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References
- ↑ Roger Kamien and Naphtali Wagner, "Bridge Themes within a Chromaticized Voice Exchange in Mozart Expositions" Music Theory Spectrum19 1 (1997): 11 - 12, footnote 12. "An analogous contiguous enharmonic relationship occurs in Mozart's String Quartet in E♭ major, K. 428, first movement."
- ↑ Reginald Barrett-Ayres, Joseph Haydn and the String Quartet. London: Barrie & Jenkins (1974): 194. "The music moves from D minor to a restatement of the opening theme in E♭ major at bar 101; this is truly an astonishing modulation, but yet it all sounds perfectly natural and does not seem contrived."
- ↑ W. Dean Sutcliffe, "Haydn, Mozart and their contemporaries," chapter in The Cambridge Companion to the String Quartet , ed. Robin Stowell. Cambridge: Cambridge University Press (2003) : 197
- ↑ Barrett-Ayres (1974): 195. "The second movement in A♭ major is another chromatic masterpiece, with a second group theme which might well have been written by Brahms, and a density of sonorities which might be ascribed to a composer of the mid-19th century."
- ↑ Barrett-Ayres (1974): 195
- ↑ Barrett-Ayres (1974): 196
