A tab show was a short, or tabloid version, of various popular musical comedies performed in the United States in the early 20th century. [1] [2] [3]
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
The United States of America (USA), commonly known as the United States or America, is a country comprising 50 states, a federal district, five major self-governing territories, and various possessions. At 3.8 million square miles, the United States is the world's third or fourth largest country by total area and is slightly smaller than the entire continent of Europe. With a population of over 327 million people, the U.S. is the third most populous country. The capital is Washington, D.C., and the most populous city is New York City. Most of the country is located contiguously in North America between Canada and Mexico.
The shows were about an hour in length [4] but could be as short as 25 minutes, [3] either way being well suited for traveling or road shows. [5] [6] They had lower costs [5] and fewer logistical complications [3] than major productions. To achieve this, producers typically eliminated much of the dialogue, plot and chorus of the parent, often Broadway production, reduced the scenery to a few flats and platforms that could be easily transported by rail or roadway, and retained only the hit numbers and the principal characters including the love interests and the chief comic. [3] With this shortened format, tab shows did not usually serve as an entertainment form in themselves but were adjuncts for at least three other forms of major entertainment. First, they could be the featured act of the second half of a vaudeville bill. [3] The substitution of these shows for a portion of vaudeville acts in the early 1900s was described as "far-reaching in its scope" in a Billboard article of 23 December 1911. [2]
Vaudeville is a theatrical genre of variety entertainment born in France at the end of the 18th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a kind of dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent.
Billboard is an American entertainment media brand owned by the Billboard-Hollywood Reporter Media Group, a division of Eldridge Industries. It publishes pieces involving news, video, opinion, reviews, events, and style, and is also known for its music charts, including the Hot 100 and Billboard 200, tracking the most popular songs and albums in different genres. It also hosts events, owns a publishing firm, and operates several TV shows.
Second, they were often performed in conjunction with silent films for a half hour performance either before the film came on, [7] or as a vaudeville act between films. [2] Show Boat was one Broadway hit that was reduced to a truncated tab show running in movie theaters in the early 1930s. [8]
A silent film is a film with no synchronized recorded sound. In silent films for entertainment, the plot may be conveyed by the use of title cards, written indications of the plot and key dialogue lines. The idea of combining motion pictures with recorded sound is nearly as old as film itself, but because of the technical challenges involved, the introduction of synchronized dialogue became practical only in the late 1920s with the perfection of the Audion amplifier tube and the advent of the Vitaphone system.
Show Boat is a musical in two acts, with music by Jerome Kern and book and lyrics by Oscar Hammerstein II, based on Edna Ferber's best-selling novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
Broadway theatre, also known simply as Broadway, refers to the theatrical performances presented in the 41 professional theatres, each with 500 or more seats located in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Along with London's West End theatre, Broadway theatre is widely considered to represent the highest level of commercial theatre in the English-speaking world.
Third, tab shows were closely related to the early, non-stripper versions of burlesque. [3] [4] The girls were 'clean' and did not have bare legs. [2] By the 1920s, "tab show" was sometimes used to avoid the negative, low-brow connotations of "burlesque". [4]
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.
There are two suggestions for the origin of the word "tab". It is often said to be derived from "tabloid", [4] [7] as in the short form of a newspaper. [5] Alternatively, it could refer to "tableau" as in the tab style of curtain [9] across the front of a stage, since the curtain and a few pieces of furniture might be the only scenery used by a tab show. [5]
A tabloid is a newspaper with a compact page size smaller than broadsheet. There is no standard size for this newspaper format.
As variations on these themes, tab shows occasionally were up to two hours in length and with their lower costs and fewer logistic demands, were a popular alternative to vaudeville acts in the 1910s. [3] Also, while the term "tab show" may have been restricted to the United States, the theme of the vicissitudes of traveling third-rate vaudevillians was presented in 1950 in Federico Fellini's Italian film Variety Lights . It has been described as "wholesome corn". [10]
Federico Fellini, was an Italian film director and screenwriter. Known for his distinct style that blends fantasy and baroque images with earthiness, he is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked, in polls such as Cahiers du cinéma and Sight & Sound, as some of the greatest films of all time. Sight & Sound lists his 1963 film 8½ as the 10th-greatest film of all time.
Variety Lights is a 1951 Italian romantic drama film produced and directed by Federico Fellini and Alberto Lattuada and starring Peppino De Filippo, Carla Del Poggio, and Giulietta Masina. The film is about a beautiful but ambitious young woman who joins a traveling troupe of third-rate vaudevillians and inadvertently causes jealousy and emotional crises. A collaboration with Alberto Lattuada in production, direction, and writing, Variety Lights launched Fellini's directorial career. Prior to this film, Fellini worked primarily as a screenwriter, most notably working on Roberto Rossellini’s Rome, Open City.
