Sue Clowes (born 31 October 1957) is an English textile and fashion designer known for the collection that launched Boy George and Culture Club in 1981.
Throughout Clowes's career, music and musicians have influenced her work: Culture Club approached her to design [1] a collection for the group to sell in the shop The Foundry [2] in Ganton Street where George O'Dowd (later widely known as Boy George) worked as a window dresser. Clowes created a cultural cocktail of offbeat imagery with religious undertones. [3]
The Flesh and Steel collection [4] of winter 1983 of printed silver crosses was worn by Jonny Slut of Specimen. Susanne Bartsch, an event producer provided early exposure for British designers with a series of shows in New York and then Tokyo. Clowes took part alongside other 1980s designers, including Leigh Bowery. [5] Kylie Minogue wore a Sue Clowes vintage t-shirt for the Anti Tour. [6]
Clowes moved to Italy in 1987, and became involved in wearable technology or "smart clothing". Clowes worked in an academic team called Grado Zero Espace, with Italian engineers and scientists, to pioneer clothing that incorporated technology. These garments won awards from Time [7] and Popular Science . [8] She also worked on the project of shape-memory alloy named Nitinol to obtain the first woven fabric. [9] Clowes worked on the team that researched and developed a jacket padded with Aerogel. The jacket called Absolute Zero [10] was taken on an Antarctic expedition. For Corpo Nove, Clowes researched Stinging Nettle fibres which were woven to produce jeans. [11] She gave a conference at the Eden Project. [12]
Clowes wrote articles for an Italian magazine called N9VE. [13]
Clowes re-launched the Sue Clowes brand in 2012 with her daughter Marta Melani and collaborated on an edition of five pairs of sneakers for Italian cult shoe company Fornarina Srl. The sneakers along with their winter Night Sky Junkie collection was modelled by dancers on skates during Milan Menswear Fashion Week, 2014 at the Milan Alphabet nightclub. [14]
In July 2013 the Victoria and Albert Museum showcased looks from young designers of London Fashion in the 80s in an exhibition called Club to Catwalk. The museum requisitioned two of Clowes’outfits which are permanently held in their archives. The exhibition ran from July 2013 until February 2014. [15]
In 2019 Clowes collaborated with London-based John Moore Reimagined and four of her designs were printed onto shirts. Reported in the Financial Times in February 2019. [16]
April 2023 Clowes collaborated with Supreme New York American clothing and skateboarding lifestyle brand to create a collection featuring Sue Clowes's original artwork from the early 1980s. The SS23 collection consists of a Jacket, Shirt, Ringer Tee, Chino Pant and cap. [17]
December 12th, 2023. Kerry Taylor, an auction house, sold ensembles from Sue Clowes's personal 1980s collections in the “Passion for Fashion” auction. [18]
January 2024. Clowes designed and screen printed a collection of images for Italian fashion company Simon Cracker. The garments were shown at a fashion show at ARCA, Milan on January 14th 2024. Simon Cracker (stylists Simone Botte and Filippo Biraghi) called their collection ‘La Nanna’ to capture the moment before sleep. Clowes printed surreal collages on upcycled denim jackets and jeans that harmonized with the sleep theme. The show was reported in Corriere Della Sera. [19]
October 2024. The Fashion and Textile Museum, London, opened the exhibition OUTLAWS. The exhibition centers around the nightclub Taboo, opened by performance artist Leigh Bowery in 1985. The exhibition displays garments from over thirty designers, including John Galliano John Flett, Stephen Linard and Dean Bright. Two of Sue Clowes's outfits from the Culture Club 80s era are on show. The exhibition is curated by Martin Green, Duovision Arts, and NJ Stevenson. Artistic Director David Cabaret. Creative Consultant James Lawler, Duovision Arts. Exhibition dates: 4 October 2024 – 9 March 2025. November 2024. The Winchester Gallery , part of Winchester School of Art and Southampton University, opened the exhibition Collecting Sue Clowes. Associate Professor Dr Shaun Cole curated the exhibition and it includes many pieces from Clowes worn by 80s pop icons such as Boy George Culture Club Jonny Slut Jennie BelleStar Spandau Ballet Kim Wilde Eurythmics Southampton-based collector, Mikey Bean loaned his archive of Sue Clowes clothing and related ephemera for this show Exhibition dates: 15th November – 18th January.
Fashion is a term used interchangeably to describe the creation of clothing, footwear, accessories, cosmetics, and jewellery of different cultural aesthetics and their mix and match into outfits that depict distinctive ways of dressing as signifiers of social status, self-expression, and group belonging. As a multifaceted term, fashion describes an industry, styles, aesthetics, and trends.
Punk fashion is the clothing, hairstyles, cosmetics, jewellery, and body modifications of the punk counterculture. Punk fashion varies widely, ranging from Vivienne Westwood designs to styles modeled on bands like The Exploited to the dressed-down look of North American hardcore. The distinct social dress of other subcultures and art movements, including glam rock, skinheads, greasers, and mods have influenced punk fashion. Punk fashion has likewise influenced the styles of these groups, as well as those of popular culture. Many punks use clothing as a way of making a statement.
