, as the lyrics do not contain any references to Satan.
"Heart of Stone" is a song by the English rock band the Rolling Stones, credited to the songwriting partnership of Jagger/Richards. London Records first issued it as a single in the United States in December 1964. The song was subsequently included on The Rolling Stones, Now! and Out of Our Heads.
"Rollin' and Tumblin'" is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. Rock musicians usually follow Waters' versions, with the 1960s group Cream's rendition being perhaps the best known.
"Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as "Pinetop and Lindberg" in 1932. Johnson's guitar work features an early use of a boogie rhythm pattern, which is seen as a major innovation, as well as a repeating triplets figure.
The discography of the Animals, an English music group of the 1960s formed in Newcastle upon Tyne, contains 20 studio albums, six compilation albums, five EPs and 25 singles. Featuring a gritty, bluesy sound and a deep-voiced frontman in Eric Burdon, they are best known for their rendition of an American folk song "House of the Rising Sun", which is described by many as their signature song. This single had worldwide sales of nearly 5 million and became a Number One hit in both the UK and US in 1964. Overall, the group balanced tough, rock-edged pop singles such as "We Gotta Get Out of This Place" and "It's My Life" against rhythm and blues–oriented album material. The Animals released separate UK and US albums, a practice common to other British Invasion bands of the time such as the Beatles and the Rolling Stones.
"Shine a Light" is a song released by English rock band the Rolling Stones on their 1972 album Exile on Main St. about founding band member Brian Jones and was subsequently reworked and released after his 1969 death.
"Little Red Rooster" is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie.
"Stop Messin' Round" is a song first recorded by English blues rock group Fleetwood Mac in 1968. It was written by the group's principal guitarist and singer Peter Green, with an additional credit for manager C.G. Adams. The song is an upbeat 12-bar blues shuffle and is representative of the group's early repertoire of conventional electric blues. The lyrics deal with the common blues theme of the unfaithful lover and share elements with earlier songs.
Mississippi Delta bluesman Robert Leroy Johnson has been called the "King of the Delta Blues Singers", the "Grandfather of Rock and Roll" and "the most important blues singer that ever lived". The guitars he played, recorded and was photographed with have always been of interest to blues researchers and musicologists, and this interest eventually led to the production of guitars dedicated to his memory.
"Checkin' Up on My Baby" is a song recorded by Sonny Boy Williamson II in 1960 that has become a classic of the blues. The song was not released as a single, but was included on Williamson's The Real Folk Blues album released after his death in 1965. The song has been recorded by numerous blues and other artists, making it one of Williamson's most recorded songs.
"Early in the Morning" is a blues song that was recorded by Sonny Boy Williamson I in 1937. Identified as one of his most successful and influential tunes, it was inspired by earlier blues songs. "Early in the Morning" has been recorded by various musicians, including Junior Wells, who made it part of his repertoire.
Sonny Scott was an American country blues guitarist, singer and songwriter, primarily noted for his association with Walter Roland and Lucille Bogan. In 1933, Scott recorded seventeen tracks in his own name, although only twelve were released at the time. AllMusic noted that his vocal and guitar styling was similar to Ed Bell, Blind Boy Fuller, Curley Weaver, Furry Lewis, and Buddy Moss.
American blues musician Robert Johnson (1911–1938) recorded 29 songs during his brief career. A total of 59 performances, including alternate takes, were recorded over a period of five days at two makeshift recording studios in Texas. Producers selected 25, which Vocalion Records issued on 12 two-sided 78 rpm record singles between 1937 and 1939. These went out-of-print, but were the only source of Johnson's work until his recordings were eventually issued on albums beginning in 1959. In addition to those on the original singles, another 17 recordings have been released.
