This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
System 7 | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 1991 | |||
Recorded | 1991 | |||
Genre | ||||
Length | 66:27 | |||
Label | Ten Records (Virgin) DIXCD 102 CD DIXG102 2 x 12" | |||
Producer | System 7 | |||
System 7 chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
Select | [1] |
The Virgin Encyclopedia of Dance Music | [6] |
System 7 is the first studio album by the dance/ambient band System 7.
A somewhat different version was released in the United States as 777 by 777. The running order is different, there are different mixes of two tracks (taken from the "Miracle" single), and it has two tracks from the "Freedom Fighters" single – "Depth Disco" and "Mia". Just to confuse matters, 777 was also the title of System 7's second UK album, with completely different music.
With several vocal tracks, this album has rather a different feel from later System 7 albums. Aniff Cousins appears on "Freedom Fighters" (with Zoë providing chorus vocals) and "Dog", and Olu Rowe on "Habibi", "Bon Humeur" and "Strange Quotations".
Candy Absorption of The Rough Guide to Rock wrote that the album was "accessible, if in retrospect untypical", adding that group leaders Steve Hillage and Miquette Giraudy "were yet to settle into their after-hours, dreamy, chill-out style, and the record features vocals by Olu Rowe reminiscent of Seal." [7] John Bush of AllMusic writes that the album is a "potent crossover record" that explores "the polished end of ambient house". He wrote that Hillage's guitar solos and the structures of several tracks evoke Hillage's mid-1970s work, considering the album to be "space-rock explorations". [2] Davydd Chong of Music Week describes it as an album of "atmospheric sound collages" which are laced with harder-edged material. [3]
The single "Habibi" was described by Chong as "world music dragged through a sweaty sound system at three in the morning". [3] Hillage explained: "'Habibi' means 'my love' in Arabic. I've had a long-term interest in Arabic music, right back to the mid-seventies. It's quite elevating." [3] "Mia (The Fisherman Mix)", found on the American version of the album, is a washing ambient track which features on the 1993 Excursions in Ambience compilation. [2]
# | Track | Length | Written by | Produced by | Mixed by |
---|---|---|---|---|---|
1 | "Sunburst" | 07:25 | Alex Paterson, Steve Hillage & Miquette Giraudy | Youth & Hillage | Youth and Thrash |
2 | "Freedom Fighters" | 05:21 | Hillage, Aniff Cousins & Zoë | Hillage | Hillage, Thrash and Greg Hunter |
3 | "Habibi" | 06:09 | Steve Waddington, Hillage, Olu Rowe & Giraudy | Hillage & Waddington | Thrash |
4 | "Altitude" | 05:58 | Derrick May & Hillage | May & Hillage | May |
5 | "Bon Humeur" | 07:27 | Hillage, Rowe & Giraudy | Hillage | Thrash |
6 | "Fractal Liaison" | 02:09 | May & Hillage | May & Hillage | mixed live to DAT |
7 | "Dog" | 05:52 | Paterson, Hillage, Cousins & Giraudy | Hillage | Thrash |
8 | "Thunderdog" | 02:26 | Paterson, Hillage & Giraudy | Hillage & Paterson | The Orb |
9 | "Listen" | 06:23 | May & Hillage | May & Hillage | Thrash |
10 | "Strange Quotations" | 06:36 | Hillage, Michael MacNeil & Rowe | Hillage | — |
11 | "Miracle" | 07:08 | Paterson, Paul Oakenfold, Hillage, Giraudy & Andy Falconer | Hillage | Thrash |
12 | "Over and Out" | 03:27 | Hillage & Giraudy | Hillage & Giraudy | — |
777 | |
---|---|
Studio album by | |
Released | July/August 1992 |
Length | 78:33 |
Label | Caroline CAROL 1727-2 |
Review scores | |
---|---|
Source | Rating |
AllMusic | [8] |
# | Track | Length | Written by | Produced by | Mixed by |
---|---|---|---|---|---|
1 | "Sunburst (Seahorse Mix)" | 07:14 | Paterson, Hillage & Giraudy | Youth & Hillage | Youth and Thrash |
2 | "Miracle (Orb Remix)" | 06:31 | Paterson, Oakenfold, Hillage, Giraudy & Falconer | Hillage | The Orb (Paterson and Thrash) |
3 | "Depth Disco" | 07:35 | Hillage, Giraudy & Lewis Keogh | Hillage | Hillage and Tyrell |
