Susan Buck-Morss | |
---|---|
Born | 1942 |
Education |
|
Era | 20th-/21st-century philosophy |
Region | Western philosophy |
School | Continental philosophy Frankfurt School |
Main interests | Universal history |
Susan Buck-Morss (1942) is an American philosopher, visual theorist, and intellectual historian.
She is currently Professor of Political Science at the CUNY Graduate Center, [1] and professor emeritus in the Government Department at Cornell University, where she taught from 1978 to 2012. [2] Her interdisciplinary work involves but is not limited to the fields of Art History, Architecture, Comparative Literature, Cultural Studies, German studies, History, Philosophy, and Visual Studies. [3] She has won a Getty Scholar Grant, [4] a Fulbright Award, [5] and a Guggenheim Fellowship [6] for her work. Awards from the MacArthur Foundation, Rockefeller Foundation, and the Fulbright Program funded the research towards her book Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West (MIT Press, 2000). [1]
Theodor W. Adorno was a German philosopher, musicologist, and social theorist.
Walter Bendix Schönflies Benjamin was a German-Jewish philosopher, cultural critic, media theorist, and essayist. An eclectic thinker who combined elements of German idealism, Romanticism, Western Marxism, Jewish mysticism, and neo-Kantianism, Benjamin made influential contributions to aesthetic theory, literary criticism, and historical materialism. He was associated with the Frankfurt School and also maintained formative friendships with thinkers such as playwright Bertolt Brecht and Kabbalah scholar Gershom Scholem. He was related to German political theorist and philosopher Hannah Arendt through her first marriage to Benjamin's cousin Günther Anders, though the friendship between Arendt and Benjamin outlasted her marriage to Anders. Both Arendt and Anders were students of Martin Heidegger, whom Benjamin considered a nemesis.
The Frankfurt School is a school of thought in sociology and critical philosophy. It is associated with the Institute for Social Research founded at Goethe University Frankfurt in 1923. Formed during the Weimar Republic during the European interwar period, the first generation of the Frankfurt School was composed of intellectuals, academics, and political dissidents dissatisfied with the socio-economic systems of the 1930s: namely, capitalism, fascism, and communism. Significant figures associated with the school include Max Horkheimer, Theodor Adorno, Walter Benjamin, Wilhelm Reich, Herbert Marcuse, and Jürgen Habermas.
Fredric Ruff Jameson was an American literary critic, philosopher and Marxist political theorist. He was best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981).
The term culture industry was coined by the critical theorists Theodor Adorno (1903–1969) and Max Horkheimer (1895–1973), and was presented as critical vocabulary in the chapter "The Culture Industry: Enlightenment as Mass Deception", of the book Dialectic of Enlightenment (1947), wherein they proposed that popular culture is akin to a factory producing standardized cultural goods—films, radio programmes, magazines, etc.—that are used to manipulate mass society into passivity. Consumption of the easy pleasures of popular culture, made available by the mass communications media, renders people docile and content, no matter how difficult their economic circumstances. The inherent danger of the culture industry is the cultivation of false psychological needs that can only be met and satisfied by the products of capitalism; thus Adorno and Horkheimer perceived mass-produced culture as especially dangerous compared to the more technically and intellectually difficult high arts. In contrast, true psychological needs are freedom, creativity, and genuine happiness, which refer to an earlier demarcation of human needs, established by Herbert Marcuse.
Ernst Simon Bloch was a German Marxist philosopher. Bloch was influenced by Georg Wilhelm Friedrich Hegel and Karl Marx, as well as by apocalyptic and religious thinkers such as Thomas Müntzer, Paracelsus, and Jacob Böhme. He established friendships with György Lukács, Bertolt Brecht, Kurt Weill, Walter Benjamin, and Theodor W. Adorno. Bloch's work focuses on an optimistic teleology of the history of mankind.
Minima Moralia: Reflections from Damaged Life is a 1951 critical theory book by German philosopher Theodor W. Adorno. Adorno started writing it during World War II, in 1944, while he lived as an exile in America, and completed it in 1949. It was originally written for the fiftieth birthday of his friend and collaborator Max Horkheimer, who had co-authored the earlier book Dialectic of Enlightenment with Adorno.
Dialectic of Enlightenment is a work of philosophy and social criticism written by Frankfurt School philosophers Max Horkheimer and Theodor W. Adorno. The text, published in 1947, is a revised version of what the authors originally had circulated among friends and colleagues in 1944 under the title of Philosophical Fragments.
Gillian Rosemary Rose was a British philosopher and writer. Rose held the chair of social and political thought at the University of Warwick until 1995. Rose began her teaching career at the University of Sussex. She worked in the fields of philosophy and sociology. Her writings include The Melancholy Science, Hegel Contra Sociology, Dialectic of Nihilism, Mourning Becomes the Law, and Paradiso, among others.
The lord–bondsman dialectic is a famous passage in Georg Wilhelm Friedrich Hegel's The Phenomenology of Spirit. It is widely considered a key element in Hegel's philosophical system, and it has heavily influenced many subsequent philosophers.
Negative Dialectics is a 1966 book by the philosopher Theodor W. Adorno, in which he presents a critique of traditional Western philosophy and dialectical thinking. Adorno argues that the Enlightenment's emphasis on reason and progress has led to the domination of nature and the suppression of human individuality, and he develops the notion of negative dialectics as a critique of the positive, idealistic dialectics of Hegel and the Marxist dialectical materialism that grew out of it.
Das Passagen-Werk or Arcades Project was an unfinished project of German philosopher and cultural critic Walter Benjamin, written between 1927 and his death in 1940. An enormous collection of writings on the city life of Paris in the 19th century, it was especially concerned with Paris' iron-and-glass covered "arcades".
Espen Hammer is Professor of Philosophy at Temple University. Focusing on modern European thought from Kant and Hegel to Adorno and Heidegger, Hammer’s research includes critical theory, Wittgenstein and ordinary language philosophy, phenomenology, German idealism, social and political theory, and aesthetics. He has also written widely on the philosophy of literature and taken a special interest in the question of temporality.
Aesthetic Theory is a book by the German philosopher Theodor Adorno, which was culled from drafts written between 1956 and 1969 and ultimately published posthumously in 1970. Although anchored by the philosophical study of art, the book is interdisciplinary and incorporates elements of political philosophy, sociology, metaphysics and other philosophical pursuits in keeping with Adorno's boundary-shunning methodology.
The Embarrassment of Riches: an interpretation of Dutch culture in the Golden Age is a book by historian Simon Schama published in 1987.
The following is a list of the major work by Theodor W. Adorno, a 20th-century German philosopher, sociologist and critical theorist associated closely with the Frankfurt School. This list also includes information regarding English translation.
Hegel's Angel is a 2018 experimental film directed by Simone Rapisarda Casanova.
Anson Gilbert Rabinbach is a historian of modern Europe and the Philip and Beulah Rollins Professor of History, Emeritus at Princeton University. He is best known for his writings on labor, Nazi Germany, Austria, and European thought in the nineteenth and twentieth centuries. In 1973 he co-founded the journal New German Critique, which he continues to co-edit.