The Symphony No. 1 of Roger Sessions is a symphony in three movements, in E minor.
Roger Huntington Sessions was an American composer, teacher, and writer on music.
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".
A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.
E minor is a minor scale based on E, consisting of the pitches E, F♯, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major.
The three movements are as follows: [1]
It was completed in January 1927, [2] and premiered by Serge Koussevitzky and the Boston Symphony Orchestra on April 22, 1927. [3] It was dedicated to Sessions' father Archibald. [2]
Serge Alexandrovich Koussevitzky was a Russian-born conductor, composer and double-bassist, known for his long tenure as music director of the Boston Symphony Orchestra from 1924 to 1949.
The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston, Massachusetts. It is one of the five major American symphony orchestras commonly referred to as the "Big Five". Founded in 1881, the BSO plays most of its concerts at Boston's Symphony Hall and in the summer performs at Tanglewood.
It is scored for three flutes (one doubling piccolo), three oboes (one doubling English horn), four clarinets, three bassoons, four horns, three trumpets, three trombones, one tuba, timpani, percussion, piano, and strings. [4]
The flute is a family of musical instruments in the woodwind group. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute can be referred to as a flute player, flautist, flutist or, less commonly, fluter or flutenist.
Oboes are a family of double reed woodwind instruments. The most common oboe plays in the treble or soprano range. Oboes are usually made of wood, but there are also oboes made of synthetic materials. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore
The clarinet is a musical-instrument family belonging to the group known as the woodwind instruments. It has a single-reed mouthpiece, a straight, cylindrical tube with an almost cylindrical bore, and a flared bell. A person who plays a clarinet is called a clarinetist.
Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal". [5] In contrast, Prausnitz describes this symphony as having "a joyfully jazzy, organized vigor in its fast outer movements," in contrast with the middle movement, "a somberly reflective Largo that yields nothing to overt emotion. ..." [6]
Alfred Whitford (Fred) Lerdahl is the Fritz Reiner Professor of Musical Composition at Columbia University, and a composer and music theorist best known for his work on musical grammar and cognition, rhythmic theory, pitch space, and cognitive constraints on compositional systems. He has written many orchestral and chamber works, three of which were finalists for the Pulitzer Prize for Music: Time after Time in 2001, String Quartet No. 3 in 2010, and Arches in 2011.
The Symphony No. 6 of Roger Sessions, a symphony written using the twelve-tone technique, was composed in 1966. It was commissioned by the state of New Jersey and the New Jersey Symphony Orchestra. The score carries the dedication: "In celebration of the three hundredth anniversary of the state of New Jersey".
The Symphony No. 4 of Roger Sessions was composed in 1958.
The Symphony No. 5 of Roger Sessions was commissioned in 1960 and completed in 1964. It was commissioned by Eugene Ormandy and the Philadelphia Orchestra, and the first movement only was premiered by them in February 1964, the rest not being completed until that December.
The Symphony No. 2 of Roger Sessions was begun in 1944 and completed in 1946.
The Symphony No. 3 of Roger Sessions was written in 1957. It was a result of a commission by the Koussevitzky Foundation to celebrate the 75th anniversary of the Boston Symphony Orchestra, and was premiered by the Boston Symphony on December 6, 1957, conducted by Charles Munch. Sessions later was commissioned by the Boston Symphony on their centenary, when he provided them with his Concerto for Orchestra. Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 3 being one of four with, "quiet reflective endings."
The Symphony No. 7 of Roger Sessions was written in 1967 for the 150th anniversary of the University of Michigan. It was premiered in Ann Arbor, Michigan, on October 1, 1967, by the Chicago Symphony Orchestra, conducted by Jean Martinon.
The Symphony No. 8 of Roger Sessions was composed in 1968.
Roger Sessions' Violin Concerto was composed between 1927 and 1935, and is scored for violin and orchestra.
Roger Sessions' Piano Sonata No. 2 was composed in 1946. It has three movements:
Roger John Goeb was an American composer.
Donald Harris was an American composer who taught music at The Ohio State University for 22 years. He was Dean of the College of the Arts from 1988 to 1997.
Sinfonía de Antígona is Carlos Chávez's Symphony No. 1, composed in 1933. The music originated as theatre music to accompany the tragedy of Antigone, hence the title of the symphony. The material was reworked into a single movement and rescored for a large orchestra. It lasts about 11 minutes in performance.
The Symphony No. 3, H. 299, is an orchestral composition by the Czech composer Bohuslav Martinů.
The Octet for Strings in C major, Op. 7, is a composition by the Romanian composer George Enescu, completed in 1900. Together with the Octet by Niels Gade, it is regarded as amongst the most notable successors to Felix Mendelssohn's celebrated Octet, Op. 20.
Caballos de vapor, sinfonía de baile is a ballet score composed by the Mexican composer Carlos Chávez in 1926–32. A shortened concert version is published as Suite sinfónica del ballet Caballos de vapor.
The Symphony No. 9 by Roger Sessions is a symphony in three movements, completed in 1978. A performance lasts about 28 minutes.
Concerto for Piano with Orchestra is a composition by the Mexican composer Carlos Chávez, written between 1938 and 1940.
Symphony No. 2, Op. 17, in A major by the Romanian composer George Enescu was written in 1912–14. A performance lasts about 55 minutes.
The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.
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