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Subatomic Sound System | |
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Origin | Brooklyn, New York, United States |
Genres | Dub Hip hop Dancehall Drum and bass Downtempo Experimental music |
Years active | 1999–present |
Labels | Subatomic Sound, Modus Vivendi Music, Nomadic Wax, Bastard Jazz |
Members |
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Past members | Victor Rice Nemiss |
Website | http://www.subatomicsound.com |
Subatomic Sound System, founded in 1999 by Emch and Noah Shachtman, is an American record label and collective hosting musicians, producers, DJs, and visual artists from a variety of backgrounds and traditions. In late 2008, Subatomic Sound System garnered international attention for a limited edition vinyl 12" featuring their collaboration with Vienna's Dubblestandart and dub inventor Lee "Scratch" Perry. These were Perry's first songs in the dubstep genre, one of the first recorded examples of a tangible connection between the popular UK-based electronic genre that emerged in the early 2000s and the Jamaican dub from the 1970s, where dubstep's origins were rooted and which had been primarily originated by Perry himself.
Beginning in 2008, Subatomic Sound System started hosting weekly radio shows on 91.5FM, Radio New York, and webcasts on Brooklyn Radio. In 2011 Subatomic Sound System began performing as Lee "Scratch" Perry's backing band with a hybrid of electronics and live instruments. In 2013, they performed together at Coachella Valley Music and Arts Festival and afterward became Perry's exclusive touring band in North America. In 2017, Subatomic Sound System released their first full-length album with Perry entitled Super Ape Returns To Conquer which debuted No. 5 on the Billboard reggae chart and No. 2 on iTunes US reggae album chart and reached No. 1 on the North American College and Community Radio Chart (NACC) World music chart.
In the fall of 2001, Subatomic Sound System won the Red Bull Vinyl Lab competition in New York City using an early incarnation of Native Instruments Traktor DJ software on a laptop at a time when laptops were not commonly used in musical performances. When judges discovered software had been used to create the mix CD, it sparked controversy amongst the judges. In the end, judges conceded that there were no valid grounds for disqualifying Subatomic Sound System for using DJ software rather than traditional vinyl and turntables, so they upheld their victory in the competition. [1]
In 2007, Subatomic Sound System increased touring throughout North America and Europe. The group performed in a variety of configurations from live band of ten, to electronic trio, to DJs as styles like dubstep increased in popularity and the interest in new dub oriented music emanating from New York City increased (largely the result of successful releases from NYC artists such as Dr. Israel, Ticklah, Easy Star All-Stars, Dub Gabriel, Bill Laswell, Matisyahu, and others).
On July 19, 2009, Subatomic Sound System performed at Summerstage in Central Park, New York City, along with Lee "Scratch" Perry & Dubblestandart (with a cameo from Ari Up) and Alpha Blondy. The lineup for this event drew the largest Summerstage crowd of the season, confirming organizers' expectations. Given the multicultural and cross generational audiences who turn out in Central Park, organizers had hoped this billing would draw on the connection between modern incarnations of dub based music such as dubstep and the dub and roots reggae styles from over 30 years prior, originated by Perry in Jamaica that influenced artists like Blondy to extend that sound in Africa. Those styles then influenced groups like Dubblestandart and Subatomic Sound System in Europe and the US to meld that sound with other contemporary electronic based genres. [2]
In 2012, Perry, with Subatomic Sound System as his band and opening act, went on tour across the US from May 16 through May 26. In September, they performed together again at Dub Champions Festival in New York City, Music Hall of Williamsburg.
In 2013, Perry and Subatomic Sound System tour the west coast and southwest USA including two shows at the Coachella Arts & Music Festival, April 12 & 19, performing music ranging from the roots reggae off Perry's Super Ape album to dubstep and bass music riddims by Subatomic Sound System.
Beginning in 2008, Subatomic Sound System started Subatomic Sound Radio, hosting weekly radio shows on 91.5FM, Radio New York and Brooklyn Radio webcasts. The Radio New York show is part of a nightly program called Mo'Glo sponsored by Seattle-based public radio station KEXP.
