Ha! Ha! Said the Clown

Last updated
"Ha! Ha! Said the Clown"
Manfred-mann-ha-ha-said-the-clown-1967-12.jpg
UK picture sleeve
Single by Manfred Mann
from the album Mighty Garvey!
B-side "Feeling So Good"
Released24 March 1967 (1967-03-24)
Recorded10 February 1967 (1967-02-10)
Studio Philips, Marble Arch, London
Genre Pop rock
Length2:25
Label Fontana
Songwriter(s) Tony Hazzard
Producer(s) Shel Talmy
Manfred Mann singles chronology
"Semi-Detached, Suburban Mr. James"
(1966)		"Ha! Ha! Said the Clown"
(1967)		"Sweet Pea"
(1967)
Official audio
"Ha! Ha! Said the Clown" on YouTube

"Ha! Ha! Said the Clown" is a song written by Tony Hazzard, first recorded by British pop group Manfred Mann. Hazzard claims the song "came out of the blue" though he did not demo it for weeks. Following recording a demo, he approached manager Gerry Bron, who liked it enough to want one of his groups, Manfred Mann, to record it. Manfred Mann recorded their version of the single on 10 February 1967 at Philips Studio in Marble Arch, London, together with producer Shel Talmy. It was the second of three singles Manfred Mann recorded to feature the Mellotron.

Contents

Upon release by Fontana Records on 24 March 1967, the single received mixed reviews by critics, who deemed it inferior to their previous single "Semi-Detached, Suburban Mr. James", and criticized its lightweight pop sound. Despite these critical setbacks it became a huge commercial success, reaching number 4 in the UK and number one in several other European, African and Oceanian countries. As it failed to chart in the United States, Mickie Most released a version by the Yardbirds there, becoming a minor hit for them.

Background and recording

Throughout 1966, Manfred Mann had been through a bit of crisis, losing both their lead singer Paul Jones and numerous other line-up changes hampering their efforts. [1] [2] However, riding on the charts with the number-one single "Pretty Flamingo", their commercial success was not declining. [3] After securing a line-up featuring vocalist Mike D'Abo and bassist Klaus Voormann they signed with Fontana Records in June of that year. [4] After their cover of Bob Dylan's "Just Like a Woman" reached the top ten, it established their "commercial credibility" according to Bruce Eder of AllMusic. [4] Following the success of their second single on Fontana, October 1966's Semi-Detached, Suburban Mr. James" the group began to "reshape their sound and image" to incorporate a more "pop-sound" into their music. [4] However, both these tracks were written by outside writers, something which was standard for Manfred Mann. [5] This led the group to look for new material from outside writers following the success of "Semi-Detached". [6]

Manfred Mann with Dave Berry in 1967. ManfredMannDaveBerry.jpg
Manfred Mann with Dave Berry in 1967.

In the May 1967 issue of Beat Instrumental , Tony Hazzard claims to have "Ha! Ha! Said the Clown" in his head "out of the blue" but states that it took him weeks to finally record a demo of it. [7] Peter Dunbavan states that Hazzard then entered the offices of Manfred Mann's manager Gerry Bron, who had signed him in 1966. [8] There, Hazzard played three demo recordings for Bron, who deemed them uncommercial. [8] Following this, Hazzard became reluctant to play the fourth song he'd demoed, "Ha! Ha! Said the Clown", though at the insistence of Bron he did so. [8] Bron liked the song well enough to almost demand Manfred Mann to record the song. [8] Manfred Mann himself, however, was not keen on recording it:

We would have got a demo. I remember it very clearly, it was from Tony Hazzard and I didn't like the song at all and didn't want to do it. But Lillian Bron (then wife of manager Gerry Bron) kept going on and on and on, and in the end I thought, "well, perhaps it's better than it seems". So we did it. I didn't want to do it at first. [9]

