Theodore DeReese Pendergrass was an American singer. Born at Thomas Jefferson University Hospital in Philadelphia, Pennsylvania, Pendergrass spent most of his life in the Philadelphia area, and initially rose to musical fame as the lead singer of Harold Melvin & the Blue Notes. After leaving the group in 1976, Pendergrass launched a successful solo career under the Philadelphia International label, releasing five consecutive platinum albums. Pendergrass's career was suspended after a March 1982 car crash left him paralyzed from the shoulders down. Pendergrass continued his successful solo career until announcing his retirement in 2007. Pendergrass died from respiratory failure in January 2010.
Easy is an album recorded by Marvin Gaye and Tammi Terrell, and released by Motown Records on September 16, 1969 under the Tamla Records label. One song on the album, "Good Lovin' Ain't Easy To Come By", was a hit single and remains popular to this day. Terrell had been ill, suffering from complications caused by a brain tumor, since the fall of 1967. Marvin Gaye later claimed that as a result, most of the female vocals on this album were performed by Valerie Simpson, who served as co-songwriter and co-producer for the LP with her boyfriend and future husband Nickolas Ashford.
Ashford & Simpson were an American husband-and-wife songwriting-production team and recording duo of Nickolas Ashford and Valerie Simpson.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
You're All I Need is the second studio album by soul musicians Marvin Gaye and Tammi Terrell, released in August 1968 on Motown-subsidiary label Tamla Records. Highlighted by three hit singles written by Nickolas Ashford and Valerie Simpson, You're All I Need was recorded throughout 1966 and 1967 and features two Top 10 Billboard Hot 100 hits, "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". It peaked at #60 on the U.S. Billboard 200 Album Chart. You're All I Need was the two singers' final collaboration effort, as Terrell would become ill following recording, before succumbing to a brain tumor in 1970.
"Reach Out and Touch " is the debut solo single of singer Diana Ross, released in April 1970 as the first single from her solo self-titled debut 1970 album by Motown Records.
Diana & Marvin is a duets album by American soul musicians Diana Ross and Marvin Gaye, released October 26, 1973 on Motown. Recording sessions for the album took place between 1971 and 1973 at Motown Recording Studios in Hollywood, California. Gaye and Ross were widely recognized at the time as two of the top pop music performers.
Love Child is the fifteenth studio album released by Diana Ross & the Supremes for the Motown label in 1968. The LP was the group's first studio LP not to include any songs written or produced by any member of the Holland–Dozier–Holland production team, who had previously overseen most of the Supremes' releases.
Wake Up Everybody is an album released by Harold Melvin & the Blue Notes on the Philadelphia International record label in November 1975. It was produced by Kenneth Gamble & Leon Huff. This would be the last album to include Teddy Pendergrass before he left the group for a solo career.
The Boss is the tenth studio album by American singer Diana Ross, released on May 23, 1979 by Motown Records.
The Magnificent 7 is a collaborative album combining Motown's premier vocal groups, The Supremes and The Four Tops. Issued by Motown in 1970, it followed two collaborative albums the group did with The Temptations in the late 1960s. The album featured their hit cover of Ike & Tina Turner's "River Deep – Mountain High", which reached number 14 on the US Billboard Hot 100 singles chart. In the UK, the album was one of the group's best-charting albums, peaking at number 6. In December 1971, Billboard reported UK album sales of 30,000 copies.
The Return of the Magnificent Seven is the second collaborative album between Motown label-mates The Supremes and Four Tops, released in 1971. The production only featured two covers compared to their first album together, The Magnificent 7, that included more than eight. Although the three albums the Supremes recorded with the Four Tops did not match the commercial success of the Supremes/Temptations duet albums, what they did have instead were original tunes, soulful lead vocals by Jean Terrell and Levi Stubbs and high production values in terms of arrangements and orchestration.
All The Great Hits is a compilation album by American singer Diana Ross, released in October 1981 by Motown Records. It was the second Motown compilation set to capitalize on the success of 1980's diana produced by Chic. Her duet "Endless Love" with Lionel Richie was from the film of the same name, Endless Love and, just like 1980's "It's My Turn", had already been released as a single and on a soundtrack album.
Flying High Together is an album by Smokey Robinson and the Miracles on Motown Records' Tamla label, released in 1972. It is noted as The Miracles' last studio album with original lead singer Smokey Robinson, who retired from the act to concentrate on his duties as Vice President of The Motown Record Corporation. The album charted at #46 on the Billboard Pop Album chart, and featured two singles: the appropriately named "We've Come Too Far to End It Now", which matched the parent album's chart position on the Billboard singles chart, charting at #46, and reached the Top 10 of the Billboard R&B singles chart, charting at #9, and "I Can't Stand to See You Cry", which charted at #45 Pop, and #21 R&B.
This One's for You is the sixth album by R&B crooner Teddy Pendergrass. It was released just after a bad car accident Pendergrass was involved in, which left him paralyzed from the waist down due to a spinal cord injury. The album did not do as well as his previous albums did on the Billboard 200, peaking at only #59, but it did do well on the R&B album chart, reaching #6. Only one single was released, "I Can't Win for Losing", which peaked at only #32 on the R&B charts.
Workin' It Back is a studio album by the American R&B singer Teddy Pendergrass, released in 1985. It was his second record for Asylum Records. The album didn't do nearly as well on the Billboard 200 as his last record, peaking at #96. It did reach US R&B #6, only two spots lower than his previous album. The album spawned two singles, "Love 4/2" and "Let Me Be Closer", though none made the Billboard Hot 100. The album has been certified gold.
Solid is the eleventh studio album recorded by American vocal duo Ashford & Simpson, released in 1984 on the Capitol label. The album features the song "Solid", which became the songwriting duo's biggest hit as performers.
Tantalizingly Hot is the sixth album by American recording artist Stephanie Mills, released in 1982 and was produced by James Mtume & Reggie Lucas and Ashford & Simpson. It was her first release, by default, on Casablanca Records. In 1981, oil magnate and industrialist Marvin Davis (1925–2004) and financier Marc Rich (1934–2013) bought Twentieth Century-Fox Film Corporation, which owned her previous label, 20th Century-Fox Records, for a grand total of $703 million.
Upside Down: The Collection is a compilation album by Diana Ross, released by Spectrum Music/Universal in the United Kingdom in 2012. This album is a budget collection containing songs that were released from 1970 through 1981 on Motown Records. In the UK, 17 of the 20 songs contained in this compilation reached the Top 40. In the U.S., 12 of these songs made it onto the Billboard Top 40 singles charts, and 6 of those 12 reached number 1.
Is It Still Good to Ya is the sixth studio album recorded by American vocal duo Ashford & Simpson, released in 1978 on the Warner Bros. label. The album was remastered and reissued with bonus tracks in 2015 by Big Break Records.
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