The House of Strozzi is the name of an ancient (later noble) Florentine family, who like their great rivals the House of Medici, began in banking before moving into politics. Until its exile from Florence in 1434, the Strozzi family was by far the richest in the city, and was rivaled only by the Medici family, who ultimately took control of the government and ruined the Strozzi both financially and politically. This political and financial competition was the origin of the Strozzi-Medici rivalry. Later, while the Medici ruled Florence, the Strozzi family ruled Siena, which Florence attacked, causing great animosity between the two families. Soon afterward, the Strozzi married into the Medici family, essentially giving the Medici superiority.
Palla Strozzi (1372–1462) neglected the family bank, but played an important part in the public life of Florence, and founded the first public library in Florence in the monastery of Santa Trinita, as well as commissioning the important Strozzi Altarpiece of the Adoration of the Magi by Gentile da Fabriano. He played a leading part in forcing the exile of Cosimo de' Medici in 1433, [1] but after Cosimo's pardon a year later, was himself exiled, and never returned.
Filippo Strozzi il Vecchio (1428–1491), son of Matteo Strozzi and of Alessandra Macinghi, was exiled as a young man and became a successful banker in Naples. He was also a condottiero or leader of mercenary soldiers and after his reconciliation with the Medici and return in 1466, began the Palazzo Strozzi, which was finished by his son Filippo II.
Filippo II (1488–1538) is probably the most well known member of the family. Although married to Clarice de' Medici, a daughter of Piero di Lorenzo de' Medici and thereby a member of the Medici family, he was vehemently opposed to the hegemony the Medicis had acquired as the unofficial rulers of the Florentine republic and was among the leaders of the uprising of 1527. Michelangelo's Doni Tondo probably was commissioned by Agnolo Doni to commemorate his marriage to Maddalena Strozzi.
After the republic was overthrown in 1530 Alessandro de' Medici attempted to win Filippo Strozzi's support, but Strozzi declined and instead, retired to Venice. After the murder of Alessandro in 1537, Strozzi assumed leadership of a group of republican exiles with the object of re-entering the city but having been captured and subsequently tortured he committed suicide.
Filippo Strozzi's older son Piero (1500–1558), married Laudomia de' Medici, and fought in Scotland against the English, as well as in France against the Holy Roman Empire and Spain, and was made a Marshal of France in 1554. He took part in the French siege of Calais (1557), and died of wounds incurred in battle at Thionville, in Lorraine, in 1558. A younger son Leone (1515–1554) was a distinguished admiral in the service of France and fought against the Medici. He died of a wound received while attacking Sarlino in 1554. Another son, Lorenzo Strozzi (1513–1571) went into the Church, also in France, and ended as a cardinal and Archbishop of Siena from 1565. The son of Piero, Filippo di Piero Strozzi (1541–1582) was born in exile in France and served as a royal page and then in the French army, before being captured and killed by the Spaniards at the Battle of Terceira.
It is unclear whether Bernardo Strozzi (c.1581–1644), a prominent and prolific Italian Baroque painter born and active mainly in Genoa and Venice, was a part of this immediate family.
Senator Carlo Strozzi (1587–1671) formed an important library and collected a valuable miscellany known as the Carte Strozziane, of which the most important part is now in the state archives of Florence. He was the author of a Storietta della città di Firenze dal 1219 al 1292 (unpublished) and a Storia della casa Barberini (Rome, 1640).
The poet Giulio Strozzi was a member of the family. He adopted the composer Barbara Strozzi (1619–1677), who presumably was his natural daughter.
The Strozzi acquired by marriage the titles of Princes of Forano and Dukes of Bagnolo. A branch of the family moved to Vienna and built the Palais Strozzi there. The Palazzo Strozzi in Florence belonged to the family until 1937 when it was sold to the Istituto Nazionale delle Assicurazioni (INA). From 1999 it became property of the Italian State.
They also owned the Palazzo Strozzi Morosini in Venice, Palazzo Strozzi in Lombardy, Villa Strozzi, Villino Strozzi, Palazzo Strozzi Bevilacqua, Palazzo Strozzi alle Stimmate, Palazzo Nonfinito, Palazzo Strozzi di Mantova, Palazzo Strozzi del Poeta, and Palazzo dello Strozzino.
Today, Strozzi descendants are still living in Florence and elsewhere, including in America.
The Villa Cusona is the Tuscan home of the family, operated as a vineyard by Prince Girolamo Strozzi and his family. [2]
The House of Medici was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century.
Cosimo di Giovanni de' Medici was an Italian banker and politician who established the Medici family as effective rulers of Florence during much of the Italian Renaissance. His power derived from his wealth as a banker and intermarriage with other rich and powerful families. He was a patron of arts, learning, and architecture. He spent over 600,000 gold florins on art and culture, including Donatello's David, the first freestanding nude male sculpture since antiquity.
Piero di Lorenzo de' Medici, called Piero the Fatuous or Piero the Unfortunate, was the lord of Florence from 1492 until his exile in 1494.
Cosimo I de' Medici was the second and last duke of Florence from 1537 until 1569, when he became the first grand duke of Tuscany, a title he held until his death.
The Republic of Florence, known officially as the Florentine Republic, was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany, Italy. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda of Tuscany, who controlled vast territories that included Florence. The Florentines formed a commune in her successors' place. The republic was ruled by a council known as the Signoria of Florence. The signoria was chosen by the gonfaloniere, who was elected every two months by Florentine guild members.