The song "Black Ark Vampires" premiered on October 31, 2014, via the Brooklyn-based Jamaican culture website Large Up, [3] with an explanation of Perry's lyrics about killing vampires and why Perry burned down his Black Ark Studios in Jamaica decades before. In the song, Perry describes killing vampires with fire, electric wire, roast corn, and his own hair in locations around the globe including America, England, and Kingston, Jamaica. Live concerts by Perry and Subatomic Sound System from 2001 to 2014 combined digital electronics and live instrumentalists and singers and this recorded song can also be heard to use a similar blend of elements specifically instrumentation like electric guitar, bass, percussion, and harmonized background vocal produced with space echo and spring reverb effects in a fashion typical of reggae recordings from Perry's Black Ark Studios during the 1970s, as well as using electronic synthesized sub-bass and digital drums common to 21st century electronic music genres like dubstep and trap music. The song was released on vinyl 45rpm exclusively on November 4, 2014 and appeared at No. 1 on Juno Records charts in both dub and reggae. Reggae dancehall vocalist Jahdan Blakkamoore appeared as a supporting vocalist on the track, a collaborator on several other Perry & Subatomic Sound releases as well as vocalist and primary writer on Snoop Lion and Major Lazer albums. Blakkamoore is mostly known for his numerous releases both solo and with his band Noble Society whose release "Living the Life" came out on the Subatomic Sound label.
In the fall of 2008, Subatomic Sound System produced a collaborative remix in a dubstep style with Vienna's Dubblestandart and Perry, who were working jointly on completing an album entitled Return From Planet Dub which included new versions of several of Perry's most famous tunes and riddims from his hey day in Jamaica during the 1970s. The Subatomic Sound System remix was Perry's first release in the dubstep style that by late 2008 had spread from the UK and was beginning to see worldwide popularity among electronic music fans and an ever-growing crowd of curious music listeners. The remix was titled "Iron Devil" and was based on the riddim used for some of Lee's biggest hits like "Disco Devil", "Chase The Devil" with Max Romeo, and "Croaking Lizard" from Lee's seminal Super Ape album. A short run of those records was pressed as advance promotion for the forthcoming album and included some exclusive vinyl only mixes, namely dubstep and 1980s dancehall reggae style mixes of "Iron Devil" on the A side and two remixes of Dubblestandart tracks by Tom Watson, a producer from Paris, France, on the B side, one of which was "Wadada" (originally recorded by Dub Syndicate) the first ever dubstep track featuring the Jamaican voice of thunder, Prince Far-I.
The limited edition vinyl 12" was distributed in either a blank white jacket or, for about 150 copies, in a vintage red, gold and green comic art jacket that was acquired from Tuff Gong in Jamaica and bore the Solographic Productions imprint (leading some stores to incorrectly list Solographic as the label for the release). The record itself had a blank white label marked on only on the A-side by a devil head hand stamped on it with red ink. It sold out in less than a week and it quickly became highly sought after on secondary vinyl markets and vinyl collectors' sites such as Discogs. [4]
The release has historical significance for several reasons. Firstly, at the age of 73, Perry was suddenly finding new audiences for his music worldwide through the evolution of dub into dubstep. Secondly, its popularity was indicative of a cultural diaspora and evolution of a non-commercial subgenre of music developed in Jamaica largely by Perry into a movement that had rippled around the world through various music genres to later create a subgenre of electronic music called dubstep over 30 years later in the UK that reunited its offspring with their forefather and propelled them both to broader prominence that in the process crossed cultural, generational and racial boundaries.
In July 2009, another 12" was released that featured dubstep tracks based on "Blackboard Jungle", the title track of The Upsetters' album Blackboard Jungle Dub produced by Perry and considered by some[ who? ] to be the first ever dub album. The original Blackboard Jungle Dub album from the 1970s was mastered and re-released as Upsetters 14 Dub Blackboard Jungle and the tune "Blackboard Jungle" was renamed "Black Panta". Dubblestandart remade the tune in collaboration with Perry on their album Return From Planet Dub in spring 2009. That release also had remixes of the song by Subatomic Sound System. For the dubstep vinyl release that followed, Subatomic Sound System developed new versions of "Blackboard Jungle" based on that remix and involving Guyana-born/NYC-based dancehall reggae vocalist Jahdan Blakkamoore for vocals along with Perry. The vinyl release 12" catalog number was SS009 and was followed up in 2010 by digital releases SS010 and SS011 that featured alternative versions. A mini-documentary featuring Perry covering the making of the "Iron Devil" and "Blackboard Jungle" dubstep remixes with Dubblestandart and Subatomic Sound System, their capacity crowd performance in Central Park, and the evolution of dub to dubstep, was created and released on the internet via sites like YouTube.
