Sue Blane | |
---|---|
Born | Susan Margaret Blane 23 April 1949 Wolverhampton, Staffordshire, England |
Nationality | British |
Occupation | Costume designer |
Known for | The Rocky Horror Show The Rocky Horror Picture Show |
Susan Margaret Blane, MBE , RDI (born 23 April 1949) is an English costume designer. She is best known for her costume designs for both The Rocky Horror Show and The Rocky Horror Picture Show . [1] With her designs for Rocky Horror, Blane is credited for creating the look that became the template for punk rock fashion. [2]
Blane studied costume design at Wolverhampton College of Art and at the Central School of Art and Design in London, finishing in 1971. [1]
Before The Rocky Horror Show in 1972, Blane had already met Tim Curry in 1971 at the Citizen's Theatre in Glasgow, where they were both involved in a production of Jean Genet's The Maids . Blane also designed the costumes for other Rocky Horror productions, including the 1975 Broadway production and film, and created the costume designs for the sequel, Shock Treatment (1981). [3]
Since The Rocky Horror Picture Show was released, fans have been recreating the designs as part of screenings audience participation. A common audience "callback" at Rocky Horror showings plays off the similarity of the name "Blane" to the word "blame." When a character in the film says someone – or something – is "to blame," audience members shout, "No, Sue's to Blane!" It is also common for audience members to shout out Blane's name during "Don't Dream It", making the character Frank N. Furter seem to say, "I wanted to be dressed by Sue Blane" (instead of "dressed just the same," as written). [4]
Blane also created the costume designs for Jonathan Miller's The Mikado for the English National Opera. Other opera credits include David McVicar's Carmen for Glyndebourne, Keith Warner's Lohengrin for the Bayreuth Festival, Lulu at the New National Theatre, Tokyo, Disney's The Hunchback of Notre-Dame (Berlin): The Love for Three Oranges (Opera North/ENO); The Three Musketeers (Young Vic); Capriccio (Staatsoper, Berlin); Guys and Dolls (RNT); Into the Woods (Old Vic / West End); Porgy and Bess (Glyndebourne) and La Fanciula del West, with Plácido Domingo (La Scala, Milan). [5]
Sue's many production design credits include The Relapse, voted Best Design by What's On readers, (RNT), The Nutcracker and Alice in Wonderland for the English National Ballet; Midsummer Night's Dream (Royal Dramaten Theatre, Stockholm and RSC; Cabaret (Donmar Warehouse); Sylvia (Birmingham Royal Ballet); King John, The Learned Ladies, and Antony and Cleopatra all for the Royal Shakespeare Company; Barber of Seville (Scottish Opera); The Duenna and Thieving Magpie (Opera North); Christmas Eve (ENO) and Lee Miller (Minerva Chichester). Her designs also feature in a new ballet for English National Ballet based on Oscar Wilde's novella of The Canterville Ghost conceived and choreographed by Will Tuckett.
She was nominated for a 1997 Laurence Olivier Award for Outstanding Achievement in Dance for her design of English National Ballet's Alice in Wonderland and a BAFTA nomination for Peter Greenaway's The Draughtsman's Contract (1982). Her current designs can be seen in Dance of the Vampires in Vienna, directed by Roman Polanski. [6]
Blane received an MBE (Members of the Order of the British Empire) in 2006. [1] [7]
The Rocky Horror Picture Show is a 1975 independent musical comedy horror film produced by Lou Adler and Michael White, directed by Jim Sharman, and distributed by 20th Century Fox. The screenplay was written by Sharman and Richard O'Brien, who also played the supporting role Riff-raff. The film is based on the 1973 musical stage production The Rocky Horror Show, with music, book, and lyrics by O'Brien. The production is a tribute to the science fiction and horror B movies of the 1930s through to the early 1960s. The film stars Tim Curry, Susan Sarandon, and Barry Bostwick. The film is narrated by Charles Gray, with cast members from the original Royal Court Theatre, Roxy Theatre, and Belasco Theatre productions, including Nell Campbell and Patricia Quinn.
Bob Crowley is a theatre designer, and theatre director. He lives between London, New York and West Cork in the south west of Ireland.
Jasper Alexander Thirlby Conran is a British designer. He has worked on collections of womenswear and for the home, as well as productions for the stage in ballet, opera and theatre.
William Ivey LongII is an American costume designer for stage and screen. His most notable work includes the Broadway shows The Producers, Hairspray, Nine, Crazy for You, Grey Gardens, Young Frankenstein, Cinderella, Bullets Over Broadway and On the Twentieth Century.
Irene Sharaff was an American costume designer for stage and screen. Her work earned her five Academy Awards and a Tony Award. Sharaff is universally recognized as one of the greatest costume designers of all time.
Hein Heckroth was a German painter and art director of stage and film productions.
John Napier is a set designer for Broadway and London theatrical performances.
Emanuele Luzzati was an Italian painter, production designer, illustrator, film director and animator. He was nominated for Academy Awards for two of his short films, La gazza ladra (1965) and Pulcinella (1973).
Natasha Katz is an American lighting designer for the theatre, dance, and opera.
The Rocky Horror Picture Show cult following is the cultural phenomenon surrounding the large fan base of enthusiastic participants of the movie The Rocky Horror Picture Show, generally credited as being the best-known cinematic "midnight movie".
Patricia Zipprodt was an American costume designer. She was known for her technique of painting fabrics and thoroughly researching a project's subject matter, especially when it was a period piece. During a career that spanned four decades, she worked with such Broadway theatre legends as Jerome Robbins, Harold Prince, Gower Champion, David Merrick, and Bob Fosse.
Brian Thomson is an Australian theatre, opera and film designer. He has been active in Australian stage design since the 1970s.
William John Charles Pitcher, known as Wilhelm or C. Wilhelm, was an English artist, costume and scenery designer, best known for his designs for ballets, pantomimes, comic operas and Edwardian musical comedies.
Susan Hilferty is an American costume designer for theatre, opera, and film.
Ann Hould-Ward is an American costume designer, primarily for the theatre and dance. She has designed the costumes for 24 Broadway productions. She won the 1994 Tony Award for Beauty and the Beast.
Holly Hynes is an American costume designer for ballets to her credit, including at the New York City Ballet. She was resident costumer designer at the Suzanne Farrell Ballet at The John F. Kennedy Center for the Performing Arts for 19 years.
Paul Pyant is a British lighting designer, whose designs have been featured in the West End, on Broadway and in opera houses around the world. He has been nominated for several Olivier Awards and Tony Awards, winning the Olivier in 2014 for his design for Charlie and the Chocolate Factory.
Motley Theatre Design Course is a one-year independent theatre design course in London. It was founded at Sadler's Wells Opera in 1966.
Peter McKintosh is a British theatre set and costume designer.
Caroline F. Siedle was a costume designer on Broadway. She was one of earliest designers to receive credit for her work in theater programs, as well as the first woman in the United States to consistently receive professional billing as a designer.
MBE: Susan Blane - costume and set designer - for services to drama
MBE: Blane, Ms Susan Margaret, Costume and Set Designer. For serv Drama.