Sylvia Schedelbauer (born 1973) is an experimental filmmaker.
Schedelbauer was born in Tokyo, Japan in 1973, to a German father and a Japanese mother. She moved to Germany to attend the Berlin University of the Arts. [1]
Her first short film Memories (2004) was screened at the International Short Film Festival Oberhausen. [1] It is a documentary that presents a slideshow of family photos with voiceover reconstructing Schedelbauer's family history. [2] Her next film Remote Intimacy marked a transition away from narrative and toward collage, with archival footage taken from home movies, newsreels, and educational films. [1] Schedelbauer worked as an editor on Craig Baldwin's 2008 science fiction collage film Mock Up on Mu . [3]
Schedelbauer's 2011 film Sounding Glass uses a strong flicker effect, with a score by Thomas Carnacki featuring the sounds of glass, water, and string instruments. [4] Her 2014 film Sea of Vapors uses highly layered superimpositions to depict "the female body and its cycles, the connections that we feel toward nature." She used Final Cut Pro to create the film's shifting, flickering patterns, by repeatedly stacking images on top of each and exporting the result. [5] In Wishing Well (2018), Schedelbauer creates a flickering pattern by combining images of a child playing and a drone. [6]
A silent film is a film without synchronized recorded sound. Though silent films convey narrative and emotion visually, various plot elements or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.
Delia Ann Derbyshire was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who. She has been referred to as "the unsung heroine of British electronic music", having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.
Agnès Varda was a Belgian-born French film director, screenwriter and photographer.
Phillip Earl Niblock was an American composer, filmmaker, and videographer. In 1985, he was appointed director of Experimental Intermedia, a foundation for avant-garde music based in New York with a parallel branch in Ghent, Belgium.
Arthur Lipsett was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay. His first film, Very Nice, Very Nice, was nominated for an Academy Award.
Craig Baldwin is an American experimental filmmaker. He uses found footage from the fringes of popular consciousness as well as images from the mass media to undermine and transform the traditional documentary, infusing it with the energy of high-speed montage and a provocative commentary that targets subjects from intellectual property rights to rampant consumerism.
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s.
Mary Ellen Bute was a pioneer American film animator, producer, and director. She was one of the first female experimental filmmakers, and was the creator of some of the first electronically generated film images. Her specialty was visual music; while working in New York City between 1934 and 1958, Bute made fourteen short abstract musical films. Many of these were seen in regular movie theaters, such as Radio City Music Hall, usually preceding a prestigious film. Several of her abstract films were part of her Seeing Sound series.
François Miron is a French-Canadian experimental filmmaker also working in documentary and fiction.
Begone Dull Care is a 1949 visual music animated film directed by Norman McLaren and Evelyn Lambart for the National Film Board of Canada (NFB).
Cosmic Ray is a 1962 American experimental short film directed by Bruce Conner. With both found footage and original material, it features images of countdown leader, a nude woman dancing, a Mickey Mouse cartoon, and military exercises. It is soundtracked by a performance of Ray Charles's "What'd I Say" and has been recognized by some critics as one of the first music videos.
Richard Roger Reeves is a Canadian animated filmmaker. He is known for his whimsical abstract animated films created using a drawn on film technique.
Touch the Sound: A Sound Journey with Evelyn Glennie is a 2004 German documentary film directed by Thomas Riedelsheimer about profoundly deaf Scottish classical percussionist Evelyn Glennie. In the film Glennie, who won a Grammy Award in 1989, collaborates with English experimental musician Fred Frith and others, and explains how she perceives sound. The film appeared at over 20 film festivals across the world, and won several awards, including "Best Documentary" at the 2004 BAFTA Awards, Scotland.
Collage film is a style of film created by juxtaposing found footage from disparate sources. The term has also been applied to the physical collaging of materials onto film stock.
Jill Purce is a British voice teacher, Family Constellations therapist, and author. In the 1970s, Purce developed a new way of working with the voice, introducing the teaching of group overtone chanting, producing a single note whilst amplifying vocal harmonics. She is a former fellow of King's College London, Biophysics Department. She produced over 30 books as general editor of the Thames and Hudson Art and Imagination series. Between 1971 and 1974, she worked in Germany with the composer Karlheinz Stockhausen. Since the early 1970s, she has taught diverse forms of contemplative chant, especially overtone chanting. For over 15 years, she has been leading Family Constellations combined with chant.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
Ruth Lingford is an independent animator. Since 2005, she has taught at the Harvard University. She now holds a position as faculty member in the visual and environmental studies, where she is senior lecturer and director of undergraduate studies. She previously taught at the Royal College of Art and the National Film and Television School, UK. Before investing herself in animation, she was an occupational therapist working with the elders and people suffering from mental disorders. Lingford completed a BA in fine arts and art history at the Middlesex Polytechnic from 1987 to 1990 and a MA at the Royal College of Art until 1992. In 2008, she received an honorary Doctor of Arts degree from the University of Wolverhampton.
Kelly Sears is an American animator and filmmaker. In 2015 she lives in Los Angeles, California and is Assistant Professor of Film at University of Colorado Boulder. Her work consists of video, digital animation, stop-motion animation, digital imaging, and sound design.
Schwechater is a 1958 experimental short film by Austrian filmmaker Peter Kubelka. It is the second entry in his trilogy of metrical films, between Adebar and Arnulf Rainer.
Helene Moltke-Leth is a Danish film director, artist and former DJ working across film, photography, sound, music and fine art. She graduated from The National Film School of Denmark in 2005 and has received twelve international film awards. Her work has been shown at museums and international film, art and poetry festivals including Tokyo Photographic Art Museum, Ann Arbor Film Festival, Berkshire International Film Festival, Copenhagen International Documentary Film Festival and Odense International Film Festival. She also serves as a jury member for a film festivals.