"Telstar" | ||||
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![]() German picture sleeve | ||||
Single by The Tornados | ||||
from the album The Original Telstar - The Sounds of The Tornadoes | ||||
B-side | "Jungle Fever" | |||
Released | 17 August 1962[ citation needed ] | |||
Recorded | 22 July 1962[ citation needed ] | |||
Studio | RGM Sound, London | |||
Genre | ||||
Length | 3:15 | |||
Label | ||||
Songwriter(s) | Joe Meek | |||
Producer(s) | Joe Meek | |||
The Tornados singles chronology | ||||
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Official audio | ||||
"Telstar" (Remastered) on YouTube |
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962 (the second British recording to reach number one on that chart in the year, after "Stranger on the Shore" in May). It was the second instrumental single to hit number one in 1962 on both the US and UK weekly charts. [note 1]
Later in 1962, Meek produced a vocal version, "Magic Star", sung by Kenny Hollywood. It was released as a single by Decca Records (cat. nr F11546), with "The Wonderful Story of Love" on the B-side, written by Geoff Goddard. The musical director for both songs was Ivor Raymonde. [5]
"Telstar" was named after the Telstar communications satellite, which was launched into orbit on 10 July 1962. Written and produced by Joe Meek, [4] it featured either a clavioline or the similar Jennings Univox, both keyboard instruments with distinctive electronic sounds. It was recorded in Meek's studio in a small flat above a shop in Holloway Road, North London. "Telstar" won an Ivor Novello Award and is estimated to have sold at least five million copies worldwide. [6]
In 2007, Tim Wheeler of Ash wrote that "Telstar" was one of the earliest pop tracks influenced by science fiction, and that "for its time it was so futuristic and it still sounds pretty weird today". He observed the influence of "Telstar" in the 2006 single "Knights of Cydonia" by Muse; Muse's singer and guitarist, Matt Bellamy, is the son of the Tornados' guitarist George Bellamy. [7]
French composer Jean Ledrut accused Joe Meek of plagiarism, claiming that the tune of "Telstar" had been copied from "La Marche d'Austerlitz", a piece from a score that Ledrut had written for the film Austerlitz (1960). This led to a lawsuit that prevented Meek from receiving royalties from the record during his lifetime, and the issue was only resolved, in Meek's favour, three weeks after his suicide in 1967. Austerlitz was not released in the UK until 1965, and Meek was unaware of the film when the lawsuit was filed in March 1963. [8] [9]
The record was an immediate hit after its release, remaining in the UK Singles Chart for 25 weeks, five of them at number 1, [10] and in the American charts for 16 weeks. "Telstar" was the first U.S. number one by a British group. Up to that point, and since World War II, there had only been three British names that topped the U.S. chart: the first was "Auf Wiederseh'n Sweetheart" by Vera Lynn (1952); the second was "He's Got the Whole World in His Hands" by Laurie London (1958); and the third was in May 1962 with "Stranger on the Shore" by clarinetist Acker Bilk.
Chart (1962–1963) | Peak position |
---|---|
Australia | 2 |
Belgian Singles Chart | 1 |
Canadian Singles Chart [11] | 1 |
Dutch Singles Chart [12] | 3 |
German Singles Chart | 6 |
Irish Singles Chart | 1 |
New Zealand (ONZMC) [13] | 1 |
Norwegian Singles Chart [14] | 3 |
South African Singles Chart | 1 |
UK Singles Chart [15] | 1 |
US Billboard Hot 100 | 1 |
US Billboard Black Singles [16] | 5 |
Robert George "Joe" Meek was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation.
"Stranger on the Shore" is a piece for clarinet written by Acker Bilk for his young daughter and originally named "Jenny" after her. The tune was written on a single scrap of paper by Bilk and handed over to arranger Leon Young who crafted the string arrangement, including the characteristic harmonic shifts at the very end.
The Tornados were an English instrumental rock group of the 1960s that acted as backing group for many of record producer Joe Meek's productions and also for singer Billy Fury. They enjoyed several chart hits in their own right, including the UK and US no. 1 "Telstar", the first US no. 1 single by a British group.
John Dudley Leyton is an English retired actor and singer.
The clavioline is an electronic analog synthesizer. It was invented by French engineer Constant Martin in 1947 in Versailles.