A T-shirt is a style of fabric shirt named after the T shape of its body and sleeves. Traditionally, it has short sleeves and a round neckline, known as a crew neck, which lacks a collar. T-shirts are generally made of stretchy, light, and inexpensive fabric and are easy to clean. The T-shirt evolved from undergarments used in the 19th century and, in the mid-20th century, transitioned from undergarments to general-use casual clothing.
The Blitz Kids were a group of people who frequented the Tuesday club-night at Blitz in Covent Garden, London in 1979–1980, and are credited with launching the New Romantic subcultural movement.
Stephen Sprouse was an American fashion designer and artist. He is credited with pioneering the 1980s mix of "uptown sophistication in clothing with a downtown punk and pop sensibility".
Leigh Bowery was an Australian performance artist, club promoter, and fashion designer. Bowery was known for his costumes, makeup and live performances considered as conceptual, flamboyant, outlandish, and sometimes controversial.
Hip-hop fashion refers to the various styles of dress that originated from Urban Black America and inner city youth in cities like New York City, Atlanta, and Los Angeles. Being a major part of hip hop culture, it further developed in other cities across the United States, with each contributing different elements to the overall style that is now recognized worldwide.
Fashion in the 1990s was defined by a return to minimalist fashion, in contrast to the more elaborate and flashy trends of the 1980s. One notable shift was the mainstream adoption of tattoos, body piercings aside from ear piercing and, to a much lesser extent, other forms of body modification such as branding.
Fashion of the 1980s was characterized by a rejection of 1970s fashion. Punk fashion began as a reaction against both the hippie movement of the past decades and the materialist values of the current decade. The first half of the decade was relatively tame in comparison to the second half, which was when apparel became very bright and vivid in appearance.
History of fashion design refers specifically to the development of the purpose and intention behind garments, shoes, accessories, and their design and construction. The modern industry, based around firms or fashion houses run by individual designers, started in the 19th century with Charles Frederick Worth who, beginning in 1858, was the first designer to have his label sewn into the garments he created.
Fashion design is the art of applying design, aesthetics, clothing construction and natural beauty to clothing and its accessories. It is influenced by culture and different trends and has varied over time and place. "A fashion designer creates clothing, including dresses, suits, pants, and skirts, and accessories like shoes and handbags, for consumers. He or she can specialize in clothing, accessory, or jewelry design, or may work in more than one of these areas."
Sportswear is an American fashion term originally used to describe separates, but which since the 1930s has come to be applied to day and evening fashions of varying degrees of formality that demonstrate a specific relaxed approach to their design, while remaining appropriate for a wide range of social occasions. The term is not necessarily synonymous with activewear, clothing designed specifically for participants in sporting pursuits. Although sports clothing was available from European haute couture houses and "sporty" garments were increasingly worn as everyday or informal wear, the early American sportswear designers were associated with ready-to-wear manufacturers. While most fashions in America in the early 20th century were directly copied from, or influenced heavily by Paris, American sportswear became a home-grown exception to this rule, and could be described as the American Look. Sportswear was designed to be easy to look after, with accessible fastenings that enabled a modern emancipated woman to dress herself without a maid's assistance.
Paper clothing is garments and accessories made from paper or paper substitutes.
BodyMap was an influential British fashion label of the 1980s, renowned for its layered and innovatively structured shapes, distinctive prints and groundbreaking fashion shows.
Crolla was a 1980s British high fashion brand and boutique founded by Scott Crolla and Georgina Godley in Mayfair's Dover Street. Always niche, it was influential for its juxtaposition of unusual and vintage fabrics and traditional tailoring. Describing the brand's signature at the time, Scott Crolla said: "My clothes are for someone who disregards fashion but enjoys fabrics… I would call it a calculated disregard for conventional taste." In the book London: After Fashion, Alistair O’Neill described the look as: “as odd a combination as Coward in Las Vegas, but it communicated a vision of Englishness just as brashly."
Wendy Dagworthy OBE is an English former fashion designer and now design academic. During her career she has led fashion design teaching at both the Royal College of Art and Central Saint Martins, mentoring notable fashion designers including Stella McCartney and Hussein Chalayan. An influential designer in her own right in the 1970s and '80s with the Wendy Dagworthy label, and one of the founders of London Fashion Week, she was described by the Daily Telegraph as: "the high priestess of British fashion".
C.P. Company is an Italian apparel brand founded in 1971 by designer Massimo Osti. Initially called Chester Perry by the suggestion of his fashion entrepreneur friend Corrado Zannoni, its name was changed in 1978 following a lawsuit by Chester Barrie and Fred Perry, for the use of their first name and surname.
BLITZ was a British fashion and culture magazine published between 1980 and 1991.
The fashion industry in Nigeria plays an important cultural role and contributes significantly to the country's economy. Clothing incorporates a variety of colours, fabrics, and embellishments. Many of the component cultures of Nigeria wear styles that are characteristic of their tribal society and customs. Nigeria produces fashionable textiles and finished garments and has designers who have achieved international recognition.
The fashions of the 2020s represent a departure from 2010s fashion and feature a nostalgia for older aesthetics. They have been largely inspired by styles of the late 1990s to mid-2000s, and 1980s. Early in the decade, several publications noted the shortened trend and nostalgia cycle in 2020s fashion. Fashion was also shaped by the COVID-19 pandemic, which had a major impact on the fashion industry, and led to shifting retail and consumer trends.