"Good Morning, School Girl" | |
---|---|
Single by Sonny Boy Williamson I | |
B-side | "Sugar Mama Blues" |
Released | 1937 |
Recorded | Aurora, Illinois, May 5, 1937 |
Genre | Blues |
Length | 3:00 |
Label | Bluebird |
Songwriter(s) | Unknown |
"Good Morning, School Girl" is a blues standard that has been identified as an influential part of the blues canon. [1] Pre-war Chicago blues vocalist and harmonica pioneer John Lee "Sonny Boy" Williamson first recorded it in 1937. Subsequently, a variety of artists have recorded versions of the song, usually calling it "Good Morning Little Schoolgirl". [2]
Sonny Boy Williamson I recorded "Good Morning, School Girl" in 1937 during his first recording session for Bluebird Records. [1] The song is an uptempo blues with an irregular number of bars. [3] Although identified with Chicago blues, a write-up in the Blues Hall of Fame notes "it was a product of Sonny Boy’s west Tennessee roots and his pre-Chicago ensemble work". [1] The melody has been traced to “Back and Side Blues”, a 1934 blues song recorded by Son Bonds. "Good Morning, School Girl" features Williamson's vocal and harmonica with accompaniment by Big Joe Williams and Robert Lee McCoy (also known as Robert Nighthawk) on guitars.
In October 1948, Leroy Dallas recorded a version of the song, titled "Good Morning Blues". [4] Texas bluesman Smokey Hogg recorded his version, calling it "Little School Girl". In 1950, the song reached number nine on the Billboard Best-Selling Retail Rhythm & Blues Records chart [5] and number five on the magazine's Most Played Juke Box R&B chart. [6] Memphis one-man-band Joe Hill Louis recorded an electric version titled "Good Morning Little Angel" in February or March 1953. [7]
In the late 1950s and early 1960s, several versions of "Good Morning Little Schoolgirl" were recorded as acoustic country-style blues, including versions by John Lee Hooker, Lightnin' Hopkins, Mississippi Fred McDowell, Muddy Waters, and Doctor Ross. In 1965, Junior Wells with Buddy Guy recorded it as a Chicago blues, with a distinctive guitar and bass line, for their influential Hoodoo Man Blues album. [8] McDowell included a 1971 performance on Live in New York and in 1978, Muddy Waters recorded an updated rendition for I'm Ready .
Early rock and roll singer and pianist Larry Williams recorded "Little School Girl" on January 6, 1958 at Radio Recorders in Hollywood, California. [9] Although it uses some of Williamson's lyrics and melody, music writer Gene Sculatti notes the more dance-inspired version. [9] Specialty Records released the song as the B-side to "Ting-A-Ling", with the writer credit listed as "L. Williams". [9]
"Good Morning, Little Schoolgirl" | |
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Single by Don and Bob | |
B-side | "I'm Lost" |
Released | 1961 |
Recorded | 1961 |
Genre | Rhythm and blues |
Length | 2:25 |
Label | Argo |
Songwriter(s) | Don Level, Bob Love |
In 1961, Don Level and Bob Love, as the rhythm and blues duo "Don and Bob", recorded a different version of "Good Morning Little Schoolgirl" for Argo Records, a Chess subsidiary. [10] Although they use the phrase "good morning little schoolgirl", the song has different chord changes and lyrics, including references to popular dance styles of the time. [11]
When the Yardbirds were looking for a song to follow up to their first single, "I Wish You Would", they chose the Don and Bob tune. [11] The group's guitarist Eric Clapton explained in an early interview:
[The Yardbirds were] working about every single night of the week. Trouble was finding new material for a disc. We remembered this 'Good Morning Little School Girl' from a rather obscure R and B artiste—a friend of ours had it on a long-player. So we rushed in and recorded it. [12]
The single was released on October 20, 1964, in the UK, where it reached number 44 in the singles chart, the band's first record to do so. [13] Epic Records, the Yardbirds' American label, did not issue the single in the US, but in 1965 included the song on their first U.S. album, For Your Love . Later, in his autobiography, Clapton described the early recordings:
