| Instrumental Asylum | ||||
|---|---|---|---|---|
 | ||||
| EP by | ||||
| Released | 3 June 1966 [1] | |||
| Recorded | 12 & 24 January 1966 | |||
| Genre | British R&B, jazz-rock | |||
| Language | English | |||
| Label | His Master's Voice-EMI | |||
| Producer | John Burgess | |||
| Manfred Mann chronology | ||||
| ||||
| Manfred Mann EP chronology | ||||
| ||||
Instrumental Asylum is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8949.
The band recorded this as they were in the process of re-organizing. All the songs chosen were covers of current relatively well known pop and rock songs, The Yardbirds' "Still I'm Sad" being the most obscure. Mike Vickers had left and been replaced on guitar by bassist Tom McGuinness, who in turn was replaced on bass by Jack Bruce. Horn players Henry Lowther and Lyn Dobson took over the lead spot from singer Paul Jones, who was soon to quit the band. There is little evidence of Jones on the record. As with most of their other records, both albums and EPs of this era, the liner notes were written by Manfred Mann member Tom McGuinness.
Side 1
Side 2
This EP was the band's least successful effort since their initial EP release, Cock-a-Hoop in 1964. It reached # 3 in the British EP charts. [2]
Manfred Mann was an English rock band, formed in London and active between 1962 and 1969. The group was named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969.
For Your Love is the first American album by English rock band the Yardbirds. Released in July 1965, it contains new studio recordings along with previously released singles. The album features some of the earliest recordings by guitarists Eric Clapton and his replacement Jeff Beck.
The Graham Bond Organisation (GBO) were a British jazz/rhythm and blues group of the early 1960s consisting of Graham Bond, Jack Bruce (bass), Ginger Baker (drums), Dick Heckstall-Smith and John McLaughlin (guitar). They recorded several albums and further recordings were issued when the group's members achieved fame in progressive rock and jazz fusion. The spelling of the band's original name varied between releases, often depending on the intended audience. The British English spelled as "Organisation" or "ORGANisation", while in some other countries outside the UK spelled "Organization".
Michael Graham Vickers is an English musician who came to prominence as the guitarist, flautist, and saxophonist with the 1960s band Manfred Mann. He was born in Staines-upon-Thames, Surrey. At the age of seven, his family moved to Scotland and then at the age of eleven, to Southampton, where he attended King Edward VI school.
Eric Clapton and the Powerhouse was a British blues rock studio group formed in 1966. They recorded three songs, which were released on the Elektra Records sampler album What's Shakin' in 1966. A possible fourth song remained unreleased.
Thomas John Patrick McGuinness is a guitarist, songwriter, author, record and TV producer. Born in Wimbledon, South London, who is best known as the guitarist from Manfred Mann and The Blues Band. In 1986 he wrote the book So You Want To Be a Rock and Roll Star. He studied at Wimbledon College.
The Manfreds is a British pop group, formed in 1991 as a reunion of former members of the 1960s pop group Manfred Mann, however without their eponymous founder Manfred Mann.
Glorified Magnified is a rock album released in 1972 by Manfred Mann's Earth Band.
"5-4-3-2-1" is a 1964 song by British band Manfred Mann. It was written by Mann, Mike Hugg and Paul Jones, and peaked at #5 on the UK Singles Chart thanks to weekly television exposure from being the theme tune for the ITV pop music television programme Ready Steady Go!. This would be the last single released before bass player Dave Richmond left the band.
Mann Made is the second British and fourth American studio album by Manfred Mann, released in October 1965 on His Master's Voice in the United Kingdom, and November 1965 on Ascot Records in the United States. It was the group's final recording project with original members Mike Vickers and Paul Jones, as well as their last to be recorded at Abbey Road Studios, London, England, before switching to Fontana Records.
Manfred Mann's Cock-A-Hoop is an EP by Manfred Mann, released in 1964. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8848.
Groovin' with Manfred Mann is an EP by Manfred Mann, released in 1964. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8876.
As Is is the third British studio album by Manfred Mann, released in the United Kingdom on 21 October 1966 through Fontana Records. It was their fourth overall but their first to feature new members Mike d'Abo and Klaus Voormann.
Soul of Mann is a 1967 compilation album of mostly instrumental recordings by Manfred Mann, released by HMV Records shortly after the company dropped the group from its roster. It was not well publicised and did not sell strongly.
Instrumental Assassination is a 1966 jazz-rock EP by Manfred Mann, produced by Shel Talmy and released by Fontana Records (TE17483). Mann reported that the group "loved it" and the producer was "particularly pleased": Fontana's Jack Baverstock found it full of ideas, humour and new thinking, but the EP sold poorly and was re-released in its entirety on the 1968 Fontana compilation album What A Mann.
Lyn Dobson is an English musician, noted as a jazz-rock flautist and saxophonist. He appeared with Georgie Fame and the Blue Flames and Manfred Mann in the mid-1960s, and then with Soft Machine and Keef Hartley, as well as playing on albums by Nick Drake and John Martyn. Dobson played the flute solo on Manfred Mann's "Pretty Flamingo". Dobson also played on a number of sessions for The Small Faces, including their Ogdens' Nut Gone Flake LP, and the track "The Autumn Stone", and he performed live with them during 1968. He also subsequently guested on Humble Pie's debut album As Safe As Yesterday Is (1969), on which he also played sitar.
As Was is an EP by Manfred Mann, released in 1966. The EP is a 7-inch vinyl record and released in mono with the catalogue number His Master's Voice-EMI 7EG 8962.
The Manfred Mann Album is the debut American studio album by Manfred Mann, released in September 1964 on Ascot Records. It contains the hit single "Do Wah Diddy Diddy", as well as covers of well-known R&B hits such as "Smokestack Lightning" by Howlin' Wolf, "I'm Your Hoochie Coochie Man" by Muddy Waters, and "Down the Road Apiece" by Will Bradley. Modern reviews of the album are generally positive and consider The Manfred Mann Album an important piece during the heydey of the British Invasion.
The Five Faces of Manfred Mann is the debut British and second American studio album by Manfred Mann. It was first released in the United Kingdom on 11 September 1964 by His Master's Voice. In late October/early November, the album was released in Canada by Capitol Records. The Canadian track listing was almost the same as the UK version, except it included the hit "Do Wah Diddy Diddy" instead of "I've Got My Mojo Working". The record has been called "one of the great blues-based British invasion albums; it's a hot, rocking record that benefits from some virtuoso playing as well".
"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.