Stop the City demonstrations of 1983 and 1984 were billed as a 'Carnival Against War, Oppression and Destruction', [1] in other words protests against the military-financial complex. These demonstrations can be seen as the forerunner of the anti-globalisation protests of the 1990s, especially those in London, England, on May Day and the Carnival against Capitalism on 18 June 1999. They were partially inspired by the actions of the Greenham Common Women's Peace Camp.[ citation needed ]
Activities that formed part of the biggest of these events were separate day-long street blockades of the financial district (the City of London) which supporters of the protest argued are a major centre for profiteering, and consequently a root cause of many of the world's problems. The largest blockade involved 3,000 people, which succeeded in causing a £100 million shortfall on the day according to The Times . Around 1,000 arrests were subsequently made by the police over 18 months. [2]
There were several inspirations for the protest. At the time there was a growing anti-militarist and anti-nuclear movement across Europe represented in the UK by CND and the Greenham Common Women's Peace Camp, which repeatedly blockaded the RAF Greenham Common base in protest at nuclear weapons being placed there. A new generation of anarchists were being drawn into activism through anarcho-punk. [2]
On 29 September 1983, 1500 people demonstrated in order to disrupt the financial activities of the City of London. Buildings were blockaded and leaflets handed out. [3]
The protest was unusual for the time since it had not met with the police to discuss a route or stewarding, it was not organised by a political party or trade union and the plan was not to march from one point to another. [2]
Afterwards, Penny Rimbaud of Crass declared it “a massive success, the best gig of the year." [4] Rimbaud listed the following actions: work stopped at the Royal Exchange, shops selling fur attacked, restaurants stink-bombed, building locks glued, telephone lines jammed. [2]
Around 200 arrestees faced charges, with the court dates set for November 1983. Solidarity days were organised with the theme 'Actions against Banks.' [2]
The second demonstration was planned by anarchists meeting at the Ambulance Station squat on Old Kent Road in south London. The squat also organised a benefit gig which raised £300 and featured Flux of Pink Indians, Kukl and Flowers in the Dustbin. [3] The rough plan for the day was as follows:
The demonstration happened on 29 March 1984. In addition to the events stated above there were feminist actions such as the mass theft of tampons from Boots the chemists, animal rights protests against fur and alternative energy protests outside the Central Electricity Generating Board. In total, 550 police officers were deployed and there were around 400 arrests. Writing in The Times a correspondent described "a combination of punks, anarchists, nuclear disarmers, and people demanding the liberation of gays, women or animals." [2]
At an evaluation conference attended by around 65 people on 14–15 April it was decided to do another Stop the City in September 1984 and also to do a short-notice event in May. The 31 May Stop the City was swamped by police and viewed by organisers as a failure. It was acknowledged that more publicity was needed. [2]
The fourth Stop the City took place on 27 September 1984, with benefit gigs happening at the Dickie Dirts squat in Coldharbour Lane in Brixton, south London. St. Pauls Cathedral and the Royal Exchange were sealed off against demonstrators. A 'people's party' was held in a bank and banners were hung up. A counter group handed out leaflets urging city workers to 'aggravate an anarchist.' The water in the Trafalgar Square fountains was dyed red and there was an impromptu anti-apartheid demonstration on Oxford Street. The police tactic was again to swamp the protests. Of the 470 arrests, most were released again swiftly. [2]
Penny Rimbaud wrote that "Aware that we had been out-manoeuvred, no further Stop the City actions took place in London." [2]
Before the second Stop the City in London in 1984, there were also smaller demonstrations attacking banks in Bristol and Glasgow one week earlier. [2]
Following the fourth Stop the City event in London, there were other demonstrations across the UK, including Birmingham. In Leeds, on 9 August 1984, activists including members of Chumbawamba chained up the doors of a porn cinema, threw Monopoly money onto shoppers, gave out leaflets and ran a pirate radio station which blocked wavelengths used by BBC radio stations. [2]
Stop the City was criticised by the Anarchist Workers Group for creating an anarchist ghetto politics. [5]
Whilst seen as initially successful, the demonstrations also provoked questions for anarcho-punk activists about how to make alliances with other groups and what aims to strive for in future. It was clear that the numbers of people on Stop the City protests were nothing like the 400,000 people attending the CND rally at Hyde Park in 1983. [2]
An hour-long documentary was made about the second Stop the City event by members of Crass Mick Duffield (camera), Joy de Vivre (sound) and Andy Palmer (interviewer). [2]
Anarcho-punk is an ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcore punk, folk punk, and other styles.
Gee Vaucher is a visual artist primarily associated with the anarcho-punk band Crass.
The Green Anarchist, established in 1984 in the UK, was a magazine advocating green anarchism.
The Feeding of the 5000 is the first album by the anarcho-punk band Crass. The album was recorded on 29 October 1978, by John Loder at Southern Studios and was released the same year. It was considered revolutionary in its time due to what was considered an extreme sound, frequently profane lyrical content and the anarchist political ideals in the lyrics. The album also saw the introduction of Crass's policy of ensuring cheap prices for their records. This album is considered one of the first punk albums to expound serious anarchist philosophies.
