Support Your Local Sheriff! | |
---|---|
Directed by | Burt Kennedy |
Written by | William Bowers |
Produced by | William Bowers Bill Finnegan |
Starring | James Garner Joan Hackett Walter Brennan Harry Morgan Jack Elam Bruce Dern |
Cinematography | Harry Stradling Jr. |
Edited by | George W. Brooks |
Music by | Jeff Alexander |
Distributed by | United Artists |
Release date |
|
Running time | 92 min. |
Country | United States |
Language | English |
Budget | $750,000 [1] |
Box office | $5 million (US/ Canada rentals) [2] |
Support Your Local Sheriff!, also known as The Sheriff, is a 1969 American comedy Western film directed by Burt Kennedy and starring James Garner, Joan Hackett, and Walter Brennan. The supporting cast features Harry Morgan, Jack Elam, Bruce Dern, and Chubby Johnson. The picture was distributed by United Artists and produced by William Bowers (who also wrote the screenplay) and Bill Finnegan.
The film is a parody of a common Western trope: the selfless, rugged stranger who tames a lawless frontier town. Its title was derived from the popular 1960s campaign slogan "Support Your Local Police". [Note 1]
The Old West town of Calendar in the Colorado Territory springs up almost overnight when clumsy, hotheaded Prudy Perkins notices gold in a freshly dug grave during a funeral. Her father, bumbling farmer Olly, becomes the first mayor of the new settlement, but soon he and the other elected councilmen find themselves and the townspeople at the mercy of the corrupt Danby family, who force the prospectors to pay them a toll for using the only road in or out of Calendar. The town has no sheriff, as all the men are busy searching for gold, and the few who have taken the job have been run out of town or killed.
Jason McCullough, a confident and exceptionally skilled gunfighter planning to emigrate to Australia, sees Joe Danby kill a man over a card game in the town's saloon. Needing money after Calendar's high prices leave him broke, McCullough takes the job of sheriff, impressing the mayor and council with his uncanny marksmanship. He breaks up a street brawl and becomes attracted to Prudy, despite her attempts to avoid him due to the embarrassing circumstances under which they first met. McCullough arrests Joe and tosses him in the town's unfinished jail, which lacks bars for the cell doors and windows; he uses several clever tricks to manipulate Joe and keep him from escaping.
McCullough acquires a reluctant deputy in scruffy stable boy Jake, previously known as the "town character". Joe's arrest infuriates his father, Pa Danby, who is not accustomed to his family being challenged. After McCullough disarms and humiliates him in a failed intimidation attempt, Pa sends in a string of hired guns to kill him, all of whom the sheriff easily defeats. Meanwhile, McCullough enlists Jake's help in an unsuccessful attempt to prospect for gold, and spars romantically with Prudy. The Danbys try to tear the bars off the jail window with their horses but get pulled off their mounts instead before Jake chases them away with a shotgun.
A fed-up Pa enlists all of his relatives to ride into town and free his son. When the news reaches McCullough, he initially tells Prudy he intends to leave, but when she expresses her sincere approval of this sensible idea, he declares it to be cowardly and announces he is staying instead. Mayor Perkins persuades the townsfolk to vote against helping the sheriff despite Prudy trying to convince them otherwise. Thus, the Danby clan rides in faced only by McCullough, Jake, and Prudy. After a lengthy but unproductive gunfight, McCullough bluffs his way to victory using Joe as a hostage and the old cannon mounted in the center of town. As the Danbys are marched off to jail, the supposedly unloaded cannon fires, smashing the local brothel and scattering both the prostitutes and the councilmen they were servicing.
McCullough and Prudy get engaged. In a closing monologue, Jake breaks the film's fourth wall and directly informs the audience that after his wedding, McCollough went on to a long and prosperous career as the first governor of Colorado after it became a state, never making it to Australia (although he reads about it a lot), while Jake takes his place as sheriff of Calendar and becomes "one of the most beloved characters in Western folklore".
Support Your Local Sheriff! was the first producing effort by Garner and his Cherokee production company, completed on a "shoestring" budget of $750,000. [3] Early in pre-production, Paramount Pictures threatened a lawsuit as the studio contended that the first scene was "lifted" from their musical Paint Your Wagon (1969) where a similar gold mine discovery is featured. Eventually, Garner was able to show where the original screenplay had found its source material, and the lawsuit went away. [4]
Support Your Local Sheriff was considered a "bomb", as it did not do any business in its first week, with United Artists clamoring to pull the film. Garner challenged them to match a $10,000 stake to keep the film in one theatre for a week. The result was impressive as "word of mouth" increased attendance until crowds were around the theatre by the end of the engagement. [3] Support Your Local Sheriff was the 20th-most popular film at the U.S. box office in 1969. [5]
Support Your Local Sheriff received mixed critical reviews. It holds a 75% rating on Rotten Tomatoes based on sixteen reviews. [6]
In 1971, director Burt Kennedy reteamed with James Garner, Harry Morgan, and Jack Elam to make another Western comedy, Support Your Local Gunfighter , with different characters but a similar comedic tone. Many of the original supporting cast reappeared as well.
James Scott Garner was an American actor. He played leading roles in more than 50 theatrical films, which included The Great Escape (1963) with Steve McQueen; Paddy Chayefsky's The Americanization of Emily (1964) with Julie Andrews; Cash McCall (1960) with Natalie Wood; The Wheeler Dealers (1963) with Lee Remick; Darby's Rangers (1958) with Stuart Whitman; Roald Dahl's 36 Hours (1965) with Eva Marie Saint; as a Formula 1 racing star in Grand Prix (1966); Raymond Chandler's Marlowe (1969) with Bruce Lee; Support Your Local Sheriff! (1969) with Walter Brennan; Blake Edwards's Victor/Victoria (1982) with Julie Andrews; and Murphy's Romance (1985) with Sally Field, for which he received an Academy Award nomination. He also starred in several television series, including popular roles such as Bret Maverick in the ABC 1950s Western series Maverick and as Jim Rockford in the NBC 1970s private detective show, The Rockford Files.
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