Author | Dorothy K. Washburn and Donald W. Crowe |
---|---|
Country | U.S.A. |
Language | English |
Subject | Decorative arts, patterns, mathematics and art |
Publisher | University of Washington Press, Dover |
Publication date | 1988 |
Media type | |
Pages | 299 |
ISBN | 978-0-295-97084-4 |
745.4 | |
LC Class | NK1570.W34 |
Symmetries of Culture: Theory and Practice of Plane Pattern Analysis is a book by anthropologist Dorothy K. Washburn and mathematician Donald W. Crowe published in 1988 by the University of Washington Press. The book is about the identification of patterns on cultural objects.
The book is divided into seven chapters. Chapter 1 reviews the historical application of symmetry analysis to the discovery and enumeration of patterns in the plane, otherwise known as tessellations or tilings, and the application of geometry to design and the decorative arts.
Chapters 2 to 6 describe how to identify and classify patterns on cultural objects such as ceramics, textiles and surface designs. Chapter 2 establishes the mathematical tools required to perform the symmetry analysis of patterns. Chapter 3 introduces the concept of color symmetry, for two-colored and multicolored patterns. Chapters 4 and 5 describe the one-dimensional (frieze) designs and the two-dimensional (plane) designs respectively; flow charts are used to help the reader to identify patterns. Chapter 6 describes finite designs, for example circular designs, which are those without translations or glide refections. Chapter 7 discusses problems that may arise in symmetry classification, for example pattern irregularities.
The benefit of the flow charts is that they allow the reader to analyse the design of any cultural object in order to assign it to a specific pattern. The number of distinct patterns in one or two dimensions, with one or two colors, is shown in the table.
Dimension | Colors | Patterns |
---|---|---|
1 | 1 | 7 |
1 | 2 | 18 |
2 | 1 | 17 |
2 | 2 | 63 |
The book, which was 10 years in development, has over 500 illustrations, and includes a mathematical appendix, a 270-entry bibliography, and an index.
The authors describe their book as a "handbook for the non-mathematician" of the theory and practice of plane pattern analysis.
Reviewers of the book identified the audience for the book in various ways. Roger Neich writing in Man said "[The authors'] aim is to make symmetry analysis accessible to all researchers, regardless of any mathematical training, and in this aim they succeed admirably, provided the reader is prepared to invest some considerable effort." [1]
Doris Schattschneider writing in The American Mathematical Monthly commented: "[The book] was written for archaeologists, anthropologists, and art historians, but the authors have taken care in their presentation of the geometry of symmetry and color symmetry analysis." [2] H.C. Williams reviewing the book for The Mathematical Gazette said: "This interesting book is written by a mathematician and an anthropologist and is aimed primarily at the non-mathematician. That said, it is well worth the attention of mathematicians, particularly teachers, who have an interest in pattern." [3]
Contemporary reviews of the book were mostly positive. The book was reviewed by journals in the fields of anthropology, archaeology, the arts, and mathematics.
Mary Frame in African Arts said: "a solid and attractive book that takes the reader in logical stages toward an understanding of the symmetrical basis of pattern repeats." [...] "I believe that Symmetries of Culture is a landmark work that will furnish the impetus and method for many studies in this fertile area." [4] Owen Lindauer in American Anthropologist commented: "Question-answer flowcharts enable the reader to correctly classify designs using a standard notation. The book is extensively illustrated with carvings, textiles, basketry, tiles, and pottery, which are used as examples of various symmetry patterns." [5]
Dwight W. Read in Antiquity : "Symmetries of Culture is an impressive book - both in terms of its physical appearance and its content. [...] will undoubtedly become the major reference on the analysis of patterns in terms of symmetry properties." [6] Jon Muller writing in American Antiquity : " ... a fine book that achieves its goals in a straight-forward and clear fashion. It presents a set of methods that can be applied consistently and usefully in looking at symmetrical plane designs." [7] and Roger Neich in Man : "... wide use of this book will certainly contribute to a great improvement in the systematic study of material culture." [1]
The reviewer in African Arts pointed out the existence of cultural patterns, such as in ancient Peruvian art, that are not included in the crystallographic symmetry approach to patterns used in the book. This criticism was echoed by the reviewer in American Antiquity who had some reservations about the potential dangers of limiting design analysis to certain convenient classes of design.
George Kubler, an art historian writing in Winterthur Portfolio criticised the book: "The authors' present method is non-historical. The objects illustrated are mostly undatable, and nowhere is concern shown for their seriation or place in time." [8] Kubler criticises the authors' entire approach as being non-historical, because it analyses each object individually rather than considering them in chronological order.
In 2021 the book was praised by Palaguta and Starkova in Terra Artis. Art and Design. In their review, they stated that the problem of creating a basis for systematizing patterns on the principles of symmetry was solved in Symmetries of Culture. They give three reasons for continuing to value the book: firstly, despite the passage of time, the book is still valid and useful; secondly, since the release of the book, the authors have done a great deal to attract new workers into the field; and thirdly, in recent years, interdisciplinary research on symmetry and ornamentation has increased, and the interest in this topic has grown among both anthropologists and art historians, which greatly broadens the readership of the book. [9]
Maurits Cornelis Escher was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics. Despite wide popular interest, for most of his life Escher was neglected in the art world, even in his native Netherlands. He was 70 before a retrospective exhibition was held. In the late twentieth century, he became more widely appreciated, and in the twenty-first century he has been celebrated in exhibitions around the world.
Symmetry in everyday life refers to a sense of harmonious and beautiful proportion and balance. In mathematics, the term has a more precise definition and is usually used to refer to an object that is invariant under some transformations, such as translation, reflection, rotation, or scaling. Although these two meanings of the word can sometimes be told apart, they are intricately related, and hence are discussed together in this article.