The following outline provides an overview of and topical guide to entertainment and the entertainment industry:
William Alexander "Bud" Abbott was an American actor, best known for his film comedy double act, as straight man to Lou Costello.
Gypsy is a 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc.
Theatrical scenery is that which is used as a setting for a theatrical production. Scenery may be just about anything, from a single chair to an elaborately re-created street, no matter how large or how small, whether the item was custom-made or is the genuine item, appropriated for theatrical use.
A grindhouse or action house is an American term for a theater that mainly shows exploitation films. According to historian David Church, this theater type was named after the "grind policy", a film-programming strategy dating back to the early 1920s which continuously showed films at cut-rate ticket prices that typically rose over the course of each day. This exhibition practice was markedly different from the era's more common practice of fewer shows per day and graduated pricing for different seating sections in large urban theaters, which were typically studio-owned.
George Joseph Edwardes was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond.
Theater drapes and stage curtains are large pieces of cloth that are designed to mask backstage areas of a theater from spectators. They are designed for a variety of specific purposes and come in several types; many are made from black or other dark colored, light-absorbing material, and heavyweight velour is the current industry standard for these. Theater drapes represent a portion of any production's soft goods, a category which includes any cloth-based element of the stage or scenery. Theater curtains are often pocketed at the bottom to hold chain to weight them down so that they move less or to accept pipes to remove their fullness and stretch them tight.
Fifth Avenue Theatre was a Broadway theatre in New York City in the United States located at 31 West 28th Street and Broadway. It was demolished in 1939.
American burlesque is a genre of variety show. Derived from elements of Victorian burlesque, music hall and minstrel shows, burlesque shows in America became popular in the 1860s and evolved to feature ribald comedy and female striptease. By the early 20th century, burlesque in America was presented as a populist blend of satire, performance art, music hall, and adult entertainment, featuring striptease and broad comedy acts.
Jack Cameron was an American actor, singer, and acrobatic comedian whose career spanned almost five decades. He appeared in vaudeville, burlesque, film, radio, and television. Cameron was best known for his vaudeville performances, first as part of the Kammerer & Howland musical comedy act, and later as a principal comedian on the Keith-Albee circuit. He appeared in several motion pictures and could be heard on WPRO (AM) radio as the “Singing Salesman.”
Gus Hill was an American vaudeville performer who juggled Indian clubs. He later became a burlesque and vaudeville entrepreneur. Hill was one of the founders of the Columbia Amusement Company, an association of burlesque shows and theaters, and became president of the American Burlesque Association. He also staged drama and musical comedies. He launched a highly popular series of "cartoon theatricals", musical comedies based on comic strips or cartoons. At one time he was running fourteen different shows.
The Columbia Amusement Company, also called the Columbia Wheel or the Eastern Burlesque Wheel, was an industry organization that arranged burlesque company bookings in American theaters between 1902 and 1927. The burlesque companies would travel in succession round a "wheel" of theaters, ensuring steady employment for performers and a steady supply of new shows for the participating theaters. For much of its history the Columbia Wheel advertised relatively "clean" variety shows featuring pretty girls. Eventually the wheel was forced out of business due to competition from cinemas and from the cruder stock burlesque companies.
William Hammerstein was an American theater manager. He ran the Victoria Theatre on what became Times Square, Manhattan, presenting very popular vaudeville shows with a wide variety of acts. He was known for "freak acts", where celebrities or people notorious for scandals appeared on stage. Hammerstein's Victoria Theatre became the most successful in New York.
Isidore H. Herk was a burlesque manager who played a major role in the evolution of this entertainment before World War II. His show at the Gaiety Theatre, closed in 1941, was the last burlesque show on Broadway.
The Columbia Theatre was an American burlesque theatre on Seventh Avenue in New York, adjacent to Times Square, operated by the Columbia Amusement Company between 1910 and 1927. It specialized in "clean", family-oriented burlesque, similar to vaudeville. Many stars of the legitimate theater or of films were discovered at the Columbia. With loss of audiences to cinema and stock burlesque, the owners began to offer slightly more risqué material from 1925. The theater was closed in 1927, renovated and reopened in 1930 as a cinema called the Mayfair Theatre. It went through various subsequent changes and was later renamed the DeMille Theatre. Nothing is left of the interior.
The Earl Carroll Vanities was a Broadway revue that Earl Carroll presented in the 1920s and early 1930s. Performers included Joe Cook, Lillian Roth, Ted Healy, David Chasen, George Moran, Charles Mack, Peggy Hopkins Joyce, Kathryn Reed Altman, Faith Bacon, Will Mahoney, Frank Mitchell and Beryl Wallace. Carroll and his show were sometimes controversial.