On 10 February 1967, the group recorded the song at Philips Studio in Stanhope House, Marble Arch, London. [10] [11] The production was handled by Shel Talmy, who had collaborated with Manfred Mann on all their releases since the June 1966 recording of "Just Like a Woman". [12] Neil Innes has claimed that the recording of the song took eight hours, as Gerry Bron would constantly nag about it to him. [13] Drummer Mike Hugg instead states that the entire recording session lasted 22 hours, 12 of which were dedicated to the final master take of the song. [14]

The song is rhythmically more complex than it appears; as Hazzard told Songfacts: [15]

I was into odd time signatures at the time, like 5/4 and 7/8, and also inserting odd bars of 3/4 and 2/4 in a 4/4 song but in a way where the listener barely noticed because it sounded perfectly natural. This is one of those songs.

As with "Semi-Detached, Suburban Mr. James", Manfred Mann plays the Mellotron Mark II on the recording, the second of three of their single A-sides featuring the instrument. [16] [nb 1] However, Andy Thompson believes Mann's performance of the Mellotron on "Semi-Detached" is superior to the playing heard on "Ha! Ha! Said The Clown", though notes it is "still well worth hearing". [16]

Release and commercial performance

In the United Kingdom, "Ha! Ha! Said the Clown" would be released on 24 March 1967 through Fontana Records. [9] [17] [nb 2] Unusually for the UK at the time, the single was released in a picture sleeve, [9] depicting a clown's makeup. The B-side "Feeling So Good" was written by Mann and drummer Mike Hugg, and once again followed the pattern of having self-composed B-sides contrasting to A-sides written by outside writers. [5] According to Greg Russo, "Feeling So Good" was an "experiment with Mann and Hugg on lead vocals" where guitarist Tom McGuinness was mixed high and Klaus Voormann provided background vocals. [9] Russo notes however that the nature of the record was never attempted again by the group. [9] In the United States, "Ha! Ha! Said the Clown" was released through Mercury Records on 30 March 1967. [19] [nb 3] It would be the final Manfred Mann release until "Mighty Quinn" was released there in February 1968. [19]

"Ha! Ha! Said the Clown reached number-one on Wonderful Radio London's (ship on right) Fab 40 chart. Ehemaliges "Radio-London-Schiff" GALAXY (brit.) (Kiel 66.676).jpg
"Ha! Ha! Said the Clown reached number-one on Wonderful Radio London's (ship on right) Fab 40 chart.

Nonetheless, "Ha! Ha! Said the Clown" entered the Record Retailer chart two weeks after it was released on 5 April 1967 at a position of number 46. [3] It peaked at number 4 on 26 April, staying there for two weeks before beginning its descent down the charts again. [3] On the chart, it was last seen on 14 June at a position of number 50, having spent 11 weeks. [3] In the charts published by rival magazines Melody Maker , New Musical Express and Disc and Music Echo , it also peaked at number 4. [21] [20] [22] However, on pirate radio station Radio London's own list, Fab 40, it peaked at number one on 16 April 1967. [20] The single saw extended appeal in Europe, reaching number one in Austria, [23] Belgium, [24] [25] the Netherlands, [26] [27] and West Germany. [28] In Africa, it also reached number one in South Africa, [29] while it reached number 3 in Rhodesia. [30] In Oceania, the single peaked at number 10 in Australia, [31] and 2 in New Zealand. [32] It did however fail to make the US chart despite being released there. [9]

Both sides of the single got their first album released in November 1967 when it was released on the compilation album One Way, which was released by Fontana in Holland. [33] In the United Kingdom, the song would first get an album release on Manfred Mann's fourth studio album Mighty Garvey! , released in the UK on 28 June 1968, almost one and a half years after it was recorded. [34] On the album, it is sequenced between "Cubist Town" and "Harry the One-Man Band" on side two. [34] The B-side's first UK release came on the compilation album What A Mann, released on 16 March 1968. [33] In the United States, it was first released on the US equaivalent to Mighty Garvey!, The Mighty Quinn through Mercury Records on 6 May 1968, where it is sequenced as the second song on side one, following the title track. [34]

