 | This article relies largely or entirely on a single source .(March 2022) |
| "Sunnyroad" | ||||
|---|---|---|---|---|
 | ||||
| Single by Emilíana Torrini | ||||
| from the album Fisherman's Woman | ||||
| Released | 14 February 2005 | |||
| Genre | Indie pop, pop-folk | |||
| Label | Rough Trade | |||
| Songwriter(s) | Emilíana Torrini, Dan Carey | |||
| Emilíana Torrini singles chronology | ||||
| ||||
"Sunnyroad" is the second single for the Fisherman's Woman record, released by Emiliana Torrini in 2005. It reached number 82 on the UK Singles Chart. [1]
| Chart (2005) | Peak position |
|---|---|
| UK Singles (OCC) [1] | 82 |
"Wild Dances" is a single by Ukrainian singer-songwriter Ruslana. The song, representing her country, won the Eurovision Song Contest 2004 held in Istanbul with a score of 280 points. A Ukrainian-language version called "Dyki tantsi" was released in Russia and Ukraine.
"Cruel Summer" is a song by English girl group Bananarama. It was written by Bananarama and Steve Jolley, Tony Swain, and produced by Jolley and Swain. Released in 1983, it was initially a stand-alone single but was subsequently included on their self-titled second album a year later. The song reached number eight on the UK Singles Chart in 1983, and after its inclusion in the 1984 film The Karate Kid it reached number nine on the U.S. Billboard Hot 100.
"The Power of Love" is a song originally recorded and released by British band Frankie Goes to Hollywood. It was written by Holly Johnson, Peter Gill, Mark O'Toole and Brian Nash, four of five members of the band. It was released by the group as their third single.
"Don't You Want Me" is a single by British synthpop group the Human League. It was released on 27 November 1981 as the fourth single from their third studio album Dare (1981). The band's best known and most commercially successful song, it was the biggest selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
"Just Can't Get Enough" is a song by the English electronic music band Depeche Mode. It was their third single, released in September 1981, a month before the release of their debut album, Speak and Spell. It was recorded during the summer of that year at Blackwing Studios, and was the band's first single to be released in the United States, on 18 February 1982. A riff-driven synthpop song, "Just Can't Get Enough" was the final single to be written by founding member Vince Clarke, who left the band in November 1981.
"The Loco-Motion" is a 1962 pop song written by American songwriters Gerry Goffin and Carole King. "The Loco-Motion" was originally written for Dee Dee Sharp, but Sharp turned the song down. The song is notable for appearing in the American Top 3 thrice, each time in a different decade: in 1962 by the American pop singer Little Eva ; in 1974 by the American band Grand Funk Railroad ; and in 1988 by the Australian singer Kylie Minogue.
"Silence" is a song by Canadian electronic music group Delerium featuring Canadian singer and co-writer Sarah McLachlan, first released in 1999. Over the years, it has been hailed as one of the greatest trance songs of all time, over a decade after its initial release. The Tiësto remix of the song was voted by Mixmag readers as the 12th greatest dance record of all time.
"Nathan Jones" is a song by American girl group the Supremes from their twenty-third studio album, Touch (1971). It was released on April 15, 1971, as the album's lead single. Produced by Frank Wilson and written by Kathy Wakefield and Leonard Caston, "Nathan Jones" was one of eight top-40 entries the Supremes recorded after its original frontwoman, Diana Ross, left the group for a solo career.
"Never Tear Us Apart" is a single released by Australian rock group INXS in August 1988. It was included on the band's sixth studio album, Kick.
"Forever Young" is a song from the German synth-pop band Alphaville's 1984 first album, Forever Young. The single was a hit in Scandinavia and in the European German-speaking countries in the same year.
"You Got the Love" is a 1986 single by British songwriting team The Source featuring American singer-songwriter Candi Staton. The song was remixed and re-released in 1991, 1997, and 2006. It reached number three on the UK Singles Chart and number two on the UK Dance Singles Chart.
"It Only Takes a Minute" is a 1975 song by Tavares. The song was the group's only top-10 pop hit in the United States, peaking at number 10, and their second number one song on the American soul charts. On the US Disco chart, "It Only Takes a Minute" spent five weeks at number two and was the first of four entries on the chart. The song was subsequently covered by Jonathan King performing as 100 Ton and a Feather in 1976 and by boy band Take That in 1992.
"Electrical Storm" is a song by Irish rock band U2. It is the fourth track on their second greatest hits compilation album, The Best of 1990–2000, and was released as a single on 21 October 2002. "Electrical Storm" is one of two new songs that were recorded for the compilation. Two versions of the song were released: the "Band Version", produced by Carl Glanville; and the "William Orbit Mix", produced by William Orbit. The music video for the song prominently features drummer Larry Mullen Jr. and actress Samantha Morton. The lyrics were written by the band's lead vocalist Bono about two quarreling lovers and the tension between them; he relates this to a looming electrical storm. U2 did not perform the song live until 2 July 2009, on the second concert of their U2 360° Tour in Barcelona, Spain.
"Take Me to Your Heaven" was the winner of the Eurovision Song Contest 1999, performed in English by Charlotte Nilsson representing Sweden. Nilsson first won the Swedish Melodifestivalen 1999 when singing the Swedish-language version "Tusen och en natt".
"I Want Candy" is a song written and originally recorded by the Strangeloves in 1965 that reached No. 11 in the US Billboard Hot 100 chart. It is a famous example of a song that uses the Bo Diddley beat.
"Whatever You Want" is a song performed by American recording artist Tina Turner from her ninth studio album Wildest Dreams (1996). It was written by Arthur Baker, Fred Zarr, and Taylor Dayne and is noted for its different levels of energy and strong vocal performance, as well as its orchestral arrangement and complex production, courtesy of producer Trevor Horn.
"Home" is a song by Canadian singer Michael Bublé, and released on January 24, 2005, as the second single from his second major-label studio album, It's Time. The song was written by Bublé, along with co-writers Alan Chang and Amy Foster-Gillies.
"Break 4 Love" is a song written, produced and recorded by Vaughan Mason, the principal member of house music group Raze, the song's original credited performer. The song, the group's only significant US hit, featured vocals by Keith Thompson and Bobby Coleman, as well as sexual sound samples by Erique Dial. The single peaked at number 28 on the UK Singles Chart and topped the US Billboard Hot Dance Club Play chart in 1988. It is still considered a classic of the early house music genre.
"Cannonball" is a song written and performed by Irish folk singer Damien Rice. It was released as the second single from his debut album O in 2002, following the release of his debut single "The Blower's Daughter". It was re-released in 2003, 2004 and 2011.
"The X-Files" is an instrumental written and produced by American film and television composer Mark Snow. On its parent album, The Truth and the Light: Music from the X-Files, the track is titled "Materia Primoris". It is a remixed version of the original theme Snow composed for the science fiction television series The X-Files in 1993. The composition was released as a single in 1996 and achieved chart success, particularly in France, where it reached number one on the singles chart. The composition has since been covered by many artists, including DJ Dado and Triple X; DJ Dado's version was a major hit in Europe while Triple X's version reached number two in Australia.
 | This 2000s pop song-related article is a stub. You can help Wikipedia by expanding it. |
