Tapta

Last updated

Tapta (/tap-taa/) is a character in Meitei folklore of Ancient Manipur. [1] [2] It is a creature described by a mother's imagination to her child, to stop their cry. Etymologically, "Tapta" is made of two words, "Tap" (sound of water drops falling on the ground) and "Ta" (literally meaning "to fall") in Meitei (Manipuri). [3] [4] [5]

Contents

Summary

Once there was a child who never stopped crying. One night, when it was raining heavily, a thief came to steal a horse from the house of the child and a tiger also came to prey on one of the horses from the same place. As the two criminals were silently waiting a right time for their chances in the dark corners of the horse-stable, they heard the mother ("father" in another version) telling her child about many scary creatures, like the elephant, the horse, the lion and the tiger coming, to pacify his crying but it was of no use to the child. [1] [2] And the non-stop weeping child suddenly remained silent when the mother mentioned the name "Tapta". [1] [2] [5] So, both the thief and the tiger believed that "Tapta" might surely be a dangerous creature. In the darkness, the thief started searching for the horses in the horse-stable. And as he was touching things one by one in the darkness, it coincided that he held the legs of the hiding tiger, thinking it as one of the horses in the stable. And the tiger thought that the person holding him would be none other than the so-called "Tapta". And so, the ferocious tiger behaved like an obedient pet animal, fearing of the "Tapta". In the darkness of the stable, the thief prepared reins and saddles on the tiger ("false horse") and drove him away towards the woods. Again in the darkness of the woods, the tiger still believed that the person riding on and driving him was the so-called "Tapta". And during the dawn, when there was abundant light, the thief recognised that the creature he had stolen was not a horse but a tiger. So, he tried to escape himself from the driving beast but the tiger never stopped running. [1] [2] The thief saw a branch of a tree on the way the tiger was running. And with intelligent and quick steps, he jumped on the branch leaving the tiger alone running. A few moments later, the tiger realised the absence of the "Tapta" (actually, the thief) from his back. So, he thought that "Tapta" might even be able to fly on the air, that was how he was gone from him. So, on his way back to home, the tiger met many other animals, including a bear, an elephant, a fox and even another tiger (variable according to different versions of the story), to whom he narrated all the incidents. All these animals did not trust him and asked him to take them to the spot where the "Tapta" had freed him. On the other hand, the thief hid himself on a "tree hole" ("tree hollow") of the same tree, on whose branch he had jumped on. As the animals led by the tiger came to the spot, the tiger told them that the very spot was nearby the tree with a hole (where the thief was hiding). So, in searching for the "Tapta", they met many unlucky circumstances, leading them to believe in what the tiger had said to be correct. For example, when the bear inserted his small tail to the tree hollow, the thief pulled it inwards with his full strength and let it go off, that the bear fell to the ground. When the elephant inserted his trunk into the tree hollow, the thief hurt it with something (probably with a stick) so hard that the elephant yelled with pain. Finally, all of these animals approached to the lion, His Highness of the forest, and narrated all the incidents. So, the lion decided to check out the matter by Himself. Meanwhile, the thief had escaped and ran away for safety. And as the lion arrived, there was no one at that place. But the other animals still believe that there is a dangerous creature called the "Tapta". [1] [2]

Related Research Articles

<span class="mw-page-title-main">Animal worship</span> Glorification of animal deities

Animal worship is an umbrella term designating religious or ritual practices involving animals. This includes the worship of animal deities or animal sacrifice. An animal 'cult' is formed when a species is taken to represent a religious figure. Animal cults can be classified according to their formal features or by their symbolic content.

<span class="mw-page-title-main">Werecat</span> Feline therianthropic creature

A werecat is an analog to "werewolf" for a feline therianthropic creature.

<span class="mw-page-title-main">Pakhangba</span> Primordial god in Meitei mythology

Pakhangba is a primordial deity, often represented in the form of a Meitei dragon, in Meitei mythology and religion. He is depicted in the heraldry of Manipur kingdom, which originated in paphal, mythical illustrations of the deity in the traditional beliefs of Sanamahism in Manipur. Among the Meiteis, it is believed that the ancestor of one of the clans manifested himself as the Pakhangba.

<span class="mw-page-title-main">Nongshāba</span> Ancient Meitei Lion God of Manipur

Nongshaba, also spelled as Nongsaba, is a Lion God in Meitei religion (Sanamahism) and mythology. He is also regarded as a king of the gods. He is credited with producing light in the primordial universe and is regarded as the maker of the sun. He is worshipped by the people of both the Ningthouja clans as well as the Moirang clans. God Nongshaba was worshipped by the people of Moirang clan as a lineage deity and regarded as the father of God Thangching (Thangjing). He is the greatest of the Umang Lais in Ancient Kangleipak but he made his only son Thangching (Thangjing) the chief deity of Moirang.

<i>Numit Kappa</i> Ancient Meitei epic poetry

Numit Kappa is an ancient Meitei language mythological epic literary work. The work is believed to be written around or before 33 AD. It is written in the form of partial poetry and partial prose.