Critical reception and legacy

It was our manager Gerry who found the song. He was most insistent that we recorded it, usually he doesn't have too much to say about the top sides of singles, but he was so adamant that I thought, "well, he must have a point". Then, even though I didn't particularly like it, I had to convince the others that it was OK. Now, of course, the song has grown on me. I've heard it so many times. Funnily enough, it took us ages to get it finished in the studio, we must have heard it thousands and thousands of times. That was what put us off. [35]

Manfred Mann,interview, Record Mirror

In the UK, the single was met by mixed reviews. Writing for Disc and Music Echo , Penny Valentine states that the song "is excellently made" and "very well written", though she believes the title is a "little macabre". [36] She writes that although "D'Abo sings well", she thinks there's "something about the record that doesn't quite click as a smash single." [36] She believed the first half of the song was "marvellous", though she lost focus halfway through. [36] She ends by claiming that it will be a hit, "though it doesn't sound top-5". [36] The staff writer for Melody Maker believes that "Manfred Mann and his men have been around long enough now to know what's happening", [37] noting that the band seemingly stopped making bad or "uncommercial records", and that Mike D'Abo has settled down. [37] They claim that the single will become a hit, while also speculating over how big of a hit it will be, which they deem impossible without repeated listens. [37] They end by claiming that the single has "catchy lyrics" and a "clever chorus" without sounding corny. [37]

Manfred Mann, interview, Beat Instrumental In New Musical Express , Derek Johnson writes that the song was "conceived in much the same style as 'Semi-Detached, Suburban Mr. James'", comparing their falsetto harmonies, Mellotron sound, and "shake beat". [38] Johnson calls the chorus "whistling" while simultaneously praising D'Abo's vocal performing, stating that he's handling it in style. [38] Musically, however, he deems "Semi-Detached" to be better as it had a direct impact but ends with the notion that "it's a disc that grows on you." [38] In Record Mirror , Peter Jones calls it "light-toned and very pacey". [39] He writes that the song features some notable "instrumental tricks behind", while stating that it is musically different from the group's earlier material. [39] Though he claims it most likely will become a hit "due to sheer professionalism and a sense of style", it most likely won't be a smash. [39]

Retrospectively, the single has also received mixed reviews. Mike d'Abo, singer of the song, claims that he sung the song "10,000 times" while never liking it. [40] McGuiness states that the record was "alright" as it was a big hit across Europe. [13] Hugg also stated difficulty in performing the number on stage, owing to the multiple studio effects the song was dependent on. [14] Greg Russo claims that "Ha! Ha! Said the Clown" predated the Moody Blues album Days of Future Passed by at least a few months. [9] However, Russo also states that the Moody Blues saw great success with their albums because of the Mellotron, while Manfred Mann were confined to playing it on their singles and some album tracks. [9]

The Yardbirds version

Background and recording

"Ha Ha Said the Clown"
HaHaSaidTheClownYardbirds.jpg
2011 reissue picture sleeve
Single by the Yardbirds
B-side "Tinker, Tailor, Soldier, Sailor"
Released17 July 1967 (1967-07-17)
Recorded13 & 19 June 1967
Studio
Genre Pop rock
Length2:29
Label Epic
Songwriter(s) Tony Hazzard
Producer(s) Mickie Most
The Yardbirds singles chronology
"Little Games"
(1967)		"Ha Ha Said the Clown"
(1967)		"Ten Little Indians"
(1967)

By 1967, English rock group the Yardbirds had become a quartet with Jimmy Page as the sole guitarist, but their record chart performance had begun to falter. [41] To bolster the group's chances at another top 40 hit, successful pop singles producer Mickie Most was brought in to oversee their recordings. [42] Most managed Manfred Mann at the time and tried to interest the Yardbirds in recording "Ha Ha Said the Clown". [42] Manfred Mann's version failed to chart in the US, which gave the Yardbirds a new opportunity to try. [9] Most was quoted as saying "Just try it and if you don't like it, we won't release it." [42]

