Editor | Mike Mannix |
---|---|
Categories | Dance music |
Frequency | Monthly |
Circulation | 20,000 |
Publisher | Streetsound Ltd. |
First issue | March 1985 |
Final issue Number | 1998 91 |
Country | Canada & United States |
Based in | Toronto & New York City |
Language | English |
Website | streetsound.com |
ISSN | 0841-2650 |
Streetsound was a Canadian monthly music magazine (often confused with the UK record label Streetsounds). It began publication in 1985 and ceased publication after issue 91 in New York in 1998. Streetsound originally started out as a tip sheet for Starsound Records, a record store owned by Ahmad and Sepehr Azari in Toronto, Ontario Canada. Its executive director was Michael Mannix and Creative Director was Sylvie Falar. Copyright was attributed to Streetsound Ltd with an ISDN number of 0841–2650., [1]
While Streetsound was primarily known for its dance music coverage, Mannix and Falar mandated that it would cover all genres, from Rock to Bhangra. [2] Its issues and web archives are often sited today as source reporting for articles on music cultural [3] and history. [4]
1985 Streetsound began as a tip sheet for Starsound Records, a record store owned by brothers Ahmad and Sepehr Azari in Toronto, Ontario. Toronto DJ Jason “Deko” Steele convinced the Azaris to expand the tip sheet into a magazine. [5] Steele recommended Montreal natives Mannix and Falar, who worked at Canadian pop culture magazine Graffiti, to run the magazines day-to-day operations.
Launched in 1985 as Streetsound: Canada's Dance Music Authority, the first issue featured Janet Jackson on the cover. It was originally published as a photocopied tipsheet run from Mannix and Falar's apartment. As the publication grew in circulation, Chris Torella and Midori Mannix joined as Managing Editor and Editorial Coordinator and Streetsound moved to offices at Queen and Spadina in Toronto (1993).
Original Publishers Streetsound Ltd: Ahmad and Sepehr Azari 1995-1998: Street Media Ventures inc
executive director: Mike Mannix, Creative Director: Sylvie Falar, Managing Editor: Chris Torella, Editorial Coordinator: Midori Mannix
John (Bronski) Adams [19] (Rap), Randy Brill (Pop Dance), Lorrie Edmonds (Rock), Morgan Gerrard (editor at large), [20] Patrick Hodge (Soul/Funk/R&B), Sylvain Houde (Alternative), Tim Jeffery (UK), Peter Ivalis (Freestyle), Rockie Laporte (B-sides), Paul E. Lopes (Acid Jazz) [21] Dave Long, Charles McGlynn (reggae), Brian Perry (HI-NRG), Chris Torella, Dino & Terry Demopoulos (House) Editorial Consultant: the late Jason “Deko” Steele Pavlick [22]
Craig “Big C” Mannix, [23] Frankie Bones(Techno Rave Report), Thrust DJ Disciple (House), Scott Hardkiss (San Francisco),
Electroclash is a genre of popular music that fuses 1980s electro, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music. It emerged in the later 1990s and is often thought of as reaching its peak circa 2002/2003. It was pioneered by and associated with acts such as I-F, DJ Hell, Miss Kittin and The Hacker, and Fischerspooner.
Covenant is a Swedish electronic band formed in Helsingborg in 1988. The band is currently composed of Eskil Simonsson and Joakim Montelius in the studio, while live shows consist of Simonsson along with touring members Chad Hauger, Daniel Jonasson of Dupont, Andreas Catjar and Daniel Myer of Haujobb.
"Blue Monday" is a song by the English rock band New Order. It was released as a 12-inch single on 7 March 1983 through Factory Records. It appears on certain cassette and CD versions of New Order's second studio album, Power, Corruption & Lies (1983). The track was written and produced by Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner.
"Funkytown" is a song by American disco-funk group Lipps Inc., released by Casablanca Records in March 1980. It was written and produced by Steven Greenberg and released as the second single from the group's debut studio album, Mouth to Mouth (1979).
Tommy Boy Records is an American independent record label and multimedia brand founded in 1981 by Tom Silverman. The label is credited with helping and launching the music careers of Queen Latifah, Amber, Afrika Bambaataa, Stetsasonic, Digital Underground, Coolio, De La Soul, House of Pain, Naughty By Nature, and Force MDs. Tommy Boy is also credited with introducing genres such as EDM, Latin freestyle, and Latin hip hop to mainstream audiences in America.