In late 2011, the Subatomic Sound label released a project called Sancocho e Tigres, a collective of young producers and musicians from across South and Central America. The project was organized by Caballo (Rebel Records) from Colombia. Subatomic Sound put out two releases, one of a single, "Lujo De Pobre", that included a song as well as the self-produced samples by the collective members used to create the song. A second release followed with various versions of the song that each member put together from those same samples. Later that year Subatomic Sound System had Colombian producer Bleepolar (of Sanchocho e Tigres) remix "Dem Can't Stop We From Talk" with Anthony B, one of the first instances of a Jamaican dancehall artist appearing on an official cumbia remix.
The first official full-length album by Subatomic Sound System, On All Frequencies, covered a broad range of genres, tempos and timbres. On All Frequencies entered the CMJ radio Top 40 charts in both "electronic" and "world" categories simultaneously during spring 2007. [5] The album received positive reactions across a broad spectrum of the electronic, hip hop and reggae press. It was described by BPM magazine in its vital releases column as "connecting the dots between dub, dancehall, hip hop, drum & bass, downtempo and broken beat". [6] It received a four afro rating from the popular website Okayplayer, (their ratings system based on site founder and The Roots drummer Questlove's hairstyle), who opined, "These beats could become the blueprint for future producers...Genius producing", a "certified gunsmoke!" review from OJ Lima, former VIBE magazine editor and founder of DJ culture site, Limachips, [7] and the reggae-centric Beat magazine wrote that the song "'Rize Up' is a virtual revolutionary anthem". The album was highlighted in Beyond Race magazine's 2007 Music Issue and Subatomic Sound System performed at the magazine release party in Brooklyn, New York. The Subatomic Sound System System song "Breakin' Down the Barriers" inspired the magazine's editor to use the title as the name of the subsequent issue and it became a theme song for the magazine's mission. [8]
In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances.
Osbourne Ruddock, better known as King Tubby, was a Jamaican sound engineer who influenced the development of dub in the 1960s and 1970s.
Lee "Scratch" Perry was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others.
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
There are several subgenres of reggae music including various predecessors to the form.
Twilight Circus is the dub and reggae project of multi-instrumentalist Ryan Moore, former bassist and drummer of the Legendary Pink Dots. Twilight Circus is becoming increasingly popular and well known for Moore's work with artists such as Big Youth, Michael Rose of Black Uhuru and Ranking Joe. He originally started off producing dub albums, before recording vocalists for inclusion on his critically acclaimed Foundation Rockers album. In the classic tradition of reggae, Moore releases 10" vinyl record singles, often in limited edition.
Adrian Maxwell Sherwood is an English record producer specialising in the genre of dub music. He has created a distinctive production style based on the application of dub effects and dub mixing techniques to other forms of electronic dance music and popular music outside of the genre. He has worked extensively with a variety of reggae artists as well as the musicians Keith LeBlanc, Doug Wimbish and Skip McDonald. Sherwood has remixed tracks by Coldcut, Depeche Mode, The Woodentops, Primal Scream, Pop Will Eat Itself, Sinéad O'Connor, and Skinny Puppy. In his role as a record producer he has worked with a variety of record labels; however, his best-known label is On-U Sound Records which he founded in 1979. Sherwood has been a member of the band Tackhead. He considers himself tone deaf, and focuses on making sounds and noises rather than melody.
Michael Alec Anthony West, better known as Rebel MC and Congo Natty, is a British jungle producer, spiritual chanter and toaster. He has also gone by aliases including Conquering Lion, Blackstar, Tribe of Issachar, Lion of Judah, X Project and Ras Project.
Neil Joseph Stephen Fraser known by his stage-name Mad Professor, is a British dub music producer, engineer and remixer. He has collaborated with reggae artists Lee "Scratch" Perry, Sly and Robbie, Pato Banton, Jah Shaka and Horace Andy, as well as artists outside the realm of traditional reggae and dub, such as Sade, Massive Attack, The Orb, Gaudi, the Brazilian DJ Marcelinho da Lua, Grace Jones, and Perry Farrell.