Michelozzo di Bartolomeo Michelozzi was an Italian architect and sculptor. Considered one of the great pioneers of architecture during the Renaissance, Michelozzo was a favored Medici architect who was extensively employed by Cosimo de' Medici. He was a pupil of Lorenzo Ghiberti in his early years, and later collaborated with Donatello.
The Duca della Repubblica Fiorentina, rendered in English as Duke of the Florentine Republic or Duke of the Republic of Florence, was a title created in 1532 by Pope Clement VII for the Medici family, which ruled the Republic of Florence. There were effectively only two dukes of the Republic of Florence, Alessandro de' Medici and Cosimo de' Medici, the second duke being elevated to Grand Duke of Tuscany, causing the Florentine title to become subordinate to the greater Tuscan title.
The Duchy of Florence was an Italian principality that was centred on the city of Florence, in Tuscany, Italy. The duchy was founded after Pope Clement VII, himself a Medici, appointed his relative Alessandro de' Medici as Duke of the Florentine Republic, thereby transforming the Republic of Florence into a hereditary monarchy.
The Battle of Marciano occurred in the countryside of Marciano della Chiana, near Arezzo, Tuscany, on August 2, 1554, during the Italian War of 1551. The battle marked the defeat of the Republic of Siena in its war against the Duchy of Florence, and resulted in Siena losing its independence and being absorbed into the Duchy of Florence.
PieroStrozzi was an Italian military leader. He was a member of the rich Florentine family of the Strozzi.
Lorenzino de' Medici, also known as Lorenzaccio, was an Italian politician, writer, and dramatist, and a member of the Medici family. He became famous for assassinating his cousin, Alessandro de' Medici, Duke of Florence in 1537. He was in turn murdered in 1548 in retaliation for his deed.
Leone Strozzi was an Italian condottiero belonging to the famous Strozzi family of Florence.
Clarice di Piero de' Medici (1489–1528) was the daughter of Piero di Lorenzo de' Medici and Alfonsina Orsini.
Filippo Strozzi the Younger was a Florentine banker, and the most famous member of the Strozzi family in the Renaissance. He is best remembered as a tragic hero and defender of the lost Florentine republic against the Medici dukes – yet this is almost entirely a nineteenth-century fiction of nationalist historians and dramatists. He had been one of the staunchest supporters of the House of Medici in Florence and Rome.
Lucrezia Maria Romola de' Medici was an Italian noblewoman, the eldest daughter of Lorenzo de' Medici and Clarice Orsini and mother of Maria Salviati and Giovanni Salviati. Her portrait was considered as the baby Jesus in Our Lady of the Magnificat of Sandro Botticelli.
Bernardo Rucellai, also known as Bernardo di Giovanni Rucellai or Latinised as Bernardus Oricellarius, was a member of the Florentine political and social elite. He was the son of Giovanni di Paolo Rucellai (1403–1481) and father of Giovanni di Bernardo Rucellai (1475–1525). He was married to Nannina de' Medici, the elder sister of Lorenzo de' Medici, and was thus uncle to Popes Leo X and Clement VII, who were cousins. Oligarch, banker, ambassador and man of letters, he is today remembered principally for the meetings of the members of the Accademia Platonica in the Orti Oricellari, the gardens of his house in Florence, the Palazzo Rucellai, where Niccolò Machiavelli gave readings of his Discorsi.
Giovanni Rucellai, known by his name with the patronymic Giovanni di Paolo Rucellai, was a member of a wealthy family of wool merchants in Renaissance Florence, in Tuscany, Italy. He held political posts under Cosimo and Lorenzo de' Medici, but is principally remembered for building Palazzo Rucellai and the Rucellai Sepulchre, for his patronage of the marble façade of the church of Santa Maria Novella, and as author of an important Zibaldone. He was the father of Bernardo Rucellai (1448–1514) and grandfather of Giovanni di Bernardo Rucellai (1475–1525).
Giovanni Rucellai, known as Giovanni di Bernardo Rucellai, was an Italian humanist, poet, dramatist and man of letters in Renaissance Florence, in Tuscany, Italy. A member of a wealthy family of wool merchants and one of the richest men in Florence, he was cousin to Pope Leo X and linked by marriage to the powerful Strozzi and de' Medici families. He was born in Florence, and died in Rome. He was the son of Bernardo Rucellai (1448–1514) and his wife Nannina de' Medici (1448–1493), and the grandson of Giovanni di Paolo Rucellai (1403–1481). He is now remembered mostly for his poem Le Api, one of the first poems composed in versi sciolti to achieve widespread acclaim.
Bindo Altoviti of the Altoviti family was an Italian banker and one of the most influential papal bankers of his generation. A patron of the arts, he cultivated close friendships with artists such as Benvenuto Cellini, Raphael, Michelangelo and Giorgio Vasari.
Medici is a historical drama television series created by Frank Spotnitz and Nicholas Meyer. The series was produced by Italian companies Lux Vide and Rai Fiction, in collaboration with Spotnitz's Big Light Productions. The series follows the House of Medici, bankers of the Pope, in 15th-century Florence. Each season follows the events of a particular moment of the family's history exploring the political and artistic landscape of Renaissance Italy.