Take Fo' Records is an independent record label from New Orleans and the first to specialize in bounce music. [1] The label is a subsidiary of Positive Black Talk, Inc., was founded in 1992 and operated by creative duo Earl J. Mackie and Henry F. Holden, until 2005. Prior to creating the record label, the duo teamed up to produce a cable access television program called Positive Black Talk, aiming at positive African American leadership in the New Orleans community. The television show changed its name to PBT and was later hosted by Mackie's younger cousin, Anthony Mackie, who was a student at NOCCA at the time. "It was just a 15-year-old black dude acting a fool," Anthony says of the early endeavor. [2] After holding a fundraising concert for the program, Earl Mackie and Holden became intrigued by the music industry, so they decided to put together a girl group called Da' Sha Ra'. The newly formed group appeared frequently on the television program. [3]
Take Fo's cornerstone was created one night while promoting the girl group at a high school dance at Walter L. Cohen High School, in the uptown section of New Orleans. Mackie and Holden met Eldon Delloyd Anderson and Jerome Temple, a.k.a. DJ Jubilee, who was the school's DJ at that time. Jubilee took the microphone to warm up the crowd and had the whole gym floor line dancing, as if they were on Soul Train. The duo were impressed, then took Anderson under their wings. Take Fo' continued to create and promote new and upcoming artists by sponsoring concerts throughout the southwest and Gulf Coast regions. Several of those concerts were hosted by Anthony Mackie. [4]
The label continued to expand from its base and broke new ground in the Texas and Arkansas markets thru Terry Wilburn who was intrigued by the growth and popularity of the label. Take Fo' Records emerged and quickly became the center of the New Orleans hip hop movement, helped introduce the world to bounce music, and influenced Cash Money Records and No Limit Records. [1] Bounce music was a new sound at that time and Take Fo', without the help of the Internet or social media, was responsible for introducing this newest dance phenomenon.
The label has influenced and paved the way for many southern artists and several Billboard Top 10 nationally acclaimed songs in the music industry. Several significant mainstream records influenced by Take Fo' music included Beyoncé "Get Me Bodied", "Formation", "Before I Let Go", which used a sample from "Get Ready, Ready" by D.J. Jubilee [5] [6] and Drake's "In My Feelings" and "Nice for What". DJ Jubilee, self-billed as "The King of Bounce", [7] achieved significant recognition for his 1993 cassette single "Do The Jubilee All". [8] This song contains the first recorded use of the word "twerk". [9] In November 2013, DJ Jubilee headlined the first bounce show to be performed at New Orleans' Preservation Hall with the Big Easy Bounce Band. [10]
Take Fo' introduced Choppa [11] and released his first single "Choppa Style", which peaked at #49 on the Hot R&B/Hip-Hop Singles & Tracks and #94 on the Billboard Hot 100. [12] Take Fo' also introduced Baby Boy Da Prince and released his first hit single "The Way I Live", which peaked at #21 on the Billboard Hot 100. [13]
The label re-emerged in 2019 with new singles "Twerk Baby Twerk" from Bounce Royalty (Cheeky Blakk, Choppa and DJ Jubilee) [1] and "Ma Lil Yea" by veteran Bounce artist Monsta Wit Da Fade. [14] Take Fo' has also launched the careers of hip-hop and R&B performers such as Lisa Amos, The Beat Doctor -7th Ward Soulja, TEC-9 from U.N. L.V., Chef Reero from Da' Sha Ra', P-Town Moe, K.C. Redd, 2-Sweet, Bigg Ramp, The Hideout, Willie Puckett, 5th Ward Weebie, Katey Red, and Big Freedia. The label's first releases featured Da' Sha Ra' and DJ Jubilee, respectively. [15] [16]
Terius Gray, better known by his stage name Juvenile, is an American rapper best known for his work with Birdman's Cash Money Records in the late 1990s and early 2000s, both solo and as a member of the label's then-flagship group, Hot Boys.
Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Georgia, Texas, Louisiana, Tennessee, and Florida—often titled "The Big 5," five states which constitute the "Southern Network" in rap music.
Mia Young, better known by her stage name Mia X, is an American rapper and songwriter from New Orleans. She enjoyed success in the local "bounce" scene of the early 1990s. She was the first female emcee to get a contract with rapper and entertainment magnate, Master P on his successful record label No Limit Records. She is known for collaborations with several No Limit Records artists, including Master P and Silkk the Shocker on the seminal albums, Ice Cream Man, Ghetto D and Charge It 2 Da Game.