When the Yardbirds decided against recording the song, Most arranged for studio musicians to record it, to which singer Keith Relf later overdubbed a vocal. [42] Yardbirds' chronicler Greg Russo described the version as "a carbon copy of Manfred Mann's #3 UK pop hit written by Tony Hazzard. With its British success, it made no sense to record a Yardbirds version for UK consumption." [43] Relf later commented:

In the end, we were just a group being sent out to promote Mickie Most's records ... he used session men to do the backings, while we were touring, and then got me to overdub my voice. Incredible, isn't it? 'Ha Ha Said the Clown,' which was only put out in the States, was done that way, and in the end, we just got fed up with carrying on like that—he just didn't want to know about anything we created ourselves. [44]

Release and reception

Released by Epic Records in the US in July 1967 as a Yardbirds single, it appeared at No. 45 on the Billboard Hot 100. [43] In Canada, it was released by Capitol, where it reached number 38 on the RPM singles chart. [45] Page biographer Chris Salewicz believed the song was "utterly inappropriate for the market they were trying to build in the United States"; [46] the group were performing at popular counter culture venues, where they were developing more experimental fare, such as "Dazed and Confused". [47] Several music journalists had similar opinions: "substandard" (Buckley); [48] "lightweight" (Case); [49] "inferior US-only cover" (Clayson); [50] "downright bad ... bubblegum number" (Prown and Newquist); [51] "gobsmackingly awful" (Shadwick, who also noted that Manfred Mann had even felt the song was "feeble"); [52] and "particularly crass and inept" (Williamson). [53]

Except for the original single, for years the Yardbirds' "Ha Ha Said the Clown" was relatively scarce. [54] However, in 1992, it was included on the expanded Little Games Sessions & More double CD [55] and in 2001, on the comprehensive group retrospective Ultimate! . [54] Additionally, it was reissued, together with their next US single "Ten Little Indians", through Sundazed Records in time for Record Store Day 2011, a release which was housed in a picture sleeve. [56] [ self-published source ]

Personnel

The instrumental backing was provided by session musicians in New York City; Keith Relf, the only Yardbird to appear on their release, later overdubbed the vocal in London. [57] [58]

Chart performance

Related Research Articles

<span class="mw-page-title-main">Manfred Mann</span> English rock band

Manfred Mann were an English rock band, formed in London and active between 1962 and 1969. The group were named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969.

<i>Little Games</i> 1967 studio album by the Yardbirds

Little Games is the fourth American album by English rock band the Yardbirds. Recorded and released in 1967, it was their first album recorded after becoming a quartet with Jimmy Page as the sole guitarist and Chris Dreja switching to bass. It was also the only Yardbirds album produced by Mickie Most.

<i>For Your Love</i> (album) 1965 studio album by the Yardbirds

For Your Love is the first American album by English rock band the Yardbirds. Released in July 1965, it contains new studio recordings along with previously released singles. The album features some of the earliest recordings by guitarists Eric Clapton and his replacement Jeff Beck.

<i>Having a Rave Up with the Yardbirds</i> 1965 album by the Yardbirds

Having a Rave Up with the Yardbirds, or simply Having a Rave Up, is the second American album by English rock group the Yardbirds. It was released in November 1965, eight months after Jeff Beck replaced Eric Clapton on guitar. It includes songs with both guitarists and reflects the group's blues rock roots and their early experimentations with psychedelic and hard rock. The title refers to the driving "rave up" arrangement the band used in several of their songs.