In geometry, a pentagonal tiling is a tiling of the plane where each individual piece is in the shape of a pentagon.
Indra's Pearls: The Vision of Felix Klein is a geometry book written by David Mumford, Caroline Series and David Wright, and published by Cambridge University Press in 2002 and 2015.
Ideas from mathematics have been used as inspiration for fiber arts including quilt making, knitting, cross-stitch, crochet, embroidery and weaving. A wide range of mathematical concepts have been used as inspiration including topology, graph theory, number theory and algebra. Some techniques such as counted-thread embroidery are naturally geometrical; other kinds of textile provide a ready means for the colorful physical expression of mathematical concepts.
Mathematics and art are related in a variety of ways. Mathematics has itself been described as an art motivated by beauty. Mathematics can be discerned in arts such as music, dance, painting, architecture, sculpture, and textiles. This article focuses, however, on mathematics in the visual arts.
Doris J. Schattschneider is an American mathematician, a retired professor of mathematics at Moravian College. She is known for writing about tessellations and about the art of M. C. Escher, for helping Martin Gardner validate and popularize the pentagon tiling discoveries of amateur mathematician Marjorie Rice, and for co-directing with Eugene Klotz the project that developed The Geometer's Sketchpad.
Code of the Quipu is a book on the Inca system of recording numbers and other information by means of a quipu, a system of knotted strings. It was written by mathematician Marcia Ascher and anthropologist Robert Ascher, and published as Code of the Quipu: A Study in Media, Mathematics, and Culture by the University of Michigan Press in 1981. Dover Books republished it with corrections in 1997 as Mathematics of the Incas: Code of the Quipu. The Basic Library List Committee of the Mathematical Association of America has recommended its inclusion in undergraduate mathematics libraries.
Introduction to Circle Packing: The Theory of Discrete Analytic Functions is a mathematical monograph concerning systems of tangent circles and the circle packing theorem. It was written by Kenneth Stephenson and published in 2005 by the Cambridge University Press.
Geometry From Africa: Mathematical and Educational Explorations is a book in ethnomathematics by Paulus Gerdes. It analyzes the mathematics behind geometric designs and patterns from multiple African cultures, and suggests ways of connecting this analysis with the mathematics curriculum. It was published in 1999 by the Mathematical Association of America, in their Classroom Resource Materials book series.
Regular Figures is a book on polyhedra and symmetric patterns, by Hungarian geometer László Fejes Tóth. It was published in 1964 by Pergamon in London and Macmillan in New York.
Incidence and Symmetry in Design and Architecture is a book on symmetry, graph theory, and their applications in architecture, aimed at architecture students. It was written by Jenny Baglivo and Jack E. Graver and published in 1983 by Cambridge University Press in their Cambridge Urban and Architectural Studies book series. It won an Alpha Sigma Nu Book Award in 1983, and has been recommended for undergraduate mathematics libraries by the Basic Library List Committee of the Mathematical Association of America.
The Symmetries of Things is a book on mathematical symmetry and the symmetries of geometric objects, aimed at audiences of multiple levels. It was written over the course of many years by John Horton Conway, Heidi Burgiel, and Chaim Goodman-Strauss, and published in 2008 by A K Peters. Its critical reception was mixed, with some reviewers praising it for its accessible and thorough approach to its material and for its many inspiring illustrations, and others complaining about its inconsistent level of difficulty, overuse of neologisms, failure to adequately cite prior work, and technical errors.
Dichromatic symmetry, also referred to as antisymmetry, black-and-white symmetry, magnetic symmetry, counterchange symmetry or dichroic symmetry, is a symmetry operation which reverses an object to its opposite. A more precise definition is "operations of antisymmetry transform objects possessing two possible values of a given property from one value to the other." Dichromatic symmetry refers specifically to two-coloured symmetry; this can be extended to three or more colours in which case it is termed polychromatic symmetry. A general term for dichromatic and polychromatic symmetry is simply colour symmetry. Dichromatic symmetry is used to describe magnetic crystals and in other areas of physics, such as time reversal, which require two-valued symmetry operations.
Polychromatic symmetry is a colour symmetry which interchanges three or more colours in a symmetrical pattern. It is a natural extension of dichromatic symmetry. The coloured symmetry groups are derived by adding to the position coordinates (x and y in two dimensions, x, y and z in three dimensions) an extra coordinate, k, which takes three or more possible values (colours).
Tilings and patterns is a book by mathematicians Branko Grünbaum and Geoffrey Colin Shephard published in 1987 by W.H. Freeman. The book was 10 years in development, and upon publication it was widely reviewed and highly acclaimed.
Geometric symmetry is a book by mathematician E.H. Lockwood and design engineer R.H. Macmillan published by Cambridge University Press in 1978. The subject matter of the book is symmetry and geometry.
Symmetry aspects of M. C. Escher's periodic drawings is a book by crystallographer Caroline H. MacGillavry published for the International Union of Crystallography (IUCr) by Oosthoek in 1965. The book analyzes the symmetry of M. C. Escher's colored periodic drawings using the international crystallographic notation.
M. C. Escher: Visions of Symmetry is a book by mathematician Doris Schattschneider published by W. H. Freeman in 1990. The book analyzes the symmetry of M. C. Escher's colored periodic drawings and explains the methods he used to construct his artworks. Escher made extensive use of two-color and multi-color symmetry in his periodic drawings. The book contains more than 350 illustrations, half of which were never previously published.
Color and Symmetry is a book by Arthur L. Loeb published by Wiley Interscience in 1971. The author adopts an unconventional algorithmic approach to generating the line and plane groups based on the concept of "rotocenter". He then introduces the concept of two or more colors to derive all of the plane dichromatic symmetry groups and some of the polychromatic symmetry groups.