Trip hop is a musical genre that originated in the late 1980s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other genres, typically of electronic music, as well as sampling from movie soundtracks and other eclectic sources.
Paul Dennis Miller, known professionally as DJ Spooky, That Subliminal Kid, is an American electronic and experimental hip hop musician whose work is often called by critics "illbient" or "trip hop". He is a turntablist, record producer, philosopher, and author. He borrowed his stage name from the character The Subliminal Kid in the novel Nova Express by William S. Burroughs. Having studied philosophy and French literature at Bowdoin College, he has become a professor of Music Mediated Art at the European Graduate School and is the executive editor of Origin magazine.
Downtempo is a broad label for electronic music that features an atmospheric sound and slower beats than would typically be found in dance music. Closely related to ambient music but with greater emphasis on rhythm, the style may be played in relaxation clubs or as "warm-up or cool-down" music during a DJ set. Examples of downtempo subgenres include trip hop, ambient house, chillwave, psybient and lofi hip hop.
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966, and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens that was formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers, has proven versatile over the years, experimenting with techno, breakbeat, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, the Chemical Brothers and the Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres.
Armed Audio Warfare is the second full-length release and first compilation of electronic music group Meat Beat Manifesto. It was originally scheduled as the group's first album for release in May 1988, but the master tapes were damaged in a fire, necessitating the rewriting and recording of the material, which was released as Storm the Studio. Armed Audio Warfare is actually a compilation of unreleased and rare tracks that give an insight as to how that first album may have sounded had it been released as planned.
Only Everything is the second solo album by Juliana Hatfield, released in 1995. Two singles with accompanying music videos were released from the album: "What a Life" and "Universal Heart-Beat." "Universal Heart-Beat" peaked at #5 on Billboard's Modern Rock Tracks in 1995.
Switchblade is the debut album by Schaft, released in 1994. A promotional video for the song "Arbor Vitate" was filmed, and was later re-used by PIG for their version of the song.
Little Worlds is the tenth album by Béla Fleck and the Flecktones, released in 2003. The album was released as a 3-disc set. Ten tracks from the set were also released on a single disc called Ten from Little Worlds.
Jack Dangers is an English electronic musician, DJ, producer, and remixer best known for his work as the primary member of Meat Beat Manifesto. He lives in San Francisco.
Phanerothyme is the ninth full-length studio album by the Norwegian band Motorpsycho. It was released through Stickman Records (Europe) and Sony (Norway). It was also released in Japan through P-Vine.
Snow is the first solo album by Curt Kirkwood of the alternative rock band Meat Puppets, released in 2005. In his solo career, short though it was, he has pursued a more countrified aspect of his music. "Golden Lies" was originally written as the title track for the previous Meat Puppets album, however, it was ironically excluded. The album was recorded in only 20 days.
Storm the Studio is the debut album by English electronic music group Meat Beat Manifesto, released on 20 February 1989 by Sweatbox Records in the United Kingdom and later that year by Wax Trax! in the United States. Recorded in three recording studios, the album contains four compositions, each split into separate parts, that mostly originated as twelve-inch singles the band released in 1988. The record's inventive musical style features elements of industrial music, electro, dub, noise rock and hip hop music, and incorporates breakbeats, noise and sporadic rap vocals. The group also incorporated heavy usage of sampling in a fashion they compared to pop art. Television was a further influence on the record, and numerous items of television dialogue appear throughout Storm the Studio as samples.
Actual Sounds + Voices is the sixth studio album by electronic music group Meat Beat Manifesto, released in 1998.
This is the discography for Meat Beat Manifesto.
World Domination Enterprises was an English post-punk band active in the mid/late 1980s. Fronted by former Here & Now drummer Dobson, the band's dissonant sound mixed elements of punk, noise, dub, hip hop, and rockabilly. They were best known for their cover version of LL Cool Js "I Can't Live Without My Radio", and first single "Asbestos Lead Asbestos". The latter song was later referenced in the 1990 Carter USM single "Rubbish", and covered by Meat Beat Manifesto on their 1996 Subliminal Sandwich album.
At the Center is an album by Meat Beat Manifesto, released in 2005 as part of the "Blue Series" of Thirsty Ear records fusing jazz with electronica.
Autoimmune is an album by Meat Beat Manifesto. Though the album was originally announced as a 20-track double-CD release, frontman Jack Dangers decided to shorten the album to a single disc with different track listings between the US and European releases. Stylistically, it steps up the pace from other recent Meat Beat Manifesto albums, using elements of dub, hip-hop, industrial, breakbeat and more, and it is regarded as a partial return to the early industrial sound of the band in the late 1980s. The album has also been described as Dangers' take on dubstep, though he has stated that Meat Beat Manifesto has always utilized the underlying concepts of that particular genre. Autoimmune is the first Meat Beat Manifesto album with Danger's vocals since Actual Sounds + Voices in 1998; he appears on the track "Solid Waste". The album cover continues the checkerboard/grid theme also seen on earlier Meat Beat Manifesto albums Actual Sounds + Voices, RUOK? and the Off-Centre EP. Most of the remaining songs that were excised from the original double-disc concept were later released on an EP available only on the Autoimmune tour.
Pony is the debut studio album by the English psychedelic rock band Spratleys Japs. Released in 1999 on All My Eye and Betty Martin Music, the album was a side-project of Cardiacs frontman Tim Smith and his then-partner Joanne Spratley.
Answers Come in Dreams is an album by Meat Beat Manifesto. It consists of lengthy ambient, glitch, and dubstep-focused pieces, with an attention to texture rather than the raw sampling and breakbeat rhythms seen on many of the group's previous releases.
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