| Sunlight at Secondhand | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | October 16, 2007 | |||
| Genre | Deathcore Sludge metal | |||
| Length | 41:30 | |||
| Label | Victory [1] | |||
| Nights Like These chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| MetalSucks |   [2] |
Sunlight at Secondhand is the second full-length album by Nights Like These, released on Victory Records. [3] [4] It has less of a heavy metal sound than its predecessor, The Faithless . [4]
AllMusic wrote: "Fans of artier, complex bands like Neurosis and Isis will be able to latch on to the shifting textures and colors in the music, but people who just want to hear something heavy won't be disappointed, either." [5]
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.
Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.
Nu metal is a subgenre of alternative metal that combines elements of heavy metal music with elements of other music genres such as hip hop, funk, industrial, and grunge. Nu metal rarely features guitar solos or other displays of musical technique, and emphasizes rhythm with instrumentation that is heavily syncopated. Nu metal guitarists typically use seven-string guitars that are down-tuned to produce a heavier sound. Vocal styles are often rhythmic and influenced by hip hop, and include singing, rapping, screaming and sometimes growling. DJs are occasionally featured to provide instrumentation such as sampling, turntable scratching and electronic background music. Nu metal is one of the key genres of the new wave of American heavy metal.
Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf, and Deep Purple also produced hard rock.
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal".
Funk metal is a subgenre of funk rock and alternative metal that infuses heavy metal music with elements of funk and punk rock. Funk metal was part of the alternative metal movement, and has been described as a "brief but extremely media-hyped stylistic fad".
Alternative metal is a genre of heavy metal music that combines heavy metal with influences from alternative rock and other genres not normally associated with metal. Alternative metal bands are often characterized by heavily downtuned, mid-paced guitar riffs, a mixture of accessible melodic vocals and harsh vocals and sometimes sounds that are unconventional within other heavy metal styles. The term has been in use since the 1980s, although it came into prominence in the 1990s.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Melodic death metal is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album Heartwork, melodic death metal developed further in Sweden in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' Slaughter of the Soul, Dark Tranquillity's The Gallery, and In Flames' The Jester Race, all released in the mid-1990s, were highly influential albums in melodic death metal, with At the Gates and In Flames being the two most common influences on North American 2000s heavy metal bands. Many American heavy metal bands emulated At the Gates' sound, resulting in the usage of the phrase "At the Gates worship".
Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming; more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.
Love at First Sting is the ninth studio album by German rock band Scorpions. It was released in February 1984 by Harvest and EMI Records in Europe and Mercury Records in the US. The album contains "Rock You Like a Hurricane", "Still Loving You", and "Big City Nights", three of the band's most famous songs.
Mas Borracho is the fourth album by Infectious Grooves, released in 2000. The title, as written on the album, is "but drunk" in Spanish. However, it is most likely a misspell of "más borracho", meaning "more drunk" or "drunker".
Hot in the Shade is the fifteenth studio album by American rock band Kiss, released in 1989. It is the first Kiss studio album since 1981's Music From "The Elder" to feature lead vocals from someone other than Paul Stanley or Gene Simmons, with drummer Eric Carr singing lead on "Little Caesar". It is also the final Kiss album in its entirety to feature Carr before his death in November 1991 during production of the band’s next album Revenge. Unlike its predecessor album, 1987's Crazy Nights, Hot in the Shade does not heavily feature keyboards.
Jennifer Batten is an American guitarist who has worked as a session musician and solo artist. From 1987 to 1997, she played on all three of Michael Jackson's world tours, and from 1999 to 2001, she toured and recorded with Jeff Beck.
Nights Like These is an American metal band from Memphis, Tennessee, heavily influenced by death metal and sludge metal.
Russian Roulette is the seventh studio album by German heavy metal band Accept, released in 1986. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back Dieter Dierks as producer. It would be the last Accept album to feature Udo Dirkschneider as lead vocalist until the 1993 reunion album Objection Overruled.
Metal Rendez-vous is the fourth studio album by the Swiss hard rock band Krokus, released in June 1980. It is the first Krokus release to feature vocalist Marc Storace; Chris von Rohr had formerly served as the band's lead vocalist but appears on Metal Rendez-vous as the band's bassist. The track "Heatstrokes" charted number one in the British Heavy Metal Charts, and arguably opened up markets for Krokus in Britain and the United States, along with "Bedside Radio" and "Tokyo Nights". Strangely, the song "Tokyo Nights" features a reggae beat halfway through. The album sold more than 150,000 copies in Switzerland and was certified Triple Platinum.
Secondhand Serenade is an American rock singer, real name John Vesely - a vocalist, pianist and guitarist. Vesely has released four studio albums to date under the name Secondhand Serenade. His debut album used multitrack recording to create the sound of a band using technology, while his second album took a different path, using a proper band and synthesizers.
"Ready to Go" is a song by the American rap rock band Limp Bizkit. The single features rapper and then label-mate Lil Wayne and is produced by Polow Da Don. The single is Limp Bizkit's first release for Cash Money Records after their departure from Interscope in 2011. The song was released in March 2013 as a free download on the band's website and, on April 16, as a digital single on iTunes and Amazon.
"Oh No" is a song by British rock band Bring Me the Horizon. Produced by keyboardist Jordan Fish and vocalist Oliver Sykes, it was featured on the band's 2015 fifth studio album That's the Spirit, when it reached number 166 on the UK Singles Chart and number ten on the UK Rock & Metal Singles Chart. It was later released as the seventh and final single from the album on 18 November 2016.
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