String Quartet No. 2, Musica Instrumentalis (1997) [1] is a string quartet by Aaron Jay Kernis (b. 1960), inspired by renaissance and baroque dances, [1] composed for the Lark Quartet and awarded the Pulitzer Prize in 1998, [2] with a special citation to George Gershwin. [3] His first quartet being named Musica celestis:
My new string quartet started off because I wanted to deal with baroque dance forms and medieval dance rhythms. There wasn't an image—it developed from purely musical ideas. This was a case where the piece turned out to be formally very different from what I first expected. I thought it would be five movements, but I started cannibalizing one movement into another and wound up with three. The first movement is like a dance medley, with a first big A section and a closing A section that is a development of the opening medley. Stuck in the middle of these two A's is a minuet and trio that originally was an entirely separate movement. While working on the first movement, I decided that the relaxation that I needed between those A sections was one of the smaller movements I'd already conceived. So I took one and squashed it in. That's one way that a piece can become significantly transformed during the act of composition.
— Kernis (2003), [4]
The piece was premiered by the Lark Quartet in January 1998 at Merkin Concert Hall. [5] It has been recorded by the Lark Quartet and Jasper String Quartet.
It was commissioned by the Lark Quartet by the Elaine Kaufman Cultural Center in New York City, Ohio University, and The Schubert Club of St. Paul, with additional funds from Chamber Music America. It is dedicated to Linda Hoeschler "in gratitude for her friendship, generosity, and support, and in honor of her perpetual faith in the creative spirit."
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part. However, by convention, it usually does not include solo instrument performances.
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year."
Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. She was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
Aaron Jay Kernis is a Pulitzer Prize- and Grammy Award-winning American composer serving as a member of the Yale School of Music faculty. Kernis spent 15 years as the music advisor to the Minnesota Orchestra and as director of the Minnesota Orchestra's Composers' Institute, and is currently the workshop director of the Nashville Symphony Composer Lab. He has received numerous awards and honors throughout his thirty-five-year career. He lives in New York City with his wife, pianist Evelyne Luest, and their two children.
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A listing of the Pulitzer Prize award winners for 1998:
Barbara Kolb was an American composer and educator, the first woman to win the Rome Prize in musical composition. Her music features sound masses of colorful textures, impressionistic sounds and atonal vocabulary, with influences from literary and visual arts. She taught at the Third Street Music School Settlement, Rhode Island College and Eastman School of Music.
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Chamber Music America (CMA) is an American non-profit organization that provides small ensemble professionals with access to a variety of professional development, networking, and funding resources. CMA's regular initiatives include grants, awards, and commissioning programs for ensembles and presenters, a national conference held annually in New York City, and the publication of Chamber Music magazine. CMA-members organizations and individuals include ensembles, musicians, concert presenters, artist managers, composers, educators, and others involved in the performance of classical, jazz, contemporary, and world music.
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