A stream is a body of moving water.
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Stream or streaming may also refer to:
A stream is a body of moving water.
Stream or streaming may also refer to:
Mix, MIX, mixes, or mixing may refer to:
Muhal Richard Abrams was an American educator, administrator, composer, arranger, clarinetist, cellist, and jazz pianist in the free jazz medium. He recorded and toured the United States, Canada and Europe with his orchestra, sextet, quartet, duo, and as a solo pianist.
Roscoe Mitchell is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Alice may refer to:
Aquarius may refer to:
To turn is to rotate, either continuously like a wheel turns on its axle, or in a finite motion changing an object's orientation. Turn may also refer to:
A duet is a musical form for two performers.
Pi Recordings is a jazz record label founded by Seth Rosner in 2001. He was soon joined as partner by Yulun Wang. Pi specializes in avant-garde jazz. Its first two albums were by Henry Threadgill.
Young at Heart may refer to:
Moving or Movin' may refer to:
Douglas R. Ewart is a Jamaican multi-instrumentalist and instrument builder. He plays sopranino and alto saxophones, clarinets, bassoon, flute, bamboo flutes, and didgeridoo; as well as Rastafarian hand drums.
Go, GO, G.O., or Go! may refer to:
A duet is a musical composition or piece for two performers.
Steve McCall was an American jazz drummer.
Nonaah is a double album recorded in 1976-77 by Roscoe Mitchell. It was originally released on the Nessa label in 1977 and features solo, duo, trio and quartet performances by Mitchell, Anthony Braxton, Malachi Favors, Muhal Richard Abrams, George Lewis, Henry Threadgill, Joseph Jarman, and Wallace McMillan. The 2008 double CD reissue added five unreleased saxophone solos to the album.
Streaming is an album by Muhal Richard Abrams, George Lewis, and Roscoe Mitchell recorded in 2005 and released on the Pi Recordings label in 2006.
Kabalaba is a live album by the Art Ensemble of Chicago recorded at the Montreux Jazz Festival in 1974 and released on their AECO label in 1978. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, and Don Moye along with Muhal Richard Abrams.
Roscoe Mitchell Quartet is an album by American jazz saxophonist Roscoe Mitchell recorded in 1975 and released on the Canadian Sackville label.
Artifacts is an album by a collective trio consisting of Nicole Mitchell on flute and electronics, Tomeka Reid on cello and Mike Reed on drums, which was recorded in 2015 and released on 482 Music. The trio, which Tomeka Reid conceived for a concert in Seattle early in 2015, was formed to celebrate the legacy of the Association for the Advancement of Creative Musicians during its 50th anniversary, interpreting compositions by some of its members. Cover art by Lewis Achenbach, created live during the 50th anniversary of the AACM at Mandel Hall in Chicago.
Spectrum is a live album by pianist and composer Muhal Richard Abrams and saxophonist and composer Roscoe Mitchell. It was recorded at Philharmonic Hall in Ostrava, Czech Republic, and was released by Mutable Music in 2009. The album begins with an improvised duet by Abrams and Mitchell titled "Romu." This is followed by Mitchell's three-part "Non-Cognitive Aspects of the City" for baritone and orchestra, commissioned by Mutable Music, with a text by Joseph Jarman, and featuring singer Thomas Buckner with the Janáček Philharmonic Orchestra. The album concludes with the Janáček Philharmonic's performance of Abrams's "Mergertone" for orchestra, commissioned by the Ostrava Center for New Music and premiered at the opening concert of the Ostrava Days 2007 festival. Both orchestral works were conducted by Petr Kotik.