The Honeycombs were an English beat group, founded in 1963 in North London, best known for their chart-topping, million-selling 1964 hit, "Have I the Right?" The band featured Honey Lantree on drums, one of the few high-profile female drummers at that time. They were unable to replicate the success of their first single and disbanded by 1967.
Clemente Anselmo Agustino Cattini is an English rock and roll drummer of the late 1950s and 60s, who was a member of The Tornados before becoming well known for his work as a session musician. He is one of the most prolific drummers in UK recording history, appearing on hundreds of recordings by artists as diverse as Cliff Richard and Lou Reed, and has featured on 42 UK number one singles.
Heinz Burt was a German-born British rock and roll bassist and singer who performed under the stage name Heinz. He was also known as a member of the instrumental group the Tornados.
Geoffrey Goddard was an English songwriter, singer and instrumentalist. Working for Joe Meek in the early 1960s, he wrote songs for Heinz, Mike Berry, Gerry Temple, The Tornados, Kenny Hollywood, The Outlaws, Freddie Starr, Screaming Lord Sutch, The Ramblers and John Leyton. His song for Leyton, "Johnny Remember Me", reached number 1 in the UK Singles Chart.
"Johnny Remember Me" is a song which became a 1961 UK Singles Chart #1 hit single for John Leyton, backed by The Outlaws. It was producer Joe Meek's first #1 production. Recounting the haunting – real or imagined – of a young man by his dead lover, the song is one of the most noted of the 'death ditties' that populated the pop charts, on both sides of the Atlantic, in the early to mid-1960s. It is distinguished in particular by its eerie, echoing sound and by the ghostly, foreboding female wails that form its backing vocal, by Lissa Gray. The recording was arranged by Charles Blackwell. Despite the line, "the girl I loved who died a year ago" being changed to the more vague "the girl I loved and lost a year ago", the song was banned by the BBC, along with many other 'death discs', which were popular at the time.
"Have I the Right?" was the debut single and biggest hit of British band The Honeycombs. It was composed by Ken Howard and Alan Blaikley, who had made contact with The Honeycombs, a London-based group, then playing under the name of The Sheratons, in the Mildmay Tavern in the Balls Pond Road in Islington, where they played a date. Howard and Blaikley were impressed by the group's lead vocalist, Dennis D'Ell, and the fact that they had a female drummer, Anne (‘Honey’) Lantree. The group were looking for material to play for an audition with record producer Joe Meek, and they played the songs Howard and Blaikley had just given them. Meek decided to record one of them, "Have I the Right?", there and then. Meek himself provided the B-side, "Please Don’t Pretend Again".
Alan Caddy was an English rock guitarist, arranger, record producer and session musician. He was an original member of Johnny Kidd and the Pirates and the Tornados.
Telstar: The Joe Meek Story is a 2008 film adaptation of James Hicks' and Nick Moran's play Telstar, about record producer Joe Meek, which opened at the New Ambassadors Theatre in London's West End in June 2005. The film is directed by Moran and stars Con O'Neill, who also played Joe Meek in the original play, while Kevin Spacey plays Meek's business partner, Major Wilfred Banks.
Sounds Incorporated, first recorded as Sounds Inc., was a British instrumental pop/rock group which recorded extensively in the 1960s.
A Life in the Death of Joe Meek is a 2013 American independent documentary film about the British record producer Joe Meek. The film is produced and directed by Howard S. Berger and Susan Stahman.
Don Charles was a popular English ballad singer, and record producer, and later in his life, a writer of a self-help book. He is best known for his recordings of "Walk With Me My Angel" and "Bring Your Love to Me". He also produced several of The Tornados' tracks including "Space Walk" and "Goodbye Joe". The latter title referred his original mentor and producer, Joe Meek. Meek regarded Charles highly. "You are my only legit artist", Meek once informed Charles. "All the others are yugga-dugs". Standing at 6 feet 4 inches (1.93 m), and weighing around seventeen stone, Charles stood out in more ways than one from his fellow performers.
The Moontrekkers were a British instrumental rock band in the early 1960s, who are best known for their minor chart hit "Night of the Vampire", arranged and produced by Joe Meek, and for their peripheral involvement in the early career of singer Rod Stewart.
Tab Martin is an English bass guitarist. He has been a member of well-known English bands from the 1960s. He was a member of the Tornados and played on their hit "Globetrotter". He was also a member of the Peddlers and played on their hits "Birth" and "Girlie". He also founded 1960s group the Saints.