Ariane Daniele Forster, known by her stage name Ari Up, was a German vocalist best known as a member of the English punk rock band the Slits.
Black Board Jungle, often called Blackboard Jungle Dub, is a studio album by The Upsetters. The album, originally released in 1973 under artist name "Upsetters 14 Dub", was pressed in only 300 copies and issued only in Jamaica.
Revolution Dub is a studio album by Jamaican dub producer Lee Perry and his studio band The Upsetters, released in 1975 by Cactus. The album, which features nine pared down dubs, was the last in a line of releases that year in which Perry began exploring the possible studio techniques at his recently opened studio Black Ark in Kingston, Jamaica. In addition to making early use of a drum machine, the album is characterised by unpredictable drops in the beat, drastic stereo panning and samples of dialogue from television series, particularly British sitcoms, while Perry sings on the album in an eccentric falsetto and portrays different personas, including television characters from Kojak and Doctor on the Go.
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s.
Foreign Beggars were an English hip hop and dubstep group. Since their formation in 2002, the group's trajectory had seen them evolve from an underground hip hop group to an electronic crossover act. The group consisted of four artists individually known as Orifice Vulgatron, Metropolis Graham, DJ Nonames, and Dag Nabbit. Vulgatron and Metropolis combined with Noisia to make the side project and supergroup "I Am Legion". They released their collaborative album I Am Legion on 2 September 2013.
Augustus "Gussie" Clarke is a roots reggae and dub producer who worked with some of the top Jamaican reggae artists in the 1970s and later set up his own Music Works studio.
Daniele Gaudi, better known as Gaudi, is an Anglo-Italian musician, solo artist and record producer based in London, who specialises in dub music, electronica, reggae and worldbeat. His distinctive production sound appears in a number of albums nominated for Awards and prizes such as Grammy Award 2019 -Best Reggae Album Of The Year- for Mass Manipulation by Steel Pulse and BBC Radio 3 Awards for World Music 2008 for the album Dub Qawwali by Gaudi & Nusrat Fateh Ali Khan. His music work and contributions have topped international charts such as: Billboard Reggae Chart no.1 with the album Heavy Rain by Lee "Scratch" Perry, Billboard Reggae Chart no.1 with the album Mass Manipulation by Steel Pulse, Billboard Reggae Chart no.1 with the album Vessel of Love by Hollie Cook, Billboard Reggae Chart no.2 with "Rainford" by Lee "Scratch" Perry, UK Dance Chart no.1 with the album "Prism" by The Orb, no.1 with "Jus' Come " by Cool Jack, no.1 in the UK iTunes chart with "Blue Monday" by Dub Pistols, Gaudi, Dubmatix.
Tony Harrington, grew up in Bracktown, Lexington, Kentucky. He was often better known to his friends as Doctah X, was a DJ, singer, and musician who operated the House of Dub Studio in Columbus, Ohio, and hosted a radio program on WCRS Columbus. He died of natural causes on December 24, 2020, at his home in Columbus, Ohio.
Larry McDonald is a Jamaican percussionist. He was born in Port Maria, Jamaica in 1937. McDonald played congas with Carlos Malcolm's band, Toots and the Maytals and the Count Ossie Band. He plays a wide variety of traditional percussion instruments.
Dubblestandart is a dub reggae band from Vienna, Austria. They were founded in 1987 and achieved breakthrough success in 1992. The band has collaborated with Lee "Scratch" Perry, Ari Up from the Slits, and film director David Lynch, on their studio album Return From Planet Dub in 2009. They describe their style as "hi-energy dub" or "21st century dub".
Andrew Moon Bain is a visual artist, record producer, musician, songwriter, and designer. He grew up in Seattle, Washington, where he was very active in the arts as a youth. He was a young cellist in the Seattle Youth Symphony Orchestras from ages 8–12. He also formed a hip-hop group in high school and later an original rock band with his younger brother. He relocated to Providence, Rhode Island as a young adult and earned a Bachelor of Fine Arts in sculpture from the Rhode Island School of Design. Bain remained in New England after earning his degree, subsequently becoming an active and integral member of Providence's exploding art community. His visual art is represented in numerous private collections, museums and at the Rhode Island School of Design Museum. In the summer of 2019, Bain did a large-scale wall installation at the Brown University Perry and Marty Granoff Center for the Creative Arts entitled “We Are All Carbon Beings”.