Strike Under | |
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| Background information | |
| Origin | Chicago, Illinois |
| Genres | Punk rock |
| Years active | 1980-1981 |
| Labels | Wax Trax! |
| Members | Steve Bjorklund, Chris Bjorklund, Pierre Kezdy, Bob Furem |
| Website | Myspace page |
Strike Under was an influential Chicago punk rock band of the early 1980s. It was started by Steve Bjorklund (vocals, guitar) after the demise of The Rabbits. The principal musicians, besides Bjorklund, were his brother Chris (guitar), Pierre Kezdy (bass), and Bob Furem (drums).
Strike Under was founded in 1979 or 1980. Although American punk is generally considered to have started four or five years earlier, punk and new wave music arrived in Chicago far later than on either coast, so that Strike Under is correctly still considered an "early" Chicago punk band.[ citation needed ] They can also be seen as one of the first and most important bands of the "second wave" of Chicago punk, as it turned toward a more hardcore scene and sound, and as an archetype of Chicago hardcore.
In 1981, Strike Under released a 5-song 12" EP record, Immediate Action, notable as the first release by the new label Wax Trax Records (the record is commonly known as WAX 001, although the actual catalog number is Wax Trax 103015X). [1] [2] The album cover resembled a book of matches (the band's name derives from the phrase commonly seen on cheap matchbooks). Songs included "Sunday Night Disorientation", "Context", "Closing In", "Elephant's Graveyard" (which later appeared on the Wax Trax Best of boxed set), and the title track. Immediate Action received mixed reviews; however, as one of the first actual recordings by a local punk outfit in the Windy City, it looms large in the memory of denizens of the early Chicago punk scene, and has been called an "integral document to the history of punk rock in Chicago". [3] [4] [5]
Strike Under, besides releasing its own record, played out at clubs such as O'Banion's, and also appeared on the 1981 Busted at Oz LP, which is usually viewed as an historic document of the second wave of Chicago punk, recorded at the club Oz before it closed down. [6] [7]
Strike Under broke up in late 1981. Steve Bjorklund briefly formed another Chicago punk band, Terminal Beach, then ultimately relocated to Minneapolis to pursue playing and recording with various punk and industrial music bands, including Breaking Circus. [8] The other three members formed Trial By Fire, which played throughout Chicago in 1982. After Trial By Fire broke up, Pierre Kezdy went on to play with Naked Raygun and Pegboy. Chris Bjorklund played first with Bloodsport and then with The Effigies during the mid and late 1980s, the latter being another leading 1980s Chicago hardcore band who happened to be fronted by Pierre Kezdy's brother, John Kezdy.
Strike Under was profiled in the 2007 documentary You Weren't There . The film featured interviews with both Bjorklund brothers and Pierre Kezdy.
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington D.C. and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics."
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records.
Illinois, including Chicago has a wide musical heritage. Chicago is most famously associated with the development of electric blues music. Chicago was also a center of development for early jazz and later for house music, and includes a vibrant hip hop scene and R&B. Chicago also has a thriving rock scene that spans the breadth of the rock genre, from huge stadium-filling arena-rock bands to small local indie bands. Chicago has had a significant historical impact on the development of many rock subgenres including power pop, punk rock, indie rock, emo rock, pop punk, and alternative rock.
Revolting Cocks, also known as RevCo, are an American-Belgian industrial rock band, and sometimes supergroup, that began as a musical side project for Richard23 of Front 242, Luc van Acker, and Al Jourgensen of Ministry.
Wax Trax! Records is an American independent record label based in Chicago. It began as a record shop in Denver, Colorado, opened by life partners Jim Nash and Dannie Flesher, who sold the store in 1978 and moved to Chicago. In November of that year, they opened a store under the same name in the Lincoln Park neighborhood. During the 1980s and 1990s, the accompanying record label became a strong presence on the industrial music scene as well as the punk rock scene in Chicago, and an outlet for European bands. The label was later purchased in 1992 by TVT Records and was discontinued in 2001. In 2014, it was re-established by Julia Nash, daughter of co-founder Jim Nash.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- and mid-2000s, post-hardcore achieved mainstream success with the popularity of bands like At the Drive-In, My Chemical Romance, Dance Gavin Dance, AFI, Underoath, Hawthorne Heights, Silverstein, The Used, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved mainstream success under the post-hardcore label. Meanwhile, bands like Title Fight and La Dispute experienced underground popularity playing music that bore a closer resemblance to the post-hardcore bands of the 1980s and 1990s.
Naked Raygun is an American punk rock band that formed in Chicago in 1980. The band was active from 1980 to 1992, along with reunion shows in 1997, and since 2006.
Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Nevertheless, the genre has been very diverse, with different bands showcasing very different styles. Many pioneering melodic hardcore bands, have proven influential across the spectrum of punk rock, as well as rock music more generally. The term melodic punk is often used to describe both melodic hardcore and skate punk bands.
Pegboy is an American punk band from Chicago, Illinois with a relatively large cult following. They were founded in 1990 by John Haggerty, along with his brother Joe Haggerty, Larry Damore (vocals/guitar), and Steve Saylors (bass). Both Damore and Saylors had been members of Chicago-based hardcore band Bhopal Stiffs, whose 1987 demo had been produced by John Haggerty. Pegboy's 1990 debut EP, "Three-Chord Monte", was also the first release by Quarterstick Records, an offshoot of Touch and Go Records. Steve Saylors dropped out in 1992 after job commitments prevented him from touring. Steve Albini, a longtime friend of the band, filled the bass slot on the "Fore" EP. Former Naked Raygun bassist Pierre Kezdy became the permanent bass player in 1994. After the reformation of Naked Raygun, Mike Thompson took over for Kezdy on bass.
Steve Bjorklund a/k/a Steve Björklund a/k/a Steffan Bjorklund was born ca. 1960 in Chicago, Illinois. He was an early figure in the first punk rock music scene in Chicago. He briefly attended Roycemore School in Evanston, Illinois. His first known recorded appearance was in July 1978, as a guitarist-singer with the protopunk-garage-New Wavish band The Rabbits, who opened a show in Schaumburg, Illinois by power-pop up-and-comers Pezband.
The Effigies were an American punk band from Chicago. The band played its first show in 1980 and was active initially for approximately a decade, undergoing multiple personnel changes with frontman John Kezdy the only constant, before disbanding in 1990. The band released 5 albums and several EPs, most on the record label they founded in 1981, Ruthless Records, which was distributed by Enigma. Later albums were on the Fever Records and Roadkill Records labels. They toured the U.S. and Canada and played notable venues, including CBGB, Maxwell's, First Avenue (nightclub), Mabuhay Gardens, Paycheck's (Detroit), Exit (Chicago) and The Rathskeller, among others. They also received a significant amount of national airplay on college radio at a time when it was the only medium for alternative music.
Breaking Circus was a post-punk band from the 1980s, based in Chicago and later Minneapolis, founded by guitarist and vocalist Steve Björklund.
The Faith was an early American hardcore punk band, from Washington D.C., with strong connections to the scene centered on the Dischord label. Along with Minor Threat, The Faith were key players in the early development of hardcore, with a (later) melodic approach that would influence not just associated acts like Rites of Spring, Embrace and Fugazi, but also a subsequent generation of bands such as Nirvana, whose Kurt Cobain was a vocal fan.
You Weren't There: A History of Chicago Punk, 1977–1984 is a 2007 documentary film about punk subculture in Chicago from 1977 through 1984. The film was written and directed by Joe Losurdo and Christina Tillman, and profiles the punk bars and local bands that gave rise to the city's punk rock scene in the late 1970s and early 1980s. Losurdo was the one-time bass player for the Chicago-based 1980s hardcore band, Life Sentence, although his group is not profiled in the movie. Reviewer Max Goldberg of the San Francisco Bay Guardian called the film "a thrillingly exhaustive survey of early Chicago punk."
DA! was a Chicago-based post-punk band of the early 1980s, known for their songs "Dark Rooms" and "Time Will Be Kind". Their sound was influenced by artists such as the Cure, Gang of Four, Bauhaus and Siouxsie and the Banshees.
Pierre Kezdy was an American bass player, known for playing with various Chicago punk bands, including Naked Raygun, Pegboy, Strike Under, Arsenal, and Trial By Fire. He was also the younger brother of Effigies frontman John Kezdy.
Raygun...Naked Raygun is the fifth album by Chicago punk rock band Naked Raygun, released in 1990 through Caroline Records. The album was recorded at Chicago Trax and was co-produced by Keith Harbacher and the band. It was the band's first album with their new guitarist Bill Stephens, who had replaced John Haggerty. This was the last album by the band before they broke up in 1992.
"I’m Falling" and "Cold Life" are songs by American Industrial band Ministry. Written by Al Jourgensen, these were first released in 1981 by Wax Trax! Records, as the band's debut single. Initially featuring "I'm Falling" as the A-side, the single found success via its B-side, "Cold Life", which was chosen as the A-side on release in the UK. In 1985, during Ministry's short-lived return on Wax Trax!, the single was reissued with "Cold Life" as the A-side.
Over the Overlords is the sixth studio album by Chicago punk band Naked Raygun. It was released on August 2, 2021, on Wax Trax! Records. It is their first album in 31 years.
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