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Dave Richmond | |
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Birth name | David Henry Richmond |
Born | 1938 (age 85–86) |
Origin | Brighton, Sussex, England |
Instrument(s) | Bass guitar, double bass |
Website | www.daverichmond.co.uk |
David Henry Richmond (born 1938 in Brighton, Sussex, England) is a British professional bass player, best known as a founder member of the 1960s pop group Manfred Mann. [1] During his short tenure with the group, he played bass on their first hit record, "5-4-3-2-1". Richmond first picked up the ukulele at the age of 14. [2] He later picked up the bass after hearing "Big Noise From Winnetka" on a record player, owned by his older brother. [2]
Richmond joined Manfred Mann in 1963, after being recruited by Manfred Mann and Mike Hugg. [3] Richmond left the band in 1964, shortly after he recorded bass for their track "5-4-3-2-1", a song intended as the theme for the music show Ready, Steady, Go! , which became one of Manfred Mann's earliest and biggest hits. He was replaced by Tom McGuinness. In 1966, after McGuinness had switched to lead guitar, Richmond appeared as a guest (playing double bass) on the 1966 Manfred Mann EP Instrumental Assassination.
Later on in his career, Richmond became a session player, working with musicians such as Elton John, Bread, Hank Marvin and Serge Gainsbourg, amongst many others. In the 1970s he was a member of Steve Gray's library music ensemble WASP, which recorded much music for the KPM 1000 Series. [4] Richmond played the fretless bass guitar on the theme song to Last of the Summer Wine . [2]
Title | Year |
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"Why Should We Not" b/w "Brother Jack" | 1963 |
"Cock-a-Hoop" b/w "Now You're Needing Me" | |
"5-4-3-2-1" b/w "Without You" | 1964 |
Serge Gainsbourg was a French singer-songwriter, actor, composer, and director. Regarded as one of the most important figures in French pop, he was renowned for often provocative releases which caused uproar in France, dividing public opinion. His artistic output ranged from his early work in jazz, chanson, and yé-yé to later efforts in rock, zouk, funk, reggae, and electronica. Gainsbourg's varied musical style and individuality make him difficult to categorise, although his legacy has been firmly established and he is often regarded as one of the world's most influential popular musicians.
Manfred Mann was an English rock band, formed in London and active between 1962 and 1969. The group was named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969. Other band members were Mike Hugg, Mike Vickers, Dave Richmond, Tom McGuinness, Jack Bruce and Klaus Voormann.
Manfred Mann's Earth Band are an English rock band formed by South African musician Manfred Mann. Their hits include covers of Bruce Springsteen's "For You", "Blinded by the Light" and "Spirit in the Night". After forming in 1971 and with a short hiatus in the late 1980s/early 1990s, the Earth Band continues to perform and tour.
"Blinded by the Light" is a song written and recorded by Bruce Springsteen, which first appeared on his 1973 debut album Greetings from Asbury Park, N.J. A cover by British rock band Manfred Mann's Earth Band reached number one on the Billboard Hot 100 in the United States in February 1977 and was also a top ten hit in the United Kingdom, New Zealand, and Canada.
Histoire de Melody Nelson is a 1971 concept album by French singer and songwriter Serge Gainsbourg. Produced by Jean-Claude Desmarty, the album was released on March 24, 1971 through Philips Records. Its narrative follows an illicit romance which develops between the middle-aged narrator and fourteen-year-old girl Melody Nelson, portrayed on the album and its cover art by Gainsbourg's then-partner Jane Birkin.
Michael Graham Vickers is an English musician who came to prominence as the guitarist, flautist, and saxophonist with the 1960s band Manfred Mann.
Greenslade were an English progressive rock band, formed in the autumn of 1972 by keyboard player Dave Greenslade and bassist Tony Reeves, with keyboardist Dave Lawson and drummer Andrew McCulloch.
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan allegedly wrote it on Thanksgiving Day in 1965, though some biographers doubt this, concluding that he most likely improvised the lyrics in the studio. Dylan recorded the song at Columbia Studio A in Nashville, Tennessee in March 1966. The song has been criticized for sexism or misogyny in its lyrics, and has received a mixed critical reaction. Some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Retrospectively, the song has received renewed praise, and in 2011, Rolling Stone magazine ranked Dylan's version at number 232 in their list of the 500 Greatest Songs of All Time. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the Billboard Hot 100. The single also reached 8th place in the Australian charts, 12th place on the Belgium Ultratop Wallonia listing, 30th in the Dutch Top 40, and 38th on the RPM listing in Canada.
