Native name | ستوديو مصر |
---|---|
Company type | Film studio |
Industry | Film production |
Founded | 7 March 1935 |
Founder | Talaat Harb |
Headquarters | |
Area served | North Africa • Middle East |
Products | Films |
Owner | Egyptian Acting and Cinema Company |
Parent | Banque Misr |
Studio Misr (Eng: "Egypt Studio"), also known as Studios Misr, is a film studio established in Giza, Egypt, in 1935 by the economist Talaat Harb. Owned and staffed by Egyptians, it is known as "The Studio of Egypt". For three decades, it was the Egyptian equivalent to Hollywood's major studios. [1]
Economist and financier Talaat Harb, realised the cultural and economic impact of cinema, as films began to be made in the 1920s. At a time when feature films were being made in a few very basic film studios established first in Alexandria and then Cairo, he created the Misr Company for Acting and Cinema (MCAC), also known as Egyptian Acting and Cinema Company, which produced documentaries to promoted the Egyptian film industry. [2]
After realising that feature films were the future of the industry, he laid the groundwork for a studio which would to provide facilities for local filmmakers to shoot and edit feature films in Egypt. He first sent four young men (Ahmed Badrakhan, Maurice Kassab, Mohamed Abdel Azim, and Hassan Mourad) to study in Germany, which then led the world in film production. Harb then recruited experts in various aspects of filmmaking, employed director Fritz Kramp, and purchased the latest equipment. He built a state-of-the-art auditorium, Cinema Studio Misr, to help finance further equipment needed for the new studio. The luxurious new cinema was located in Emad al-Din Street, replacing an old cinema. [2]
The new studio, known as Studio Misr, or Studios Misr according to the signage outside the building, was officially opened on 12 October 1935. [2]
Studio Misr's first film was Weddad (1936), the first film to star the singer Umm Kulthum. [3]
In 1939 Studio Misr made four films, including The Will (1939), out of a total of fifteen Egyptian films. Facing difficulty raising capital in the 1940s, Studio Misr reduced its emphasis on direct film production, increasingly renting out its development, printing and editing facilities to other Arab filmmakers. [4]
During World War II, many poor-quality but commercially successful films were created by people wanting to earn profit, and the studio was affected by this type of competition. [2]
In 1946, Studio Misr made three films - including Black Market (1946) - out of a total of 52 Egyptian films. [4]
In 1960, the studio was nationalised by the government of Gamal Abdel Nasser. [5]
The studio later changed hands several times, but it never regained its former success, and eventually fell into disrepair and later closed. [2]
Several other studios were founded in Cairo in the wake of the success of Misr, including Al-Ahram, [2] Nassibian [6] (incorrectly spelt Nassabian [2] or Nasabian [7] in some sources), Galal, and Nahhas, although none attained the same stature. [2]
The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve.
Youssef Wahba Pasha GCMG (1852–1934) was an Egyptian Prime Minister and jurist.
Sandra Nashaat is an Egyptian film director.
Talaat Harb Pacha was a leading Egyptian entrepreneur and founder of Banque Misr, and its group of companies, in May 1920.
Banque Misr is an Egyptian bank co-founded by industrialist Joseph Aslan Cattaui Pasha and economist Talaat Harb Pasha in 1920. The government of the United Arab Republic nationalized the bank in 1960. The bank has branch offices in all of Egypt's governorates, and currency exchange and work permit offices for foreign workers in Egypt.
Middle Eastern cinema collectively refers to the film industries of West Asia and part of North Africa. By definition, it encompasses the film industries of Egypt, Iran, Bahrain, Iraq, Jordan, Kuwait, Lebanon, Palestine, Oman, Qatar, Saudi Arabia, Syria, United Arab Emirates, and Yemen. As such, the film industries of these countries are also part of the cinema of Asia, or in the case of Egypt, Africa.