<span class="mw-page-title-main">Mike d'Abo</span> English singer and songwriter

Michael David d'Abo is an English singer and songwriter, best known as the lead vocalist of Manfred Mann from 1966 to their dissolution in 1969, and as the composer of the songs "Handbags and Gladrags" and "Build Me Up Buttercup", the latter of which was a hit for The Foundations. With Manfred Mann, d'Abo achieved six top twenty hits on the UK Singles Chart including "Semi-Detached, Suburban Mr. James", "Ha! Ha! Said the Clown" and the chart topper "Mighty Quinn". He is the father to actress Olivia d'Abo.

<span class="mw-page-title-main">Happenings Ten Years Time Ago</span> 1966 song by the Yardbirds

"Happenings Ten Years Time Ago" is a song by the English rock group the Yardbirds. Written and recorded in 1966, it is considered one of their most progressive works. The song was the group's first to feature the dual-lead guitar line-up of Jeff Beck and Jimmy Page. The two contribute an array of guitar parts during the instrumental sections, described as "a full-on six-string apocalypse". Lyrically, it deals with notions of past life and déjà vu.

<span class="mw-page-title-main">Over Under Sideways Down</span> 1966 single by the Yardbirds

"Over Under Sideways Down" is a 1966 song by English rock group the Yardbirds. A composition credited to all members of the group, it combines elements of blues rock and psychedelic rock. It was first released as a single in May 1966 as a follow-up to "Shapes of Things" and in July was included on group's self-titled UK album.

<span class="mw-page-title-main">Just Like a Woman</span> 1966 song by Bob Dylan

"Just Like a Woman" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan allegedly wrote it on Thanksgiving Day in 1965, though some biographers doubt this, concluding that he most likely improvised the lyrics in the studio. Dylan recorded the song at Columbia Studio A in Nashville, Tennessee in March 1966. The song has been criticized for supposed sexism or misogyny in its lyrics, and has received a mixed critical reaction. Some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Retrospectively, the song has received renewed praise, and in 2011, Rolling Stone magazine ranked Dylan's version at number 232 in their list of the 500 Greatest Songs of All Time. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the Billboard Hot 100. The single also reached 8th place in the Australian charts, 12th place on the Belgium Ultratop Wallonia listing, 30th in the Dutch Top 40, and 38th on the RPM listing in Canada.

<i>Ultimate!</i> 2001 compilation album of 1963–1968 songs by the Yardbirds

Ultimate! is a comprehensive career retrospective album by English rock group the Yardbirds. The 52-song two–compact disc compilation was released in 2001 by Rhino Records. The tracks span the period from the group's first demo recordings in 1963 to the last singles in 1968. They include all 17 of the group's singles, both A-side and B-sides, supplemented with more than a dozen album tracks, their performance for the film Blow-Up, and three early solo numbers by singer Keith Relf.

<span class="mw-page-title-main">Mike Hugg</span> British musician

Michael John Hugg is a British musician who was a founding member of the 1960s group Manfred Mann.

<i>Mighty Garvey!</i> 1968 studio album by Manfred Mann

Mighty Garvey! is the fifth and final studio album by Manfred Mann, released on 28 June 1968 by Fontana Records. It was the last recorded by the band after the change of direction and personnel of their 1966 album As Is. It continued a transition away from jazz and blues towards self-composed art-pop. Despite including two UK top 5 hit singles, the album did not chart and the band split up the year after. In the US and Canada, it was released as The Mighty Quinn by Mercury Records.

Anthony "Tony" Hazzard is an English singer and songwriter. He has written songs for The Hollies, Manfred Mann, "Me, The Peaceful Heart" for Lulu, The Yardbirds, Herman's Hermits, Peter Noone, The Tremeloes, Gene Pitney, Richard Barnes, and Andy Williams amongst others.

<i>The One in the Middle</i> 1965 EP by Manfred Mann

The One in the Middle is an EP by Manfred Mann, released in 1965. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8908. The record was the number-one EP in the UK for nine weeks during the summer of 1965. The cover picture was taken by Nicholas Wright.