"Waiting for Tonight" is a song written by Maria Christensen, Michael Garvin, and Phil Temple. It was originally recorded by Christensen's girl group 3rd Party for their debut studio album, Alive (1997). Two years after the group disbanded, American singer Jennifer Lopez recorded her own version of the song for her debut studio album, On the 6 (1999). Ric Wake and Richie Jones produced Lopez's Hispanic house version of "Waiting for Tonight", which differs from the German-sounding Europop version that was recorded by 3rd Party. A Spanish version of the song, entitled "Una Noche Más", was adapted by Manny Benito and also recorded for the album. "Waiting for Tonight" was released on September 7, 1999, by the Work Group, as the third single from On the 6.
"Juke Joint Jezebel" is a song by industrial rock group KMFDM from their 1995 album Nihil. It is KMFDM's most widely known song to date, with around three million copies of the song sold across various releases.
Apartment Life is the second studio album by American band Ivy, released by Atlantic Records on October 6, 1997. After being dropped from Seed Records following the release of Realistic in 1995, the group signed to Atlantic due to connections that Adam Schlesinger had with the record label. In addition to band members Andy Chase and Schlesinger, the album was produced by Lloyd Cole and Peter Nashel. In contrast to their previous releases, such as Lately (1994) and Realistic, Apartment Life is a pop album with varying forms of production consisting of keyboards, brass, and string instruments. Some of the compositions featured on the record were compared to the works of My Bloody Valentine, Pixies, and the Smiths. To promote the album, Ivy embarked on a series of promotional tours across the United States.
"Heartbreak Hotel" is a song by American singer Whitney Houston. Originally written for inclusion on TLC's third studio album FanMail, it was later recorded by Houston after TLC rejected the song. The song was written by Carsten Schack, Kenneth Karlin and Tamara Savage, and produced by Soulshock & Karlin. It was released on December 15, 1998, by Arista Records, as the second single from Houston's 1998 album My Love Is Your Love. The song prominently features R&B singers Faith Evans and Kelly Price during the choruses and bridge.
The Boomtang Boys are Canadian dance-remix musicians and music producers. They are known for both their remix work and pop-dance music, in particular their singles "Squeeze Toy" and "Movin' On", which both topped the Canadian Singles Chart.
Pseudo.com was an early streaming content service. It was founded by Josh Harris, who broadcast an AM radio show solely dedicated to the Internet, after which tapes of the show would be carried 12 blocks from the WEVD Radio headquarters to 600 Broadway and uploaded to the internet. It soon evolved into a multi-show network and then further to different streaming channels; Pseudo webcast live audio and video webcasting as well as previously recorded material. Founded in New York in late 1993, Pseudo began to grow in the late 1990s after an influx of capital and the advent of dial up internet taking hold with the general population, growing to a company with multiple streaming channels.
Flip Records is a Californian record label, started by Jordan Schur in April 1994. The label is known for the signing of popular nu metal bands such as Limp Bizkit, Dope and Cold. The label has sold 70 million albums worldwide.
Billboard is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows.
Jordana LeSesne, formerly known as 1.8.7, is an American musician and producer from Pittsburgh, Pennsylvania. She now produces and performs as Jordana. She became known in the mid-1990s as a drum and bass producer. Vibe magazine called her "one of the most respected Drum ‘n' Bass producers in the US." In 2015, she was named as one of "20 women who shaped the history of dance music" by Mixmag. She is transgender and came out in 1998.
Puya is a Puerto Rican progressive metal band. Formed in 1991, the band rose to prominence with their fusion of jazz, salsa and heavy metal.
Azari & III was a Canadian music group, formed in 2008, which performed house, electronic and dance music. They released their self-titled debut album in 2011 and earned recognition on the dance music scene with the hits "Hungry for the Power" and "Reckless ".
The videography of Eric Clapton consists of 22 video albums and concert films as well as 17 music videos. His commercially most successful video releases are the DVDs of his Crossroads Guitar Festival series. His 2007 release sold over two million DVD and Blu-rays to date, making it one of the best-selling music video DVDs ever to be released. The 2004 Crossroads Guitar Festival DVD was certified 10-times Platinum by the Recording Industry Association of America. Clapton's video releases are popular all over the world, especially in North and South Armerica, Europe and Oceania. Clapton's small number of music videos are similarly successful. Every music video Clapton has released, has been shown more than 30 weeks in succession on MTV, VH1, MuchMusic, MTV2 and Fuse TV – rarely has any other artist been broadcast that often on a music TV channel throughout their whole career.
TV Terror: Felching a Dead Horse is a various artists compilation album released on September 23, 1997, by Re-Constriction Records. The idea came to fruition when Permission founder Jayson Elliot discovered Monochrome - A Tribute to the Sisters of Mercy via a car ride through Chicago in June 1994 and compiled the music on the second disc. Its release was the cause of the first utterance of the word "felch" on national television when Kurt Loder reported its release on MTV News.
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