Storageland | ||||
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EP by | ||||
Released | 1997 | |||
Genre | Indie rock | |||
Length | 23:34 | |||
Mirah chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Storageland is the first release by musician Mirah, released independently as a vinyl EP in 1997. The album received largely positive reviews, [1] and listeners were "drawn to the unpolished sound...with its sometimes muffled vocals, raw guitars, and background-noise cracklings." [2]
The EP was released independently in 1997. All tracks are on one side of the 12", and the B-side is an etching by Nikki McClure. Mirah is the primary artist, while contributing musicians include Bryce Panic on drums, Molly Burgdorf on bass on tracks, Jessie Breznau on violin, and Pat Maley on organ.
The album received a positive review in Allmusic, and a score of 3/5. [1] Listeners were "drawn to the unpolished sound...with its sometimes muffled vocals, raw guitars, and background-noise cracklings", wrote Laura Leebove in Venus Zine . [2]
Slay Tracks: 1933–1969 is American indie rock band Pavement's debut extended play (EP). Pavement—at that time, a duo of just its two founding members Stephen Malkmus and Scott Kannberg (guitar)—recorded Slay Tracks with producer and future member Gary Young (drums) during a four-hour session. Pavement self-released the EP as a 7" vinyl record on the band's own record label Treble Kicker in 1989. The music of Slay Tracks was influenced by indie and punk rock bands such as Swell Maps and The Fall, and many of the lyrics were inspired by life in the band's hometown of Stockton, California.
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Mirah is an American musician and songwriter based in Brooklyn, New York. After getting her start in the music scene of Olympia, Washington in the late 1990s, she released a number of well-received solo albums on K Records, including You Think It's Like This but Really It's Like This (2000) and Advisory Committee (2002). Her 2009 album (a)spera peaked on the Billboard Top Heatseekers chart at #46, while her 2011 collaborative album Thao + Mirah peaked at #7.
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