The Anarchist Federation is a federation of anarcho-communists in Great Britain. It is not a political party, but a direct action, agitational and propaganda organisation.
Zounds are an English anarcho punk/post-punk band from Reading, Berkshire, formed in 1977. Originally they were part of the cassette culture movement, releasing material on the Fuck Off Records label, and were also involved in the squatting and free festival scene. The name of the band is derived from the old English minced oath "zounds", a contraction of "God's wounds", referring to the crucifixion wounds of Jesus Christ, formerly used as a mildly blasphemous oath.
Last Amendment, formerly known as The Crass Collective and Crass Agenda, is the working title of a series of collaborations by ex-members of the anarcho-punk band Crass and others. Although Crass had formally split up in 1984, Penny Rimbaud, Gee Vaucher, Eve Libertine, Steve Ignorant, Andy Palmer and Pete Wright came together in November 2002 to put on a concert at the Queen Elizabeth Hall in opposition to the at that time proposed War on Iraq. Although they did not all appear on the stage at the same time, most of the ex-members of Crass participated in the event under the name of The Crass Collective, along with other performers such as Ian MacKaye, Goldblade, the English Chamber Choir, Fun Da Mental, and Nabil Shaban, among others.
Youth in Asia were an early 1980s UK anarcho-punk band from London. They were differentiated from many other bands within that scene by their prominent use of the synthesizer. The band's first live performance was in Brussels in December 1981. They played several gigs at squatted venues, including Crass's squat gig at Zig Zag in London, and the Wapping Autonomy Centre with other bands including The Apostles, Crass, Flux of Pink Indians, Twelve Cubic Feet, The Mob, Poison Girls, Hagar the Womb, Riot/Clone, DIRT and others.
Last Hours is an anti-authoritarian publishing collective. From 2003 to 2008 it produced a fanzine, initially called Rancid News until issue 9, changing its name to Last Hours from issue 10 till the final issue, 17, in May 2008. All 17 issues were edited by Edd Baldry before he stood down as editor. Since 2008 Last Hours has become a publishing collective, launching a website, and releasing two books in the autumn of 2009, Excessive Force and Diary of a miscreant.
The Poison Girls were an English anarcho-punk band from Brighton. The singer/guitarist, Vi Subversa, was a middle-aged mother of two at the band's inception, and wrote songs that explored sexuality and gender roles, often from an anarchist perspective. The original Poison Girls line-up also included: Lance D'Boyle (drums); Richard Famous (guitar/vocals); Nil ; and Bernhardt Rebours (bass/synthesiser/piano).
Kill Your Pet Puppy (KYPP) was a UK punk zine that ran for six issues between 1979 and 1984. It was edited by Tony Drayton who had previously produced Ripped and Torn fanzine, which he started in October 1976 and for 18 issues until 1979.
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Wapping Autonomy Centre was a self-managed social centre in the London Docklands from late 1981 to 1982. The project was initially funded by money raised by the benefit single Persons Unknown/Bloody Revolutions, as well as benefit gigs by Crass and The Poison Girls.
The Carnival Against Capital took place on Friday 18 June 1999. It was an international day of protest timed to coincide with the 25th G8 summit in Cologne, Germany. The carnival was inspired by the 1980s Stop the City protests, Peoples' Global Action and the Global Street Party, which happened at the same time as the 1998 24th G8 Summit in Birmingham. The rallying slogan was Our Resistance is as Transnational as Capital.
Crass were an English art collective and punk rock band formed in Epping, Essex in 1977, who promoted anarchism as a political ideology, a way of life, and a resistance movement. Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights, feminism, anti-fascism, and environmentalism. The band used and advocated a DIY ethic in its albums, sound collages, leaflets, and films.
Anarchism in Greece traces its roots to ancient Greece but was formed as a political movement during the 19th century. It was in the ancient era that the first libertarian thoughts appeared when philosophers based on rationality questioned the fundamentals of tradition. Modern anarchism in Greece emerged in the 19th century, heavily influenced by the contemporary European classical anarchism. Because of the Bolshevik success in the Russian Revolution of 1917 and the rise of the Communist Party, anarchism faded after the first decades of the 20th century. The collapse of the military junta put an end to the monopoly of the political power from the Right, whereas the dissolution of the Soviet Union diminished the allure of the Communist Party of Greece allowing anarchist groups to gain pace in Athens and other cities.
Contemporary anarchism within the history of anarchism is the period of the anarchist movement continuing from the end of World War II and into the present. Since the last third of the 20th century, anarchists have been involved in anti-globalisation, peace, squatter and student protest movements. Anarchists have participated in armed revolutions such as in those that created the Makhnovshchina and Revolutionary Catalonia, and anarchist political organizations such as the International Workers' Association and the Industrial Workers of the World have existed since the 20th century. Within contemporary anarchism, the anti-capitalism of classical anarchism has remained prominent.
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