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| Machines | ||||
|---|---|---|---|---|
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| EP by | ||||
| Released | 7 April 1966 [1] | |||
| Recorded | 15 December 1965 – 9 February 1966 | |||
| Genre | Rock & Roll | |||
| Language | English | |||
| Label | His Master's Voice-EMI | |||
| Producer | John Burgess | |||
| Manfred Mann chronology | ||||
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Machines is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8942. The record was the number 1 EP in the UK number-one EP for 1 week, starting May 28, 1966.
For this EP, Manfred Mann's third and last number 1 EP, they chose several non R & B songs to cover including Tennessee Waltz, the best-known version being by Patti Page and the Everly Brothers When Will I be Loved. Jack Bruce is the bassist on these tracks.
The record reached the Number 1 spot on the UK's EP charts on May 28, 1966.
Manfred Mann was an English rock band, formed in London and active between 1962 and 1969. The group was named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969.
P. J. Proby is an American singer, songwriter, and actor.
The Graham Bond Organisation (GBO) were a British jazz/rhythm and blues group of the early 1960s consisting of Graham Bond, Jack Bruce (bass), Ginger Baker (drums), Dick Heckstall-Smith and John McLaughlin (guitar). They recorded several albums and further recordings were issued when the group's members achieved fame in progressive rock and jazz fusion. The spelling of the band's original name varied between releases, often depending on the intended audience. The British English spelled as "Organisation" or "ORGANisation", while in some other countries outside the UK spelled "Organization".
"Tennessee Waltz" is a popular country music song with lyrics by Redd Stewart and music by Pee Wee King written in 1946 and first released in January 1948. The song became a multimillion seller via a 1950 recording – as "The Tennessee Waltz" – by Patti Page. As of 1974, it was the biggest-selling song ever in Japan.
Evolution is the first of two albums released in 1967 by British pop rock band the Hollies. It is their sixth UK album and peaked at number 13 in the UK album chart.
"Pretty Flamingo" is a song written by Mark Barkan, which became a hit in 1966 when Manfred Mann's recording of it was released as a single. The single reached number one in the UK Singles Chart on 5 May 1966. Manfred Mann's recording was a minor hit in the United States where it spent eight weeks on Billboard's Hot 100 chart, peaking at number 29 during the week of August 6, 1966. It was also successful in Ireland, and was number one there for four weeks, keeping the Rolling Stones' "Paint It Black" at number two.
The Best of Cilla Black is a compilation album by Cilla Black. It was first released in 1968 and originally included 14 of her biggest hit singles, a selection of B-sides and album tracks, released between 1963 and 1968. Many of these tracks had not been previously available on an album. It was usual in this period for artists to record songs exclusively for single release only. The album reached number 21 on the UK Albums Chart.
The One in the Middle is an EP by Manfred Mann, released in 1965. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8908. The record was the number-one EP in the UK for nine weeks during the summer of 1965. The cover picture was taken by Nicholas Wright.
No Living Without Loving is an EP by Manfred Mann, released in November 1965. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8922.
Instrumental Asylum is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8949.
Manfred Mann's Cock-A-Hoop is an EP by Manfred Mann, released in 1964. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8848.
Groovin' with Manfred Mann is an EP by Manfred Mann, released in 1964. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8876.
Soul of Mann is a 1967 compilation album of mostly instrumental recordings by Manfred Mann, released by HMV Records shortly after the company dropped the group from its roster. It was not well publicised and did not sell strongly.
Instrumental Assassination is a 1966 jazz-rock EP by Manfred Mann, produced by Shel Talmy and released by Fontana Records (TE17483). Mann reported that the group "loved it" and the producer was "particularly pleased": Fontana's Jack Baverstock found it full of ideas, humour and new thinking, but the EP sold poorly and was re-released in its entirety on the 1968 Fontana compilation album What A Mann.
"My Little Red Book" is a song composed by Burt Bacharach with lyrics by Hal David. In the wake of the British Invasion, Bacharach, a former bandleader for Marlene Dietrich, began working hands-on with beat groups of the era such as Manfred Mann. Manfred Mann recorded the song for the 1965 film What's New Pussycat?, filmed between October 1964 and June 1965; the entire catalogue of music for the film was written by Bacharach and David. The piano part on the recording was actually not played by Mann, but by Bacharach himself.
"Ha! Ha! Said the Clown" is a song written by Tony Hazzard, first recorded by British pop group Manfred Mann. Hazzard claims the song "came out of the blue" though he did not demo it for weeks. Following recording a demo, he approached manager Gerry Bron, who liked it enough to want one of his groups, Manfred Mann, to record it. Manfred Mann recorded their version of the single on 10 February 1967 at Philips Studio in Marble Arch, London, together with producer Shel Talmy. It was the second of three singles Manfred Mann recorded to feature the Mellotron
As Was is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8962.
The Manfred Mann Album is the debut American studio album by Manfred Mann, released in September 1964 on Ascot Records. It contains the hit single "Do Wah Diddy Diddy", as well as covers of well-known R&B hits such as "Smokestack Lightning" by Howlin' Wolf, "I'm Your Hoochie Coochie Man" by Muddy Waters, and "Down the Road Apiece" by Will Bradley. Modern reviews of the album are generally positive and consider The Manfred Mann Album an important piece during the heydey of the British Invasion.
The Five Faces of Manfred Mann is the debut British and second American studio album by Manfred Mann. It was first released in the United Kingdom on 11 September 1964 by His Master's Voice. In late October/early November, the album was released in Canada by Capitol Records. The Canadian track listing was almost the same as the UK version, except it included the hit "Do Wah Diddy Diddy" instead of "I've Got My Mojo Working". The record has been called "one of the great blues-based British invasion albums; it's a hot, rocking record that benefits from some virtuoso playing as well".
"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.