Stringology | ||||
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Studio album by | ||||
Released | 1994 | |||
Recorded | September 24–27, 1993 | |||
Studio | Sear Sound, New York City | |||
Genre | Free jazz | |||
Length | 52:21 | |||
Label | Black Saint 120143 | |||
Producer | Flavio Bonandrini | |||
Diedre Murray and Fred Hopkins chronology | ||||
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Stringology is an album by cellist Diedre Murray and bassist Fred Hopkins. It was recorded at Sear Sound in New York City during September 1993, and was released in 1994 by Black Saint. On the album, Murray and Hopkins are joined by guitarist Marvin Sewell and percussionists Ray Mantilla and Newman Baker. [1] [2] [3]
In an interview, Murray defined "stringology" as "a language of string playing, a new language, a contemporary language," and Hopkins added: "We take what we know, where we come from, and where we are right now, and then, we put it all together and more ahead of that too." [4]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [5] |
In a review for AllMusic, Ron Wynn called the music "loose, unpredictable, exciting fare," and wrote: "Their mastery of their respective instruments results in some superb duets with Murray's higher-pitched bowing and Hopkins' plucking and answering lines making remarkable statements. The group explores calypso and tango variations, as well as outside dialogues, inside movements and a concluding blues tune that turns that form upside down. This material is sometimes challenging, sometimes humorous, and never conventional or staid." [1]
The authors of The Penguin Guide to Jazz Recordings stated that Murray "trades too heavily on certain rather limited ideas and these... can't quite be made to last the pace." [5]
"Old Nancock" composed by Fred Hopkins. Remaining tracks composed by Diedre Murray.
Henry Threadgill is an American composer, saxophonist and flautist. He came to prominence in the 1970s leading ensembles rooted in jazz but with unusual instrumentation and often incorporating other genres of music. He has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid.
Fred Hopkins was an American double bassist who played a major role in the development of the avant-garde jazz movement. He was best known for his association with the trio Air with Henry Threadgill and Steve McCall, and for his numerous performances and extensive recordings with major jazz musicians such as Muhal Richard Abrams, Arthur Blythe, Oliver Lake, and David Murray. He was a member of the AACM, and a frequent participant in the loft jazz scene of the 1970s. He also co-led a number of albums with the composer and cellist Diedre Murray. Gary Giddins wrote that Hopkins' playing "fused audacious power with mercuric reflexes." Howard Reich, writing in the Chicago Tribune, stated that "many connoisseurs considered [Hopkins] the most accomplished jazz bassist of his generation" and praised him for "the extraordinarily fluid technique, sumptuous tone and innovative methods he brought to his instrument."
Newman Taylor Baker is a jazz drummer and a washboard player.
Diedre Murray is an American cellist and composer specializing in jazz and musical theater. She also works as a record producer and curator.
Jim Nolet is an American jazz violinist, artist, performer, and educator known internationally as a composer/improviser in world and jazz idioms. He has a particular interest in the music of Brazil. He has performed in the United States, Canada, Europe, Japan, and Latin America.
Raymond Mantilla was an American percussionist.
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Marvin Sewell is a blues/jazz guitarist, who has been called maybe "the greatest guitarist you've never heard of". He was born and grew up in Chicago, where he attended the Chicago Musical College at Roosevelt University.
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