<span class="mw-page-title-main">Yenakha Paotapi</span> An evil female divinity from ancient Meitei mythology and folklore

Yenakha Paotapi or Yenakha Paodabi Saijin Polibi, also known as the evil eavesdropper, is an old demoness. Stories often show her as an evil spirit. She lingers around the eaves of roofs in Meitei mythology and folklore of Ancient Kangleipak. She is described as the one who interferes everywhere. Legend says that she could not live with human beings. Instead, she lives like a dog or a jackal, sitting on graves. In some cases, she is depicted as a minor goddess in the Meitei religion.

<span class="mw-page-title-main">Taoroinai</span>

Taoroinai is a snake-like dragon in Meitei mythology and religion. It lived in the land of the Moon. According to the Shakok Lamlen, the Kangla was constructed over the navel of Taoroinai.

<span class="mw-page-title-main">Keibu Keioiba</span> Half man, half tiger of Meitei folklore

Keibu Keioiba, also known as Kabui Keioiba, is a mythical creature with the head of a tiger and the body of a human in the Meitei mythology and folklore of Manipur. He is often described as half man and half tiger.

<span class="mw-page-title-main">Khoriphaba</span>

Khoriphaba is a God in Meitei mythology and religion of Ancient Kangleipak. He is the son of Sky God Salailen and Goddess Konthoujam Tampha Lairembi. He came down from heaven to earth to search for his mother and then for a bride. He is best known for wrestling with Loyalakpa in the Lai Haraoba festival. He is also a polo playing God.

<span class="mw-page-title-main">Meitei dragons</span> Legendary creature in Meitei mythology

Dragons play a significant role in the legendary accounts of Meitei folklore, Meitei literature, Meitei mythology and Meitei religion (Sanamahism) of Ancient Kangleipak, Medieval Kangleipak and Modern Kangleipak.

<span class="mw-page-title-main">Marjing</span> Meitei God of polo, horses and warfare

Marjing is the God of horses, polo, hockey, sports and war in Meitei mythology and religion of Ancient Kangleipak. The guardianship of the north eastern direction is alluded to Marjing and the other directions to Koupalu, Thangching and Wangpulen. According to the legend, he invented the game of polo and introduced it as the national game. He and his divine creature, Samadon Ayangba, reside in the top of the Heingang Ching.

<i>Keibu Keioiba</i> (film) 2009 Meitei language animation film

Keibu Keioiba, also known as Kabui Keioiba, is a 2009 Meitei language Indian Manipuri animation feature film, directed by Bhumenjoy Konsam. It is the first Manipuri animation film, based on the Meitei folklore. It was screened in the 11th Mumbai International Film Festival (MIFF) in 2010, under the aegis of the Ministry of Information and Broadcasting.

<span class="mw-page-title-main">Khamba and Thoibi</span> Old Meitei legend

The ancient legend of Khamba and Thoibi is a classic and one of the epic cycles of incarnations of Meitei mythology and folklore, that is originated from Ancient Moirang kingdom of Ancient Kangleipak . It is referred to as the "National Romantic Legend of Manipur" by Padma Vibhushan awardee Indian scholar Suniti Kumar Chatterjee.

<span class="mw-page-title-main">Meitei folktales</span> Folktales of Meitei ethnicity

The Meitei folktales, also sometimes referred to as the Manipuri folktales, are the large collections of folk stories developed from the Meitei culture since Ancient Kangleipak. Folktales are called "funga wari", literally meaning "stories of kitchen furnace or stove" in Meitei language. In early times, in the Meitei households, children must have gathered around the kitchen fire, listening to the stories narrated by the elders. Generally, Meitei folktales were developed from the creativity of the old folks, especially the grandparents, who narrated the children the diverse sagas of varying genres.

<i>Khongjomnubi Nonggarol</i> Ancient Meitei literary narrative work

The Khongjomnubi Nonggarol is an ancient Meitei language literary narrative text (puya) containing two major stories, first about a group of six Luwang girls turning into the pleiades in the sky, one of them giving birth to a harinongnang and the second about a lady named Haosi Namoinu turning a harinongnang, unable to suffer the extreme cruelty of her stepmother, during her father's absence.

Ucheks have significant roles in different elements of Meitei culture, including but not limited to Meitei cuisine, Meitei dances, Meitei festivals, Meitei folklore, Meitei folktales, Meitei literature, Meitei mythology, etc.

<span class="mw-page-title-main">Animals in Meitei culture</span> Accounts on animals in Meitei culture

Animals have significant roles in different elements of Meitei culture, including but not limited to Meitei cuisine, Meitei dances, Meitei festivals, Meitei folklore, Meitei folktales, Meitei literature, Meitei mythology, Meitei religion, etc.

References

  1. 1 2 3 4 5 Bhattacharjee, Kishalay (11 April 2013). Che in Paona Bazar. Pan Macmillan. ISBN   978-1-4472-4741-8.
  2. 1 2 3 4 5 Regunathan, Sudhamahi (2005). Folk Tales of the North-East. Children's Book Trust. ISBN   978-81-7011-967-8.
  3. Singh, Moirangthem Kirti (1993). Folk Culture of Manipur. Manas Publications. ISBN   978-81-7049-063-0.
  4. Indian Literature. Sahitya Akademi. 2000.
  5. 1 2 Nepram, Binalakshmi (2004). Meckley. Virgo Publications. ISBN   978-81-85870-40-3.

Other websites