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The Donovan Affair is a 1929 American Pre-Code comedic murder-mystery film directed by Frank Capra. It was produced by Harry Cohn for Columbia Pictures and is based upon the play of the same name by Owen Davis. Its original soundtrack, recorded on soundtrack discs, has been lost, although it has been recreated for live performances.
The Baby Cyclone is a lost 1928 American comedy silent film directed by A. Edward Sutherland and based upon the 1927 play by George M. Cohan, adapted for the screen by F. Hugh Herbert and Robert E. Hopkins. The film stars Lew Cody, Aileen Pringle, Robert Armstrong, Gwen Lee and Nora Cecil. The film was released on September 27, 1928, by Metro-Goldwyn-Mayer.
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Mrs. Wiggs of the Cabbage Patch is a 1914 American silent comedy drama film directed by Harold Entwistle and starring Beatriz Michelena, Blanche Chapman and House Peters. It is based on the 1904 Broadway play by Anne Crawford Flexner, which itself is taken from the 1901 novel of the same name by Alice Hegan Rice.
Jewel is a 1915 American silent drama film directed by Phillips Smalley and starring Ella Hall, Rupert Julian and Frank Elliott.
The Mask is a 1921 American silent mystery film directed by Bertram Bracken and starring Jack Holt, Hedda Nova and Michael D. Moore.
Under Suspicion is a 1937 American mystery film directed by Lewis D. Collins and starring Jack Holt, Katherine DeMille and Luis Alberni.
Should a Girl Marry? is a 1939 American crime film directed by Lambert Hillyer and written by David Silverstein and Gaye Newberry. The film stars Anne Nagel, Warren Hull, Mayo Methot, Weldon Heyburn, Aileen Pringle and Lester Matthews. The film was released on June 8, 1939, by Monogram Pictures.
Once to Every Bachelor is a 1934 American drama film directed by William Nigh and starring Marian Nixon, Neil Hamilton and William Austin.
Lights Out is a 1923 American silent crime drama film directed by Alfred Santell and starring Ruth Stonehouse, Walter McGrail and Theodore von Eltz. It is based on the 1922 play Lights Out by Paul Dickey and Mann Page, later adapted into the 1938 film Crashing Hollywood. The remake was more light-hearted than the melodramatic tone of the original.
References
- ↑ Goble p/970
