Studio1.1 is an artist-run space situated in Shoreditch, East London [1] [2] with outpost galleries of Studio1.1 in Brazil (Studio1.3), Croatia (Studio1.4) [3] and the Netherlands (Studio1.2).
The gallery was founded in April 2003 as a co-operative by Michael Keenan and Keran James. Honorary patrons are Sacha Craddock and Vanessa Jackson.
Studio1.1 curates off-site shows as well as gallery exhibitions. In 2005, Studio1.1 participated in the Zoo Art Fair at Regent's Park. [4] In 2010, Studio1.1 participated in No Soul for Sale – a Festival of Independents at the Tate Modern Turbine Hall in celebration of Tate Modern's tenth anniversary. [5] In 2011, Studio1.1 exhibited at Sluice Art Fair in London, a satellite event of Frieze Art Fair, which continued in following years. [6] In 2014, Studio1.1 exhibited at Sluice in Brooklyn. [7]
Each summer the gallery runs projects at Braziers Park in Oxfordshire in conjunction with Braziers International Artists Workshops during the annual Supernormal Festival, [8] a three-day experimental arts and music festival first held in August 2010.
Studio1.1 exhibits a diverse range of contemporary artists at all stages of their careers, and has shown artists such as Phyllida Barlow, [9] Michelangelo Pistoletto, [10] Cees Krijnen, [11] Julie Umerle, [12] Annie Kevans, [13] Giorgio Sadotti, [14] Charles Williams [15] and Vanessa Jackson. [16]
The gallery hosts a range of discussions, an artist-in-residence programme and a membership scheme. Studio1.1 participates in Time Out First Thursdays each month. [17]
Giorgio Sadotti is a conceptual artist based in London.
Arte Povera was an art movement that took place between the end of the 1960s and the beginning of the 1970s in major cities throughout Italy and above all in Turin. Other cities where the movement was also important are Milan, Rome, Genoa, Venice, Naples and Bologna. The term was coined by Italian art critic Germano Celant in 1967 and introduced in Italy during the period of upheaval at the end of the 1960s, when artists were taking a radical stance. Artists began attacking the values of established institutions of government, industry, and culture.
Frieze Art Fair is an annual contemporary art fair first held in 2003 in London's Regent's Park. Developed by the founders of the contemporary art magazine Frieze, the fair has since expanded to include editions in four cities, in addition to acquiring several other art fairs. Following the original Frieze Art Fair, the fair added Frieze Masters (2012), also in London, dedicated to art made before the year 2000; Frieze New York (2012); Frieze Los Angeles (2019); and Frieze Seoul (2022). In 2023, Frieze acquired The Armory Show in New York, and EXPO Chicago.
Maureen Paley is the American owner of a contemporary art gallery in Bethnal Green, London, where she lives. It was founded in 1984, called Interim Art during the 1990s, and renamed Maureen Paley in 2004. She exhibited Young British Artists at an early stage. Artists represented include Turner Prize winners Lawrence Abu Hamdan, Gillian Wearing and Wolfgang Tillmans. One thing in common with many of the artists represented is their interest in addressing social issues.
Nick Hornby is a British artist specialising in sculpture. He is known for his monumental site-specific works, that combine digital software with traditional materials such as bronze, steel, granite and marble. His work addresses historical critique, semiotics, digital technologies and queer identity.
Annie Kevans is an English artist who paints series of 'portraits' that explore sometimes controversial concepts and alternative histories. They are "portraits only in a loose sense... her works being a composite of existing images, research and imagination". Kevans has been described as "sensitive yet fearless, an artist who tackles controversial subjects head on". She was named number 19 in Harper's Bazaar magazine's "Forty Under 40" chart of hot new British talent and was named number 32 in New Woman magazine's "Brit Hit List" and was described as the "new Tracey Emin".
The Fine Art Society is a gallery based in both London and in Edinburgh's New Town. The New Bond Street, London gallery closed its doors in August 2018 after being occupied by The Fine Art Society since February 1876, the entrance façade of which was designed in 1881 by Edward William Godwin (1833–1886).
Michelangelo Pistoletto is an Italian painter, action and object artist, and art theorist. Pistoletto is acknowledged as one of the main representatives of the Italian Arte Povera. His work mainly deals with the subject matter of reflection and the unification of art and everyday life in terms of a Gesamtkunstwerk.
Trolley Gallery is a contemporary art gallery in Shoreditch, east London, which emerged independently and alongside the already established Trolley Books in 2003. The gallery exhibits the work of new, emerging artists and is often host to first solo shows. The gallery's directors were Hannah Watson and founder Gigi Giannuzzi, who died in 2013.
Julie Umerle is an American-born abstract painter who lives and works in London.
Dame Phyllida Barlow was a British visual artist. She studied at Chelsea College of Art (1960–1963) and the Slade School of Art (1963–1966). She joined the staff of the Slade in the late 1960s and taught there for more than forty years. She retired from academia in 2009 and in turn became an emerita professor of fine art. She had an important influence on younger generations of artists; at the Slade her students included Rachel Whiteread and Ángela de la Cruz. In 2017 she represented Great Britain at the Venice Biennale.
Spacex was a contemporary art organisation, located in Exeter, between 1974 and 2017. It was founded in 1974 by John Butler as an artist co-operative. Its programme spanned installations, performance, photography, sculpture, painting, film and video. Its learning programme focused on helping visitors of all ages to explore and engage with contemporary art.
Cornelis Hendrik "Cees" Krijnen is a Dutch artist.
Morris Meredith Williams (1881–1973) was a British painter and illustrator.
Ben Moore is a British art curator, entrepreneur and artist. He is the founder and curator of Art Below, a contemporary art organisation that places art in public spaces and has had shows in England, Germany, Japan and the United States. He is also the founder and curator of Art Wars, an exhibition of designs based on the Imperial Stormtrooper helmets from Star Wars. In 2021, Moore was part of the Art Wars NFT project which resulted in massive losses for the purchasers of the NFTs and claims of copyright theft from artists whose physical work was reproduced without their permission.
Sluice Art Fair is a London-based biennial contemporary art fair open to alternative galleries and art organisations run by artists and curators.
Simon Fujiwara is a British artist.
Vanessa Jackson is a British painter, notable for her wall installation paintings. She was elected to the Royal Academy of Arts in 2015.
Naomi Salaman is a British conceptual artist, writer and curator. Her practice uses photography and is informed both by feminism and post-structuralism. She attended Chelsea College of Arts, and completed a research/practice PhD at Goldsmiths in 2008. She currently teaches in Fine Art at University of Brighton. Salaman has written, made work on and/or curated exhibitions related to a wide range of topics including: the art school; pornography and censorship; image technologies; and social justice. She has taught studio art and art theory courses in art and photography schools nationally, and has taught fine art at University of Brighton since 1996.
1:54 is an annual contemporary African art fair held in London during the October Frieze Week since 2013. It was organized to improve the representation of contemporary African art in worldwide exhibitions, and is the foremost art fair dedicated to contemporary African art in the primary art market. By 2016, the show had become three times the size of the original exhibition with 130 artists represented. A spin-off, pop-up show, 1:54 NY, has been held annually in New York City during the May Frieze New York since 2015. A third location, in Marrakech, began in 2018. Critics have described 1:54 as a highlight of the Frieze event, and wrote that the show's publicity for contemporary African art outweighs the issues of lumping disparate geographic traditions together. The fair's representation from African galleries has improved as the international market for African art expands.