<i>As Is</i> (album) 1966 studio album by Manfred Mann

As Is is the third British studio album by Manfred Mann, released in the United Kingdom on 21 October 1966 through Fontana Records. It was their fourth overall but their first to feature new members Mike d'Abo and Klaus Voormann.

<i>Instrumental Assassination</i> 1966 EP by Manfred Mann

Instrumental Assassination is a 1966 jazz-rock EP by Manfred Mann, produced by Shel Talmy and released by Fontana Records (TE17483). Mann reported that the group "loved it" and the producer was "particularly pleased": Fontana's Jack Baverstock found it full of ideas, humour and new thinking, but the EP sold poorly and was re-released in its entirety on the 1968 Fontana compilation album What A Mann.

<i>Up the Junction</i> (soundtrack) 1968 studio album / Soundtrack album by Manfred Mann

Up the Junction is the first soundtrack and fourth studio album by Manfred Mann, consisting of songs written by Mann and Mike Hugg for the 1968 film of the same name. The album was released on 16 March 1968 on Fontana Records.

<span class="mw-page-title-main">The Yardbirds</span> English blues and psychedelic rock band

The Yardbirds are an English rock band, formed in London in 1963. The band started the careers of three of rock's most famous guitarists: Eric Clapton (1963–1965), Jeff Beck (1965–1966) and Jimmy Page (1966–1968), all of whom ranked in the top five of Rolling Stone magazine's list of 100 greatest guitarists. The band's other members during 1963–1968 were vocalist/harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist Chris Dreja, and bassist Paul Samwell-Smith, with Dreja switching to bass when Samwell-Smith departed in 1966. The band had a string of hits throughout the mid-1960s, including "For Your Love", "Heart Full of Soul", "Shapes of Things", and "Over Under Sideways Down".

<i>As Was</i> 1966 EP by Manfred Mann with Paul Jones

As Was is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8962.

<span class="mw-page-title-main">Mister, You're a Better Man Than I</span> 1965 single by the Yardbirds

"You're a Better Man Than I", alternately listed as "Mr. You're a Better Man Than I" or "Better Man Than I", is a song first recorded by the English rock band the Yardbirds. It was written by brothers Mike and Brian Hugg, and became the opening track to the group's second American album, Having a Rave Up with the Yardbirds (1965). Three months later in February 1966, it was released in the UK as the B-side to the "Shapes of Things" single.

<span class="mw-page-title-main">Semi-Detached, Suburban Mr. James</span> 1966 single by Manfred Mann

"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Previous to this, it was recorded by the band Herbie's People who were signed to CBS and had recorded other John Carter songs. The original title was ....Mr Jones and was recorded that way by Herbie's People. Their version was pulled by CBS when Manfred Mann said they'd record it. It was subsequently issued but only in the USA on the Okeh label. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.

References

Notes

  1. ↑ The final being "So Long, Dad!", released later in 1967. [16]
  2. ↑ Catalogue number Fontana TF 812. [18]
  3. ↑ Catalogue number Mercury 72675.