4 | "Altitude" | 05:58 | May & Hillage | May & Hillage | May |
5 | "Habibi" | 06:19 | Waddington, Hillage, Rowe & Giraudy | Hillage & Waddington | Thrash |
6 | "Strange Quotations" | 06:16 | Hillage, MacNeil & Rowe | Hillage | Hillage and Thrash |
7 | "Bon Humeur" | 07:00 | Hillage, Rowe & Giraudy | Hillage | Thrash |
8 | "Freedom Fighters" | 05:18 | Hillage, Cousins & Zoë | Hillage | Hillage, Thrash and Hunter |
9 | "Dog" | 05:52 | Paterson, Hillage, Cousins & Giraudy | Hillage | Thrash |
10 | "Thunderdog" | 02:26 | Paterson, Hillage & Giraudy | Hillage & Paterson | The Orb |
11 | "Listen" | 06:25 | May & Hillage | May & Hillage | Thrash |
12 | "Fractal Liaison" | 02:10 | mixed live to DAT | ||
13 | "Over and Out" | 03:25 | Hillage & Giraudy | Hillage & Giraudy | — |
14 | "Mia (The Fisherman Mix)" | 06:09 | Hillage, Nigel Butler & Giraudy | Hillage & Butler | mix consultant Paterson |
Stephen Simpson Hillage is an English musician, best known as a guitarist. He is associated with the Canterbury scene and has worked in experimental domains since the late 1960s. Besides his solo recordings he has been a member of Khan, Gong and System 7.
Raymond Watts is an English musician, the founding and sole member of the industrial music project PIG, sometimes written as <PIG>.
Ambient house is a downtempo subgenre of house music that first emerged in the late 1980s, combining elements of acid house and ambient music. The genre developed in chill-out rooms and specialist clubs as part of the UK's dance music scene. It was most prominently pioneered by the Orb and the KLF, along with artists such as Global Communication, Irresistible Force, Youth, and 808 State. The term was used vaguely, and eventually fell out of favor as more specific subgenres were recognized.
David Lloyd Stewart is an English keyboardist and composer known for his work with the progressive rock bands Uriel, Egg, Khan, Hatfield and the North, National Health, and Bruford. Stewart is the author of two books on music theory and wrote a music column for Keyboard magazine (USA) for thirteen years. He has also composed music for TV, film and radio, much of it for Victor Lewis-Smith's ARTV production company. He has worked with singer Barbara Gaskin since 1981.
You've Got to Believe in Something is the third studio album by American rock band Spin Doctors, released in 1996. It is their first album without founding guitarist Eric Schenkman who had left the band during the tour to support their previous studio effort. Schenkman was replaced by Anthony Krizan who co-wrote the album with the rest of the group. "She Used to Be Mine" was released as the first single. An excerpt from the song "If Wishes Were Horses" was used as the theme song for the sitcom Spin City in seasons 2 and 3.
System 7 are a UK-based electronic dance music band. Due to the existence of another band called System Seven they were initially billed as 777 in North America. System 7 was also the name of the current version of the Macintosh operating system at the time, although this was not the reason for the temporary name change.
U.F.Orb is the second studio album by English electronic music group The Orb. It was released on 6 July 1992 as their last work with record label Big Life. Upon its release, the album reached No. 1 on the UK Albums Chart. The music database AllMusic described it as "the commercial and artistic peak of the ambient-house movement."
The Orb's Adventures Beyond the Ultraworld is the debut studio album by English electronic music group The Orb, released as a double album on 2 April 1991 by Big Life. It is a continuous, progressive composition evoking a two-hour psychedelic trip that draws from various genres and incorporates samples and sound effects. Much of the album was recorded after founding member Jimmy Cauty left the group, leaving Alex Paterson as the central member, with additional contributions by Andy Falconer, Kris Weston, and others.