[They] sounded pretty lame. We just sounded young and white, and even though our second single, a cover of a rock version of 'Good Morning Little Schoolgirl', sounded much better, I felt just that we were falling short of the mark in some way. This was not something I felt just about the Yardbirds, but about other bands that I admired, like Manfred Mann, the Moody Blues, and the Animals, all of whom were far better live than they were on recordings. [14]
The group recorded a live version at the Marquee Club in London, which was released on the British debut album, Five Live Yardbirds , in December 1964. [12] On the live version, Clapton and bassist Paul Samwell-Smith provided the vocals instead of lead singer Keith Relf. [15] The Yardbirds single version was credited to "Demarais" or "H.G. Demarais" (Dee Marais, a Shreveport, Louisiana, record label owner/distributor and business associate of Leonard Chess), although some later reissues list Sonny Boy Williamson as the songwriter. [16] Album credits for live version are either listed as Demarais or "Level–Love". [17]
Numerous artists have recorded or performed the song through the years, usually with the title "Good Morning Little Schoolgirl". [2] In 1967, the Grateful Dead recorded a version for their self-titled debut album based on Wells' arrangement. Ron "Pigpen" McKernan provided the vocal and harmonica, which an AllMusic reviewer called a "greasy harp-fuelled take". [18] The song was a staple of their early live performances.
English group Ten Years After updated the song with a blues-rock arrangement for their 1969 album Ssssh . In an album review, Jim Newsom noted the seven-minute version included "reworked lyrics leaving little doubt as to what the singer had in mind for the title character". [19]
In 1990, Sonny Boy Williamson's "Good Morning, School Girl" was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings – Single or Album Track" category. [1]
Mathis James Reed was an American blues musician and songwriter. His particular style of electric blues was popular with a wide variety of audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), "Big Boss Man" (1961), and "Bright Lights, Big City" (1961) appeared on both Billboard magazine's R&B and Hot 100 singles charts.
Five Live Yardbirds is the live debut album by the English rock band the Yardbirds. It features the group's interpretations of ten American blues and rhythm and blues songs, including their most popular live number, Howlin' Wolf's "Smokestack Lightning". The album contains some of the earliest recordings with guitarist Eric Clapton.
For Your Love is the first American album by the English rock band the Yardbirds. Released in June 1965, it contains new studio recordings along with previously released singles. The album features some of the earliest recordings by guitarists Eric Clapton and his replacement Jeff Beck.
Having a Rave Up with the Yardbirds, or simply Having a Rave Up, is the second American album by the English rock group the Yardbirds. It was released in November 1965, eight months after Jeff Beck replaced Eric Clapton on guitar. It includes songs with both guitarists and reflects the group's blues rock roots and their early experimentations with psychedelic and hard rock. The title refers to the driving "rave up" arrangement the band used in several of their songs.
A Night in San Francisco is a live album by Northern Irish singer-songwriter Van Morrison, released in 1994. Guest artists were Candy Dulfer, John Lee Hooker, Junior Wells and Jimmy Witherspoon as well as Morrison's daughter, Shana Morrison. James Hunter and Brian Kennedy helped out with the vocals and Georgie Fame was also present.
"I Wish You Would" is a song recorded by Chicago blues musician Billy Boy Arnold in 1955. It was developed while Arnold was performing with Bo Diddley and incorporates a Diddley-style rhythm. Called "a timeless Chicago blues classic", "I Wish You Would" is Arnold's best-known song and has been recorded by several artists, including the Yardbirds, who recorded it for their debut single in 1964.
Live at the Fillmore Auditorium is a live album by the American musician Chuck Berry. He was backed by the Steve Miller Blues Band. Berry's second live album, it was released in 1967 by Mercury Records.