References

  1. ↑ Russo 2011, p. 35.
  2. ↑ Tobler 1992, p. 160.
  3. 1 2 3 4 Brown 2000, p. 545.
  4. 1 2 3 "Manfred Mann Biography". AllMusic . Archived from the original on November 11, 2020. Retrieved July 23, 2022.
  5. 1 2 Thompson 2008, p. 198.
  6. ↑ Russo 2011, p. 45.
  7. ↑ "Songwriter's Column" (PDF). Beat Instrumental (May 1967): 28.
  8. 1 2 3 4 Dunbavan 2017, p. 231.
  9. 1 2 3 4 5 6 7 8 9 Russo 2011, p. 47.
  10. ↑ Russo 2011, p. 259.
  11. ↑ McGuinness 1997, p. 2.
  12. ↑ McGuinness 1997, p. 1.
  13. 1 2 Charles 2011, p. 56.
  14. 1 2 Walsh, Alan; Hugg, Mike. "None of us wanted to record 'Ha, Ha Said The Clown'" (PDF). Melody Maker (22 April 1967): 10.
  15. ↑ Wiser, Carl (2016-01-15). "Tony Hazzard". Songfacts .
  16. 1 2 3 Thompson 1999.
  17. ↑ "New discs from Cat Stevens and Manfred Mann" (PDF). Record Mirror (18 March 1967): 5.
  18. ↑ Russo 2011, p. 154.
  19. 1 2 Russo 2011, p. 158.
  20. 1 2 3 "Big L Fab Forty 67 – 16th Apr 1967". Radio London Ltd. Retrieved 9 October 2010.
  21. ↑ "Disc Top 50" (PDF). Disc and Music Echo (22 April 1967): 3.
  22. ↑ "Melody Pop 50" (PDF). Melody Maker (15 April 1967): 2.
  23. ↑ "Discographie Manfred Mann's Earth Band" (ASP). Austrian Charts (in German). Hung Medien. Retrieved 12 May 2011.
  24. ↑ "Ha! Ha! Said the Clown" (in Dutch). Ultratop 50 . Retrieved 14 September 2022.
  25. ↑ "Ha! Ha! Said the Clown" (in French). Ultratop 50 . Retrieved 14 September 2022.
  26. ↑ "Nederlandse Top 40 – week 20, 1967" (in Dutch). Dutch Top 40 . Retrieved 14 September 2022.
  27. ↑ "Manfred Mann – Ha! Ha! Said The Clown" (in Dutch). Single Top 100 . Retrieved 14 September 2022.
  28. ↑ "Ha! Ha! Said the Clown". Offizielle Deutsche Charts . Retrieved 2020-11-29.
  29. ↑ "SA Charts 1965–March 1989". Rock.co.za. June 4, 1965. Archived from the original on 2019-03-25. Retrieved January 21, 2020.
  30. 1 2 Kimberley 2000, p. 99.
  31. 1 2 "Go-Set Australian charts". Go-Set . 21 June 1967.
  32. 1 2 "Manfred Mann - Listener". Flavour of New Zealand. New Zealand Listener . Retrieved 2020-08-27.
  33. 1 2 Russo 2011, p. 161.
  34. 1 2 3 Russo 2011, p. 162.
  35. ↑ Jopling, Norman. "Manfred's attitudes on his hits & films" (PDF). Record Mirror (15 April 1967): 12.
  36. 1 2 3 4 Valentine, Penny. "Manfreds: Was it worth the wait?" (PDF). Disc and Music Echo (25 March 1967): 15.
  37. 1 2 3 4 "Another excellent hit for Manfred" (PDF). Melody Maker (25 April 1967): 13.
  38. 1 2 3 Johnson, Derek. "Another 'Semi' from Manfred - But it must be a big one" (PDF). New Musical Express (25 March 1967): 6.
  39. 1 2 3 Jones, Peter. "Catchy solo debut from Jeff Beck, and a typical but powerful Four Tops. Better showcase for Jimi Hendrix on his newie, and best yet from Cat Stevens, plus a simple new Peter and Gordon" (PDF). Record Mirror (25 March 1967): 9.
  40. ↑ "60s hitmakers Manfred Mann: 'I've sung this 10,000 times and never liked it!'". the Guardian. 2021-10-14. Retrieved 2022-09-13.
  41. ↑ Russo 2016, p. 77.
  42. 1 2 3 4 Power 2016, p. 34.
