Manfred Mann were an English rock band, formed in London and active between 1962 and 1969. The group were named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969.
Manfred Mann's Earth Band are an English rock band formed by South African musician Manfred Mann. Their hits include covers of Bruce Springsteen's "For You", "Blinded by the Light" and "Spirit in the Night". After forming in 1971 and with a short hiatus in the late 1980s/early 1990s, the Earth Band continues to perform and tour.
The Creation are an English rock band, formed in 1966. Their best-known songs are "Making Time", which was one of the first rock songs to feature a guitar played with a bow, and "Painter Man", which made the top 40 on the UK Singles Chart in late 1966, and reached No. 8 on the German chart in April 1967. It was covered by Boney M in 1979, and reached the No. 10 position on the UK chart. "Making Time" was used in the film Rushmore, and as the theme song from season 2 onwards of The Great Pottery Throw Down.
Michael Graham Vickers is an English musician who came to prominence as the guitarist, flautist, and saxophonist with the 1960s band Manfred Mann.
Greenslade were an English progressive rock band, formed in the autumn of 1972 by keyboard player Dave Greenslade and bassist Tony Reeves, with keyboardist Dave Lawson and drummer Andrew McCulloch.
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan allegedly wrote it on Thanksgiving Day in 1965, though some biographers doubt this, concluding that he most likely improvised the lyrics in the studio. Dylan recorded the song at Columbia Studio A in Nashville, Tennessee in March 1966. The song has been criticized for supposed sexism or misogyny in its lyrics, and has received a mixed critical reaction. Some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Retrospectively, the song has received renewed praise, and in 2011, Rolling Stone magazine ranked Dylan's version at number 232 in their list of the 500 Greatest Songs of All Time. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the Billboard Hot 100. The single also reached 8th place in the Australian charts, 12th place on the Belgium Ultratop Wallonia listing, 30th in the Dutch Top 40, and 38th on the RPM listing in Canada.
"Do Wah Diddy Diddy" is a song written by Jeff Barry and Ellie Greenwich and originally recorded in 1963, as "Do-Wah-Diddy", by the American vocal group the Exciters. Cash Box described the Exciters' version as "a sparkling rocker that bubbles over with coin-catching enthusiasm" and said that the "great lead job is backed by a fabulous instrumental arrangement." It was made internationally famous by the British band Manfred Mann.
Procession were an Australian psychedelic band formed in Melbourne in 1967. The band was composed of Australian Craig Collinge (drums), New Zealander Brian Peacock (bass), and Englishmen Trevor Griffin (organ) and Mick Rogers, all members of previous bands. They were described by Glenn A. Baker as one of the most ambitious bands in the Australian music scene in their time, although they enjoyed only moderate commercial success. They were regularly championed in Go-Set magazine and had their own segment on music TV show Uptight, of which their manager was the producer.
Hughie Flint is an English retired drummer, known for his stint in John Mayall & the Bluesbreakers during the early 1960s, mainly for his contribution towards their album Blues Breakers with Eric Clapton (1966).
Manfred Sepse Lubowitz, known professionally as Manfred Mann, is a South African-born musician, resident in the UK since 1961. He is best known as a founding member of the bands Manfred Mann, Manfred Mann Chapter Three and Manfred Mann's Earth Band.
Thomas John Patrick McGuinness is a guitarist, songwriter, author, record and TV producer, who played bass and later guitar with popular 60s rock band, Manfred Mann.
Mighty Garvey! is the fifth and final studio album by Manfred Mann, released on 28 June 1968 by Fontana Records. It was the last recorded by the band after the change of direction and personnel of their 1966 album As Is. It continued a transition away from jazz and blues towards self-composed art-pop. Despite including two UK top 5 hit singles, the album did not chart and the band split up the year after. In the US and Canada, it was released as The Mighty Quinn by Mercury Records.
"5-4-3-2-1" is a 1964 song by British band Manfred Mann. It was written by Mann, Mike Hugg and Paul Jones, and peaked at #5 on the UK Singles Chart thanks to weekly television exposure from being the theme tune for the ITV pop music television programme Ready Steady Go!. This would be the last single released before bass player Dave Richmond left the band.
Instrumental Asylum is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8949.
Manfred Mann's Cock-A-Hoop is an EP by Manfred Mann, released in 1964. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8848.
As Is is the third British studio album by Manfred Mann, released in the United Kingdom on 21 October 1966 through Fontana Records. It was their fourth overall but their first to feature new members Mike d'Abo and Klaus Voormann.
Instrumental Assassination is a 1966 jazz-rock EP by Manfred Mann, produced by Shel Talmy and released by Fontana Records (TE17483). Mann reported that the group "loved it" and the producer was "particularly pleased": Fontana's Jack Baverstock found it full of ideas, humour and new thinking, but the EP sold poorly and was re-released in its entirety on the 1968 Fontana compilation album What A Mann.
The Manfred Mann Album is the debut American studio album by Manfred Mann, released in September 1964 on Ascot Records. It contains the hit single "Do Wah Diddy Diddy", as well as covers of well-known R&B hits such as "Smokestack Lightning" by Howlin' Wolf, "I'm Your Hoochie Coochie Man" by Muddy Waters, and "Down the Road Apiece" by Will Bradley. Modern reviews of the album are generally positive and consider The Manfred Mann Album an important piece during the heyday of the British Invasion.
The Five Faces of Manfred Mann is the debut British and second American studio album by Manfred Mann. It was first released in the United Kingdom on 11 September 1964 by His Master's Voice. In late October/early November, the album was released in Canada by Capitol Records. The Canadian track listing was almost the same as the UK version, except it included the hit "Do Wah Diddy Diddy" instead of "I've Got My Mojo Working". The record has been called "one of the great blues-based British invasion albums; it's a hot, rocking record that benefits from some virtuoso playing as well".
"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Previous to this, it was recorded by the band Herbie's People who were signed to CBS and had recorded other John Carter songs. The original title was ....Mr Jones and was recorded that way by Herbie's People. Their version was pulled by CBS when Manfred Mann said they'd record it. It was subsequently issued but only in the USA on the Okeh label. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.