"Eyesight to the Blind" is a 12-bar blues song written and recorded in 1951 by Sonny Boy Williamson II. He also recorded the related songs "Born Blind", "Unseeing Eye", "Don't Lose Your Eye", and "Unseen Eye" during his career. The Larks, an American rhythm and blues group, recorded the song, which reached number five on the R&B charts in 1951. Several musicians subsequently recorded it in a variety of styles. The Who adapted Williamson's song for their rock opera Tommy.
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style.
Ultimate! is a comprehensive career retrospective album by English rock group the Yardbirds. The 52-song two–compact disc compilation was released in 2001 by Rhino Records. The tracks span the period from the group's first demo recordings in 1963 to the last singles in 1968. They include all 17 of the group's singles, both A-side and B-sides, supplemented with more than a dozen album tracks, their performance for the film Blow-Up, and three early solo numbers by singer Keith Relf.
Live! Blueswailing July '64 is a live album by English rock group the Yardbirds. The recordings were discovered in 2003 and when the album was released that year, the date and location of the performance was uncertain. However, it since has been determined that it was recorded at the Marquee Club in London on 7 August 1964. As with the group's British debut album it contains some of the earliest live recordings with guitarist Eric Clapton.
What's Shakin' is a compilation album released by Elektra Records in May 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
Alan Glen is a British blues harmonica player, best known for his work with The Yardbirds, Nine Below Zero, Little Axe, and his own bands, The Barcodes and The Incredible Blues Puppies.
Sonny Boy Williamson & the Yardbirds is a live album by Chicago blues veteran Sonny Boy Williamson II backed by English rock band the Yardbirds. It was recorded at the Crawdaddy Club in Richmond, Surrey on December 8, 1963. However, the performances were not released until early 1966, after a string of Top 40 hits by the Yardbirds.
"One Way Out" is a blues song that was recorded in the early 1960s by both Sonny Boy Williamson II and Elmore James. A reworking of the song by G. L. Crockett, titled "It's a Man Down Here", appeared on the Billboard record charts in 1965. In 1971, the Allman Brothers Band recorded an updated live version of the song, which was included on their popular Eat a Peach album (1972).
The Yardbirds were an English rock group that had a string of Top 40 radio hits in mid-1960s in the UK and the US and introduced guitarists Eric Clapton, Jeff Beck, and Jimmy Page. Their first album released in the UK, Five Live Yardbirds (1964), represented their early club performances with Clapton. The Yardbirds' first American album, For Your Love (1965), was released to capitalise on their first hit, and to promote the group's first US tour. However, Clapton had already decided to pursue a different musical direction and was replaced by Beck. Several popular singles with Beck followed, including a second American album, Having a Rave Up with the Yardbirds (1965), that, as with their previous album, was a split release featuring songs with both Clapton and Beck.
"Don't Start Me Talkin'" is a blues song written and performed by Sonny Boy Williamson II. It was Williamson's first single recorded for Checker Records, and reached number three in the US Billboard R&B chart in 1955.
The Yardbirds are an English rock band formed in London in 1963. The band started the careers of three of rock's most famous guitarists: Eric Clapton (1963–1965), Jeff Beck (1965–1966) and Jimmy Page (1966–1968), all of whom ranked in the top five of Rolling Stone magazine's list of 100 greatest guitarists. The band's other members during 1963–1968 were vocalist/harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist Chris Dreja, and bassist Paul Samwell-Smith, with Dreja switching to bass when Samwell-Smith departed in 1966. The band had a string of hits throughout the mid-1960s, including "For Your Love", "Heart Full of Soul", "Shapes of Things", and "Over Under Sideways Down".
"Bye Bye Bird" is a harmonica-driven blues song written by Willie Dixon and Sonny Boy Williamson II. In 1963, Checker Records issued it as the B-side of Williamson's single "Help Me", which was his last single to reach the record charts.
"A Certain Girl" is a rhythm and blues song written by Allen Toussaint, with the credit listed under his pen name Naomi Neville. New Orleans R&B singer Ernie K-Doe recorded it in 1961. Minit Records released the song as the B-side of "I Cried My Last Tear".
Seven-way tie for number nine position
Two-way tie for number five
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