Manfred Sepse Lubowitz, known professionally as Manfred Mann, is a South African-born musician, residing in the UK since 1961. He is best known as a founding member of the bands Manfred Mann, Manfred Mann Chapter Three and Manfred Mann's Earth Band.
Michael John Hugg is a British musician who was a founding member of the 1960s group Manfred Mann, and co-founder of the psychedelic jazz-fusion group, Manfred Mann Chapter Three. He is known for his creativity in his music, and always made jingles for advertisments.
Thomas John Patrick McGuinness is a guitarist, singer and songwriter who played bass and rhythm guitar with rock band Manfred Mann, among others, before becoming a record and television producer.
"5-4-3-2-1" is a 1964 song by British band Manfred Mann. It was written by Mann, Mike Hugg and Paul Jones, and peaked at #5 on the UK Singles Chart thanks to weekly television exposure from being the theme tune for the ITV pop music television programme Ready Steady Go!. This would be the last single released before bass player Dave Richmond left the band.
A Sideman's Journey is the first solo album by German musician and artist Klaus Voormann, released in July 2009. Voormann is best known as the creator of the cover art for The Beatles' album Revolver as well as for being a much-in-demand session musician during the 1970s. He played bass on a large number of well-known albums by ex-Beatles John Lennon, George Harrison and Ringo Starr − including All Things Must Pass, Imagine and The Concert for Bangladesh − and by artists such as Harry Nilsson, Doris Troy, Lou Reed, Gary Wright, Carly Simon and Randy Newman. Before then, Voormann had been a member of the 1960s pop group Manfred Mann. A Sideman's Journey is notable for including performances by Paul McCartney, Ringo Starr and Yusuf Islam, among others.
Vu de l'extérieur is a studio album by French musician Serge Gainsbourg, released in 1973.
Manfred Mann's Cock-A-Hoop is an EP by Manfred Mann, released in 1964. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8848.
As Is is the third British studio album by Manfred Mann, released in the United Kingdom on 21 October 1966 through Fontana Records. It was their fourth overall but their first to feature new members Mike d'Abo and Klaus Voormann.
Instrumental Assassination is a 1966 jazz-rock EP by Manfred Mann, produced by Shel Talmy and released by Fontana Records (TE17483). Mann reported that the group "loved it" and the producer was "particularly pleased": Fontana's Jack Baverstock found it full of ideas, humour and new thinking, but the EP sold poorly and was re-released in its entirety on the 1968 Fontana compilation album What A Mann.
"My Little Red Book" (occasionally subtitled "(All I Do Is Talk About You)") is a song composed by American songwriter Burt Bacharach with lyrics by Hal David. The duo was enlisted by Charles K. Feldman to compose the music to Woody Allen's film What's New Pussycat? following a chance meeting between Feldman and Bacharach's fiancée Angie Dickinson in London. "My Little Red Book" was composed in three weeks together with several other songs intended for the movie. Musically, the song was initially composed in the key of C major, largely based on a reiterating piano riff performed. David's lyrics tells the tale of a distraught lover, who after getting dumped by his girlfriend browses through his "little red book" and taking out several girls to dance in a vain effort to get over her.
The Manfred Mann Album is the debut American studio album by Manfred Mann, released in September 1964 on Ascot Records. It contains the hit single "Do Wah Diddy Diddy", as well as covers of well-known R&B hits such as "Smokestack Lightning" by Howlin' Wolf, "I'm Your Hoochie Coochie Man" by Muddy Waters, and "Down the Road Apiece" by Will Bradley. Modern reviews of the album are generally positive and consider The Manfred Mann Album an important piece during the heyday of the British Invasion.
The Five Faces of Manfred Mann is the debut British and second American studio album by Manfred Mann. It was first released in the United Kingdom on 11 September 1964 by His Master's Voice. In late October/early November, the album was released in Canada by Capitol Records. The Canadian track listing was almost the same as the UK version, except it included the hit "Do Wah Diddy Diddy" instead of "I've Got My Mojo Working". The record has been called "one of the great blues-based British invasion albums; it's a hot, rocking record that benefits from some virtuoso playing as well".
I, Dave Richmond played the bass guitar part on this track, I know this for sure because apart from recognising the sound of my Burns Black Bison I have my old diaries of that time with session dates and studios. Researcher and author Andy Votel got in touch with me about work I did with Serg Gansbourg and I think he mentioned this track at the same time. (I might be mistaken about that) nevertheless the fact remains this definitely is me and my Burns!
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