The Egyptian film industry is today based mainly in Cairo, which is sometimes referred to as Hollywood on the Nile or Hollywood of the East, despite having its beginnings in the city of Alexandria in the early 20th century. A strong industry grew in Egypt with a high distribution rate among the Arab world, and Cairo produces around three-quarters of the Arab world's screen output. It has had a large effect on the African and Arab film industry since the early 20th century.
Arab cinema or Arabic cinema refers to the film industry of the Arab world. Most productions are from the Egyptian cinema. Currently, the Middle East's largest cinema chain is Vox, owned by UAE-based Majid Al Futtaim Cinemas.
Mary Queeny is the stage name of Mary Boutros Younis, was a Lebanese-born Egyptian actress and film producer.
Downtown Cairo is the colloquial name given to the 19th-century western expansion of Egypt's capital Cairo, between the historic medieval Cairo, and the Nile, which became the commercial center of the city during the 20th century. Given its rich architectural heritage from the era of Khedive Ismail, it has been officially named Khedival Cairo and declared by the government as a protected Area of Value, with many of its buildings also deemed protected. Administratively Wust al-Balad covers areas of qism Qasr al-Nil, and the Abdeen and Ezbekia districts. The protected Khedival Cairo covers a larger area extending south to Sayida Zeinab.
Talaat Harb Street is a historic street in downtown Cairo, Egypt, connecting Tahrir Square and Talaat Harb Square.
Armenak Arzrouni, who worked under the mononym Armand, was a pre-eminent Armenian Egyptian photographer based in Egypt. He specialized in portrait photography, while carving a lucrative niche market. He became highly sought after by the Egyptian upper class and was the first photographer in Egypt to use photography umbrellas.
Misr lel-Makkasa Sporting Club, commonly known as Makkassa, is an Egyptian sports club based in Faiyum, Egypt. The club is related to Misr lel-Makkasa Company.
The Misr Spinning and Weaving Company is a large textile company located in El-Mahalla El-Kubra within the Nile Delta of Egypt, approximately 80 kilometers north of Cairo. It is a state-owned enterprise held by the Holding Company for Cotton, Spinning, Weaving and Garments. Egypt's largest industrial facility employs over 25,000 workers, many of whom have played an active role in Egyptian labor struggles. Large protests and strikes at Misr Spinning and Weaving since 2006 contributed to the collapse of the Mubarak government, the 2011 Egyptian revolution, and the Arab Spring more generally.
Helmy Rafla was an Egyptian film director, screenwriter, film producer, and make-up artist. He is considered one the most prominent Egyptian filmmakers.
Niazi Mostafa was an Egyptian film director. Mostafa was born on 11 November 1911 in the city of Asyut, Khedivate of Egypt to a Sudanese father and Turkish mother. Mostafa would complete his university studies in Germany and joined the German Film Institute, he then returned to Egypt to work as an editor at Studio Misr.
Café Riche which opened in 1908 at 17th of Talaat Harb Street, is one of the most renowned landmarks in downtown Cairo. At various times a meeting place for intellectuals and revolutionaries, the café witnessed many historically significant events over the 20th century. It is said to be where King Farouk saw his second wife, Nariman Sadek; where the perpetrator of the 1919 failed assassination attempt on Egypt's last Coptic Prime Minister, Youssef Wahba Pacha lay in wait for his target; and where several members of the resistance during the 1919 revolution met the basement to organize their activities and print their flyers. Patrons included the political novelist Naguib Mahfouz and the then-future president Gamal Abdel Nasser.
Aziza Amir was an Egyptian actress, producer, and screenwriter. She has legendary status in Egyptian film. She was the first wife of Mahmoud Zulfikar.
Egyptian Acting and Cinema Company, or Sharikat misr lil-tamthil wa al-sinema, also known as Misr Company for Acting and Cinema (MCAC), was a film production company founded in 1925 by economist Talaat Harb. It was a prelude to Harb's establishment of Studio Misr.
Laila is a 1927 Egyptian silent film directed by Stephan Rosti. It stars Aziza Amir, Stephan Rosti and Assia Dagher. It is the first feature-length Egyptian film.
This article was first published in print in RAWI's Issue 9, 2018