Related Research Articles
The String Quartet No. 20 in D major, K. 499, was written in 1786 in Vienna by Wolfgang Amadeus Mozart. It was published by – if not indeed written for – his friend Franz Anton Hoffmeister. Because of this, the quartet has acquired the nickname Hoffmeister. Hoffmeister had started issuing a series of chamber-music publications in 1785, including Mozart's K. 499 as well as Joseph Haydn's String Quartet No. 35, Op. 42.
Wolfgang Amadeus Mozart's Clarinet Quintet, K. 581, was written in 1789 for the clarinetist Anton Stadler. A clarinet quintet is a work for one clarinet and a string quartet. Although originally written for basset clarinet, in contemporary performances it usually is played on a clarinet in A. It is Mozart's only completed clarinet quintet and is one of the earliest and best-known works, written especially for the instrument. It remains to this day one of the most admired of the composer's works. Sometimes the quintet is referred to as the Stadler Quintet; Mozart so described it in a letter of April 1790. Mozart also wrote a trio for clarinet, viola, and piano for Stadler, the so-called Kegelstatt Trio, in 1786. Stadler was a friend to Mozart who was very talented in the instrument.
Wolfgang Amadeus Mozart's Oboe Concerto in C major, K. 314 (271k), was composed in the spring or summer of 1777, for the oboist Giuseppe Ferlendis (1755–1802) from Bergamo. In 1778, Mozart re-worked it as a concerto for flute in D major. The concerto is a widely studied piece for both instruments and is one of the most important concertos in the oboe repertoire.
Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for solo piano, two oboes, two bassoons (optional), two horns, and strings. Like all three of the early Vienna concertos that Mozart wrote, it is a modest work that can be performed with only string quartet and keyboard. As per 18th century performance practice a string orchestra could also have served as a suitable option for the "quattro" accompaniment.
The Divertimento in E♭ major, K. 563, is a string trio, written by Wolfgang Amadeus Mozart in 1788, the year in which he completed his last three symphonies and his "Coronation" Piano Concerto. It is his last divertimento and different from his other divertimenti not only in its instrumentation but also in its compositorial ambition and scope.
The Kolisch Quartet was a string quartet musical ensemble founded in Vienna, originally as the New Vienna String Quartet for the performance of Schoenberg's works, and settling to the form in which it was later known. It had a worldwide reputation and made several recordings. The quartet disbanded in the United States during the early 1940s.
The String Quintet No. 4 in G minor, K. 516, written by Wolfgang Amadeus Mozart, is like all of Mozart's string quintets a "viola quintet" in that it is scored for string quartet and an extra viola . The mood of the piece is dark and melancholic, typical of Mozart's G minor works.
The String Quintet No. 3 in C major, K. 515 was written by Wolfgang Amadeus Mozart. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola.
The String Quintet No. 5 in D major, K. 593 was written by Wolfgang Amadeus Mozart in 1790. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola.
The String Quintet No. 6 in E-flat major, K. 614, was completed by Wolfgang Amadeus Mozart on April 12, 1791. It is Mozart's last major chamber work. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola
The String Quintet No. 1 in B-flat major, K. 174, was written by Wolfgang Amadeus Mozart in December 1773. Unlike Mozart's other viola quintets, which are scored for two violins, two violas and cello, this early work is scored for two violins, two violas and basso. It is inspired by Michael Haydn viola quintets in C major and G major, written earlier in the same year.
The Op. 33 String Quartets were written by Joseph Haydn in the summer and Autumn of 1781 for the Viennese publisher Artaria. This set of string quartets has several nicknames, the most common of which is the "Russian" quartets, because Haydn dedicated the quartets to the Grand Duke Paul of Russia and many of the quartets were premiered on Christmas Day, 1781, at the Viennese apartment of the Duke's wife, the Grand Duchess Maria Feodorovna. Some scholars theorize that the "Russian" quartets were the inspiration for Mozart's six string quartets dedicated to Haydn, but no direct evidence has been found.
Wolfgang Amadeus Mozart's String Quartet No. 15 in D minor, K. 421/417b is the second of his quartets dedicated to Haydn and the only one of the set in a minor key. Though undated in the autograph, it is believed to have been completed in 1783, while his wife Constanze Mozart was in labour with her first child Raimund. Constanze stated that the rising string figures in the second movement corresponded to her cries from the other room.
The Milanese Quartets, K. 155–160, are a set of six string quartets composed by Wolfgang Amadeus Mozart in late 1772 and early 1773 when he was sixteen and seventeen years old. They are called 'Milanese' because Mozart composed them in Milan while he was working on his opera Lucio Silla. Before this set was composed, Mozart had written one earlier string quartet, so these six quartets are numbered from No. 2 to No. 7. The quartets are written in a plan of keys of D–G–C–F–B♭–E♭ following the circle of fourths.
Violin Sonata No. 32 in B-flat major is a composition by Wolfgang Amadeus Mozart. It was completed in Vienna on April 21, 1784, and was published by Christoph Torricella in a group of three sonatas.
The Prussian Quartets are a set of three string quartets, nos. 21–23, nicknamed 'Prussian', composed by Wolfgang Amadeus Mozart between 1789 and 1790 and dedicated to the King of Prussia, Friedrich Wilhelm II. They were posthumously published in December 1791 by Artaria as Op. 18, only a few weeks after Mozart's death. Although not considered on a par with the earlier, more famous Haydn Quartets, these pieces are noted for their beauty, equilibrium amongst the instruments and the exceptional prominence and cantabile nature of the cello part. These are also the only pieces in this genre that Mozart composed 'to order', i.e. as a commission from a royal patron.
The Flute Quartet No. 4 in A major, K. 298, by Wolfgang Amadeus Mozart is Mozart's final composition for flute quartet. Unlike the previous three quartets, written for the flutist Ferdinand De Jean, the Quartet in A is believed to have been written for recreational purposes, as opposed to on commission. The low Köchel number is misleading. The work is thought to have been written sometime in 1786 or 1787, only a few years before the composer's death.
Wolfgang Amadeus Mozart composed his String Quartet No. 22 in B-flat major, K. 589 after a visit to the court of King Friedrich Wilhelm II, King of Prussia. Mozart traveled with his friend and piano student Prince Carl Lichnowsky, and during these travels they had the opportunity to stop in Potsdam and hold an audience for Mozart at the King's court. Mozart was under financial stress and hoped to hold a position at the court of King Wilhelm II. Wilhelm was an amateur cellist, which is why the set of Prussian Quartets, of which the String Quartet No. 22 is a part, features an unusually prominent role for the cello. Despite such compositional efforts by Mozart to gain employment from the king, these quartets were sold without any dedication and published by Artaria.
The String Quartet No. 23 in F major, K. 590, was written in June 1790 by Wolfgang Amadeus Mozart. It is the third of the Prussian Quartets.
References
- 1 2 Tyson, Alan (1975). "New Light on Mozart's 'Prussian' Quartets". The Musical Times . 116 (1584): 126–130. doi:10.2307/1193913.
- ↑ Sadie, Stanley (11 November 1982). The New Grove Mozart. p. 154. ISBN 0-333-34199-6.
- ↑ "Clean Bandit: A classical approach to pop music". www.bbc.co.uk. 26 May 2014. Retrieved 1 April 2023.