Quad City DJ's is an American music group originally consisting of Jay Ski, C.C. Lemonhead, and JeLana LaFleur who recorded the 1996 hit "C'mon N' Ride It ", a rap-remix of Barry White's 1974 "Theme from Together Brothers". They are also known for writing and performing the theme song to the 1996 live-action/animated basketball film Space Jam.
Bounce music is a style of New Orleans hip hop music that is said to have originated as early as the late 1980s in the city's housing projects. Popular bounce artists have included DJ Jubilee, Partners-N-Crime, Magnolia Shorty and Big Freedia.
"Back That Azz Up", also known as "Back That Thang Up" for a radio edit, is a song recorded by American rapper Juvenile featuring fellow American rappers Mannie Fresh and Lil Wayne. Produced by Fresh, it was released on June 11, 1999, as the second single from Juvenile's 1998 album 400 Degreez. The song was Juvenile's biggest hit single at the time until the chart-topping "Slow Motion" in 2004, surpassing "Back That Azz Up" which peaked at number 19 on the Billboard Hot 100.
The Puppies were a child hip hop sibling duo composed of brother Calvin "Big Boy" Mills III, and sister Tamara Dee Mills.
Bobby Marchan was an American rhythm and blues singer, songwriter, recording artist, bandleader, MC, and female impersonator. He was the key singer in the early lineup of Huey "Piano" Smith and His Clowns along with Gerri Hall and Roosevelt Wright.
Darwin Turner, better known by his stage name Choppa, is an American rapper and singer.
Freddie Ross Jr., better known by his stage name Big Freedia, is an American rapper and performer known for his work in the New Orleans genre of hip hop called bounce music. Freedia has been credited with helping popularize the genre, which had been largely underground since developing in the early 1990s.
Twerking is a type of dance to popular music in a sexually provocative manner involving throwing or thrusting the hips back or shaking the buttocks, often in a low squatting stance. It is individually performed chiefly but not exclusively by women.
Jerome Temple, professionally known as DJ Jubilee, is an American rapper from New Orleans, Louisiana.
"Before I Let Go" is a song performed by American R&B band Maze, issued as the second single from the band's fifth album and first live album Live in New Orleans. Although Live in New Orleans is a live album, "Before I Let Go" appears on the album as a studio recording. Written and produced by lead singer Frankie Beverly, the song peaked at #13 on the Billboard R&B chart in 1981. The song has been noted for its enduring popularity in Black American culture as a staple of gatherings and parties.
No Limit Records is an American record company founded by Master P. The label's albums were distributed by Priority Records, Universal and Koch Records. The label included artists such as Snoop Dogg, Mercedes, Silkk the Shocker, Mystikal, Mia X, Mac, C-Murder, Magic, Romeo Miller, Fiend, Kane & Abel, and Soulja Slim. Anthony Boswell, head of Bout It Bout It Management, served as the vice president of operations as well as head of management for the label.
Nickesse Trimaine Toney, known by his stage name Nicky Da B, was an American rapper specializing in the regional genre of bounce music. He released an album in 2012 titled Please Don't Forget Da B, and his single with the artist Diplo that year, Express Yourself, was one of the year's largest viral successes, featuring in a Doritos commercial during Super Bowl XLVII. He was also known for his role in popularizing the dance phenomenon of twerking.
The Triggerman beat, also known as Triggaman, is a one-bar drum loop that originated from sampling "Drag Rap" by the Showboys and "Brown Beats" by Cameron Paul. The one-bar drum loop and bells was known to be used in bounce music, having been used in hundreds of records. The beat has been influential in recent hip hop music, including Juvenile's "Back That Azz Up", David Banner's "Like a Pimp", T.I. and Lil Wayne's "Ball", Drake's "Nice for What" and "In My Feelings", and also "Go Crazy" by Chris Brown and Young Thug.
Katey Red is a bounce artist and M.C. from New Orleans. Red is most known for being one of the first transgender rappers in bounce music and is credited with creating the sissy bounce genre.
"Twerk" is a song by American hip hop duo City Girls featuring American rapper Cardi B, from the duo's debut album Girl Code (2018). It was released to US rhythmic contemporary radio on January 8, 2019, as the album's lead single. Filmed in Miami, the song's music video was released the same month. "Twerk" is a New Orleans bounce-inspired song, which heavily samples Choppa's "Choppa Style". It also samples the popular Triggerman beat, which is prominent among the New Orleans bounce scene. It peaked at number 29 on the US Billboard Hot 100 chart and was certified Platinum by the Recording Industry Association of America (RIAA).
"Do It Again" is a song by American rapper NLE Choppa, released on October 7, 2022 as the third single from his second studio album Cottonwood 2 (2023). It features American rapper 2Rare and was produced by Fya Man. The song contains a sample of "Love Don't Live Here Anymore" by Rose Royce.
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