  43. 1 2 Russo 2016, p. 88.
  44. ↑ French 2020, p. 110.
  45. ↑ "RPM Top 100 Singles - September 9, 1967" (PDF).
  46. ↑ Salewicz 2019, eBook.
  47. ↑ Russo 2016, pp. 88–89.
  48. ↑ Buckley 2003, p. 118.
  49. ↑ Case 2007, p. 51.
  50. ↑ Clayson 2002, p. 112.
  51. ↑ Prown & Newquist 1997, eBook.
  52. ↑ Shadwick 2005, p. 19.
  53. ↑ Williamson 2007, p. 13.
  54. 1 2 Koda 2001, p. 41.
  55. ↑ Russo 2016, p. 220.
  56. ↑ "With Black Friday, Record Store Day goes twice a year". psychedelicsight.com. Retrieved 13 September 2022.
  57. ↑ Russo 2016, p. 86.
  58. ↑ Koda 2001, pp. 41, 47, 48.
  59. ↑ Kent, David (2005). Australian Chart Book 1940–1969. Australian Chart Book Pty Ltd, Turramurra, N.S.W. ISBN   0-646-44439-5.
  60. ↑ "Discographie Manfred Mann's Earth Band" (ASP). Austrian Charts (in German). Hung Medien. Retrieved 12 May 2011.
  61. ↑ "Manfred Mann – Ha! Ha! Said The Clown" (in Dutch). Ultratop 50.
  62. ↑ "Manfred Mann – Ha! Ha! Said The Clown" (in French). Ultratop 50.
  63. ↑ "Ha! Ha! Said the Clown - chart position". Danske Hitlister. Archived from the original on 2014-12-31. Retrieved 2022-08-21.
  64. ↑ Nyman 2005, p. 201.
  65. ↑ "InfoDisc : Les Tubes de chaque Artiste commençant par M". infodisc.fr. Retrieved 6 May 2022.
  66. ↑ "The Irish Charts – Search Results – Ha Ha Said The Clwon". Irish Singles Chart.
  67. ↑ "Nederlandse Top 40 – week 20, 1967" (in Dutch). Dutch Top 40.
  68. ↑ "Manfred Mann – Ha! Ha! Said The Clown" (in Dutch). Single Top 100.
  69. ↑ "Ha! Ha! Said The Clown". VG-List (in Norwegian Bokmål). Retrieved 21 August 2022.
  70. ↑ "SA Charts 1965–March 1989". Rock.co.za. June 4, 1965. Archived from the original on 2019-03-25. Retrieved January 21, 2020.
  71. ↑ Hallberg, Eric (1993). Eric Hallberg presenterar Kvällstoppen i P3: Sveriges Radios topplista över veckans 20 mest sålda skivor. Drift Musik. ISBN   9163021404.
  72. ↑ Hallberg, Eric; Henningsson, Ulf (1998). Eric Hallberg, Ulf Henningsson presenterar Tio i topp med de utslagna på försök: 1961–74. Premium Publishing. p. 238. ISBN   919727125X.
  73. ↑ "Disc Top 50" (PDF). Disc and Music Echo (22 April 1967): 3.
  74. ↑ "Melody Pop 50" (PDF). Melody Maker (15 April 1967): 2.
  75. ↑ "NME Top 30" (PDF). New Musical Express (22 April 1967): 7.
  76. ↑ Brown, Tony. (2000). The Complete Book of the British Charts. Omnibus Press. p. 545. ISBN   0-7119-7670-8.
  77. ↑ "Offiziellecharts.de – Manfred Mann – Ha! Ha! Said The Clown" (in German). GfK Entertainment charts.
  78. ↑ "Jahreshitparade Singles 1967". Ö3 Austria Top 40 . Retrieved 21 August 2022.
  79. ↑ "Jaaroverzichten 1967". UltraTop . Retrieved 21 August 2022.
  80. ↑ "Top 100-Jaaroverzicht van 1967". Dutch Top 40 . Retrieved 21 August 2022.
  81. ↑ "RPM 100" (PDF). RPM (9 September 1967): 5.
  82. ↑ "The Yardbirds Chart History (Hot 100)". Billboard.
  83. ↑ "Cash Box TOP 100" (PDF). Cashbox (2 September 1967): 4.
  84. ↑ "100 Top Pops" (PDF). Record World (2 September 1967): 23.

Sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.