Higher Intelligence Agency (HIA) is the main electronic music project of Birmingham, UK-based Bobby Bird. They were featured on Warp's 1994 Artificial Intelligence II compilation.
Miquette Giraudy is a French keyboard player and vocalist, best known for her work in Gong, and with her partner Steve Hillage. She and Hillage form the core of the ambient band System 7. She has also worked as an actress, film editor and writer, in each role using different stage names.
Pomme Fritz is a mini-album by English electronic music group The Orb, released on 13 June 1994 by Island Records. Produced to sustain the group during a period of mismanagement, it was their first album with German producer Thomas Fehlmann, as well as their last with input from Kris Weston, who appears in a much diminished role as engineer. The chaotic Pomme Fritz moved the group away from their melodic, ambient sound towards a more abstract, experimental style, incorporating instances of noise, sampling, fragmented rhythms, industrial textures, indecipherable voices, and sound collage techniques. Island Records "hated" the album and "didn't understand it at all", according to group leader Alex Paterson.
The Orb are an English electronic music group founded in 1988 by Alex Paterson and Jimmy Cauty. Known for their psychedelic sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs. Their influential 1991 debut album The Orb's Adventures Beyond the Ultraworld pioneered the UK's nascent ambient house movement, while its UK chart-topping follow-up U.F.Orb represented the genre's commercial peak.
777 is the second studio album by English electronic music group System 7, originally released by Big Life in the United Kingdom in 1993. The album was released in the United States by Hypnotic Records in 1998, after having been unavailable in the country, and was later re-released through System 7 member Steve Hillage's A-Wave label in 2003.
Fish Rising is the debut solo album by English guitarist Steve Hillage, recorded and released in 1975.
Motivation Radio is the third studio album by British art rock musician Steve Hillage. Whilst touring in the United States in promotion of his previous album L (1976), Hillage grew disillusioned with the progressive rock tag attached to him by the media and fans, and disliked their attitude towards funk music, which Hillage was a big fan of. Hillage wanted to create a funk-influenced album as he was predominately listening to artists such as Funkadelic and Earth, Wind & Fire. Originally written as The Red Album in early 1977, it was retitled Motivation Radio prior to recording.
Green is the fourth studio album by British progressive rock musician Steve Hillage. Written in spring 1977 at the same time as his previous album, the funk-inflected Motivation Radio (1977), Green was originally going to be released as The Green Album as a companion to The Red Album. However, this plan was dropped and after a US tour in late 1977, Green was recorded alone, primarily in Dorking, Surrey, and in London.
"Nothing Can Stop Us" is a song by English band Saint Etienne, released in May 1991 as the third single from their debut album, Foxbase Alpha (1991). It is the first release to feature Sarah Cracknell, who would continue to front the band from this release on. The single reached the number one spot on the American dance charts for one week. The song is based on a looped sample from Dusty Springfield's recording of "I Can't Wait Until I See My Baby's Face".
The Other Side of Time is the debut solo album from the American singer-songwriter Mary Fahl, released on May 27, 2003 by the newly formed Sony Odyssey label. The album reached No. 22 on the Billboard Heatseekers chart and No. 269 on Billboard'sTop Internet Albums.
Change the Station is an album by English band A Certain Ratio, released under the acronym ACR in January 1997. Released on Rob's Records label, it was the band's first album after a five-year hiatus, since 1992's Up in Downsville.
Emit Ecaps is the third album by English techno producer Jonah Sharp under his pseudonym Spacetime Continuum. It was released in February 1996 on Reflective Records in the United Kingdom and on Astralwerks in the United States. After establishing himself as a techno producer but then moving to an ambient style on his previous album Sea Biscuits (1994), Sharp's music on Emit Ecaps balances his techno and ambient styles with influences of drum and bass and jungle music. The name of the album reverses the term 'space time'. Emit Ecaps was a radio success and received acclaim from music journalists who praised Sharp's change in direction. The album was followed in November 1996 by Remit Recaps, a remix album of material from Emit Ecaps, created with the involvement of several producers.