Manfred Mann was an English rock band, formed in London and active between 1962 and 1969. The group was named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969.
Two Yanks in England is an album by The Everly Brothers, released in 1966.
Michael Graham Vickers is an English musician who came to prominence as the guitarist, flautist, and saxophonist with the 1960s band Manfred Mann. He was born in Staines-upon-Thames, Surrey. At the age of seven, his family moved to Scotland and then at the age of eleven, to Southampton, where he attended King Edward VI school.
"Pretty Flamingo" is a song written by Mark Barkan, which became a hit in 1966 when Manfred Mann's recording of it was released as a single. The single reached number one in the UK Singles Chart on 5 May 1966. Manfred Mann's recording was a minor hit in the United States where it spent eight weeks on Billboard's Hot 100 chart, peaking at number 29 during the week of August 6, 1966. It was also successful in Ireland, and was number one there for four weeks, keeping the Rolling Stones' "Paint It Black" at number two.
Michael John Hugg is a British musician who achieved fame as a founding member of the 1960s group Manfred Mann.
The Manfreds is a British pop group, formed in 1991 as a reunion of former members of the 1960s pop group Manfred Mann, however without their eponymous founder Manfred Mann.
Manfred Mann Chapter Three is the debut album released in 1969 by Manfred Mann Chapter Three. It was one of the three first albums released on the Vertigo record label. The principal members of the group were Manfred Mann and Mike Hugg. Mann played the organ and acted as the group's musical arranger, whilst Hugg handled vocals, played piano and was the chief songwriter. The group was augmented by a five-piece brass section and several distinguished jazz soloists.
Mighty Garvey! is the fifth and final studio album by Manfred Mann, released on 28 June 1968 by Fontana Records. It was the last recorded by the band after the change of direction and personnel of their 1966 album As Is. It continued a transition away from jazz and blues towards self-composed art-pop. Despite including two UK top 5 hit singles, the album did not chart and the band split up the year after. In the US and Canada, it was released as The Mighty Quinn by Mercury Records.
This is the discography of English rock band Manfred Mann.
"5-4-3-2-1" is a 1964 song by British band Manfred Mann. It was written by Mann, Mike Hugg and Paul Jones, and peaked at #5 on the UK Singles Chart thanks to weekly television exposure from being the theme tune for the ITV pop music television programme Ready Steady Go!. This would be the last single released before bass player Dave Richmond left the band.
Instrumental Asylum is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8949.
Manfred Mann's Cock-A-Hoop is an EP by Manfred Mann, released in 1964. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8848.
Groovin' with Manfred Mann is an EP by Manfred Mann, released in 1964. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8876.
As Is is the third British studio album by Manfred Mann, released in the United Kingdom on 21 October 1966 through Fontana Records. It was their fourth overall but their first to feature new members Mike d'Abo and Klaus Voormann.
Soul of Mann is a 1967 compilation album of mostly instrumental recordings by Manfred Mann, released by HMV Records shortly after the company dropped the group from its roster. It was not well publicised and did not sell strongly.
As Was is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8962.
The Manfred Mann Album is the debut American studio album by Manfred Mann, released in September 1964 on Ascot Records. It contains the hit single "Do Wah Diddy Diddy", as well as covers of well-known R&B hits such as "Smokestack Lightning" by Howlin' Wolf, "I'm Your Hoochie Coochie Man" by Muddy Waters, and "Down the Road Apiece" by Will Bradley. Modern reviews of the album are generally positive and consider The Manfred Mann Album an important piece during the heydey of the British Invasion.
The Five Faces of Manfred Mann is the debut British and second American studio album by Manfred Mann. It was first released in the United Kingdom on 11 September 1964 by His Master's Voice. In late October/early November, the album was released in Canada by Capitol Records. The Canadian track listing was almost the same as the UK version, except it included the hit "Do Wah Diddy Diddy" instead of "I've Got My Mojo Working". The record has been called "one of the great blues-based British invasion albums; it's a hot, rocking record that benefits from some virtuoso playing as well".
John Edward Burgess was a British record producer and production company executive. In the 1960s, he produced hit records by Adam Faith, Freddie and the Dreamers, Manfred Mann, and others.
"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.
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