String Quartet No. 2 (1954) is the second of six string quartets by the American composer Milton Babbitt.
The form of this chamber composition evolves from and expounds features of a basic twelve-tone series.
Babbitt makes his processes as intelligible as possible and leads his listener from one step to the next after all the possibilities have been investigated. The result is an exhilarating piece, self-contained and exact. And the beauty is not purely formal: there are many incidental pleasures in the springing deployment of string effects, as well as elegant changes of gear at the junctions between the four principal sections. [1] )
The pitch material is developed gradually in the opening bars. An interval of a rising minor third predominates in bars 1–3, followed by a concentration on falling major thirds in bars 4–6. The following bars continue in this way, presenting a single interval or pair of intervals, beneath which groupings defined by dynamics and register develop patterns suggested by these intervals, eventually involving all aspects of the musical structure. The quartet alternates such sections of intervallic exposition with sections that develop the intervals presented up to that point, until eleven different ordered pitch-class intervals have been presented and developed until, in a moment referred to by Babbitt as "telling you the butler did it", the set that controls the entire musical structure is revealed by a process of "disambiguation", as Babbitt himself described it. [2]
Milton Byron Babbitt was an American composer, music theorist, mathematician, and teacher. He was a Pulitzer Prize and MacArthur Fellowship recipient, recognized for his serial and electronic music.
Alfred Whitford (Fred) Lerdahl is the Fritz Reiner Professor Emeritus of Musical Composition at Columbia University, and a composer and music theorist best known for his work on musical grammar and cognition, rhythmic theory, pitch space, and cognitive constraints on compositional systems. He has written many orchestral and chamber works, three of which were finalists for the Pulitzer Prize for Music: Time after Time in 2001, String Quartet No. 3 in 2010, and Arches in 2011.
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Composition for Four Instruments (1948) is an early serial music composition written by American composer Milton Babbitt. It is Babbitt's first published ensemble work, following shortly after his Three Compositions for Piano (1947). In both these pieces, Babbitt expands upon the methods of twelve-tone composition developed by Arnold Schoenberg. He is notably innovative for his application of serial techniques to rhythm. Composition for Four Instruments is considered one of the early examples of “totally serialized” music. It is remarkable for a strong sense of integration and concentration on its particular premises—qualities that caused Elliott Carter, upon first hearing it in 1951, to persuade New Music Edition to publish it.
The Composers String Quartet was a string quartet best known for performances of new works by contemporary composers, including quartets by Elliott Carter and Ruth Crawford Seeger. Carter's Fourth Quartet was dedicated to the Composers Quartet, who premiered the work in 1986. The group has performed quartets by more than 60 American composers, and has toured abroad extensively.
Composition for Twelve Instruments is a serial music composition written by American composer Milton Babbitt for flute, oboe, clarinet, bassoon, horn, trumpet, harp, celesta, violin, viola, cello, and double bass. In it Babbitt for the first time employs a twelve-element duration set to serialize the rhythms as well as the pitches, predating Olivier Messiaen's (non-serial) "Mode de valeurs et d'intensités", but not the Turangalîla-Symphonie (1946–1948), in which Messiaen used a duration series for the first time in the opening episode of the seventh movement, titled "Turangalîla II".
String Quartet No. 3 is the third of six chamber-music works in the string quartet medium by the American composer Milton Babbitt.
String Quartet No. 4 is the fourth of six chamber music works in the string quartet medium by the American composer Milton Babbitt.
String Quartet No. 5 is the fifth of six chamber music works in the string quartet medium by the American composer Milton Babbitt.
String Quartet No. 6 is the last of six chamber-music works in the string quartet medium by the American composer Milton Babbitt.
All Set, for jazz ensemble, is a 1957 composition for small jazz band by the American composer Milton Babbitt.
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Bernard Zaslav was an American viola soloist and chamber musician with an extensive recording and performance career. A founding member of The Composers Quartet in 1965, he went on to play with the Fine Arts Quartet, Vermeer Quartet, and the Stanford String Quartet. He has also performed and recorded as the Zaslav Duo with his wife, pianist Naomi Zaslav.
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