Sweta Keswani | |
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Born | |
Nationality | Indian |
Occupations | |
Spouses |
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Children | Issy Andino (daughter) |
Sweta Keswani is an Indian actress, dancer and model, who is known for her roles in Hindi TV shows, Bollywood films and TV commercials. She received fame from Indians globally after playing the role of Gudiya Thakkar in the Star Plus series Baa Bahoo Aur Baby . Apart from her Bollywood career she also had a role in U.S. Television series The Blacklist .
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Keswani started acting in class two with an adaption of Goldilocks and the Three Bears . She attended MMK College in Mumbai and graduated with a degree in commerce. While she was at school, she started Kathak (an Indian dance form) and kept up with it for about 6 years at Sangit Mahabharati institute and later with Guruji Shri Surinder Kaur, whom she idolizes. Later she trained in jazz dance from Shiamak Davar's.
Keswani is a Soka Gakkai Buddhist and is a leader in the SGI[ clarification needed ] Buddhist community. She has said, "There are many branches of Buddhism but essentially Nichiren Daishonin's Buddhism that I practice is a religion for the 21st century. It is a process of transforming the self by chanting a mantra and through that changing not only ourselves for the better but our environment as well. Chanting gives me the clarity to see what action I should take and how I can make both myself and the people around me happier and more fulfilled." [1] [2]
Since 2020, Keswani has served as the Vice President of River's Edge Theatre Co. in Westchester, NY. [3]
Keswani married American actor Alexx O'Nell in 2008. The couple divorced in 2011. In October 2012, she married NYC-based lawyer Ken Andino, with whom she has a daughter (b. 2013). [4] [5]
This section of a biography of a living person does not include any references or sources .(January 2024) |
After doing many TV commercials for industries such as Wall's Ice Cream , Pond's and Fanta , Keswani entered television with shows such as Kahaani Ghar Ghar Kii and Des Mein Niklla Hoga Chand .
This section of a biography of a living person needs additional citations for verification .(January 2024) |
This section of a biography of a living person needs additional citations for verification .(January 2024) |
Year | Show | Character | Notes |
---|---|---|---|
1999-2000 | Abhimaan | ||
2001 | Rishtey (season 1) | Anu | Episodic role |
2001–2003 | Kahaani Ghar Ghar Kii | Avantika Ajay Agarwal | Negative role |
2001-2004 | Des Mein Niklla Hoga Chand | Anu Khurana / Anu Samarjeet Singh Kent | Negative role [8] |
2002-2004 | Arre Deewano Mujhe Pehchano | ||
2004 - 2005 | Raat Hone Ko Hai - Story #47: Tingoo | Monica | Episodic role |
2004 | Bollywood Aur Kya Special | ||
2005 | Parde Ke Peechey | ||
2006 | Kyunki Yeh Hai Hasya Kavi Muqabala | ||
2006 | Johny Aala Re | ||
2007 | CID - Episode 457: The Case of the Dangerous Lady | Indu | Episodic role |
2007 | Nach Baliye 3 | Herself | |
2007–2010 | Baa Bahoo Aur Baby | Gurinder "Gudiya" Chadda Thakkar | Lead role |
2011 | Adaalat | Ms. Keswani | Supporting role |
2017 | The Blacklist | Maura | Guest role |
2021 | New Amsterdam | Soma Kulkarni | Guest role |
2021 | Arranged Marriage |
This section of a biography of a living person does not include any references or sources .(January 2024) |
Kirtana, also rendered as Kiirtan, Kirtan or Keertan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration, shared recitation, or devotional singing, particularly of spiritual or religious ideas, native to the Indian subcontinent. A person performing kirtan is known as a kirtankara.
Buddhist music is music created for or inspired by Buddhism and includes numerous ritual and non-ritual musical forms. As a Buddhist art form, music has been used by Buddhists since the time of early Buddhism, as attested by artistic depictions in Indian sites like Sanchi. While certain early Buddhist sources contain negative attitudes to music, Mahayana sources tend to be much more positive to music, seeing it as a suitable offering to the Buddhas and as a skillful means to bring sentient beings to Buddhism.
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