The Citra Award for Best Picture is an award given at the Indonesian Film Festival (FFI) to the best feature film of the year. The Citra Awards, described by Screen International as "Indonesia's equivalent to the Oscars", are the country's most prestigious film awards and are intended to recognize achievements in films as well as to draw public interest to the film industry.
Lewat Djam Malam is a 1954 Indonesian film directed and produced by Usmar Ismail and written by Asrul Sani. Widely regarded as a classic of Indonesian cinema, the film follows an ex-soldier in his vigilante actions against corruption.
Abisin Abbas, better known by his pseudonym Andjar Asmara, was a dramatist and filmmaker active in the cinema of the Dutch East Indies. Born in Alahan Panjang, West Sumatra, he first worked as a reporter in Batavia. He became a writer for the Padangsche Opera in Padang, where he developed a new, dialogue-centric style, which later spread throughout the region. After returning to Batavia in 1929, he spent over a year as a theatre and film critic. In 1930 he joined the Dardanella touring troupe as a writer. He went to India in an unsuccessful bid to film his stage play Dr Samsi.
Ratna Asmara was an Indonesian actress and film director. Originally active in theatre, in 1940 she starred in the romance film Kartinah, which her first husband Andjar directed.
Astaman was an Indonesian actor active from the 1910s until the mid-1970s. He was a leading actor in the influential theatre company Dardanella and, after entering the film industry with 1940s Kartinah, acted in 43 films.
Lilik Sudjio was an Indonesian actor turned film director who won the Citra Award for Best Director in 1955 for his film Tarmina. He was involved in 74 feature film productions since his debut in Fred Young's Saputangan in 1949.
The Citra Award for Best Actress is an award given at the Indonesian Film Festival (FFI) to Indonesian actresses for their achievements in leading roles. The Citra Awards, described by Screen International as "Indonesia's equivalent to the Oscars", are the country's most prestigious film awards and are intended to recognize achievements in films as well as to draw public interest to the film industry.
The Citra Award for Best Actor is an award given at the Indonesian Film Festival (FFI) to Indonesian actors for their achievements in leading roles. The Citra Awards, described by Screen International as "Indonesia's equivalent to the Oscars", are the country's most prestigious film awards and are intended to recognize achievements in films as well as to draw public interest to the film industry.
Dhalia was an Indonesian actress active for over fifty years. She was nominated for three Citra Awards at the Indonesian Film Festival, winning one.
Hadidjah was an Indonesian film actress best known for partnership with Moh Mochtar in seven films released by Java Industrial Film between 1939 and 1941. She was the mother of Citra Award-winning musician Idris Sardi.
Elly Joenara was an Indonesian film actress who later became a producer. She was the wife of producer Djamaluddin Malik.
Air Mata Mengalir di Tjitarum is a 1948 film from what is now Indonesia, written and directed by Roestam Sutan Palindih for the Tan & Wong Bros Film Company.
Ali Joego was a stage and film actor and director active in the Dutch East Indies and Indonesia. During his twenty-year career he appeared in thirty films and directed seven.
Supir Istimewa is a 1954 Indonesian film directed by Rempo Urip and produced by Djamaluddin Malik for the Persari Film Corporation. Starring MS Priyadi, Ermina Zaenah, Abdul Hadi, and Djauhari Effendi, the film follows a wealthy young man who passes as a chauffeur to convince a village woman to fall in love with him.
Rempo Urip was an Indonesian film director. He began his career in the theatre, serving as an extra and footballer for the Dardanella theatre company beginning in 1934. After six years and three troupes, Urip entered the film industry, working as a distributor for Oriental Film and assistant director for Java Industrial Film. He returned to the theatre during the Japanese occupation (1942–1945) and national revolution (1945–1949). In 1951 he joined Djamaluddin Malik's Persari as a director, completing thirteen films for the company before it closed in 1958. He continued as a freelance director until 1977.
Raden Ajeng Titien Sumarni was an Indonesian actress active in the 1950s. Born in Surabaya, she moved to Tasikmalaya as a child and developed an interest in stage acting, trained by her uncle and future husband Mustari, later acting for republican troops during the Indonesian National Revolution. Sumarni began acting in film in 1951, making her debut with Seruni Laju. Over her five-year career Sumarni acted in thirty films, established her own film production company, and became one of the most popular Indonesian actresses of her time. Following her final film, Djandjiku (1956), Sumarni fell out of the spotlight, eventually dying at very young age.
Netty Herawaty was an Indonesian actress who made more than fifty films between 1949 and 1986.
Darussalam was an Indonesian actor who appeared in more than seventy films in his forty-year career. Born in Bengkulu, he studied to be nurse before migrating to theatre during the Japanese occupation of the Dutch East Indies, marrying Netty Herawaty while with the troupe Irama Masa. The couple spent the remainder of the occupation and the ensuing revolution touring the archipelago with a number of troupes. In 1949, Darussalam and Herawaty made their feature film debut in Fred Young's Saputangan, appearing in seven further Young productions before migrating to Djamaluddin Malik's Persari. During their eight years with the company, Darussalam and Herawaty travelled to the Philippines and Singapore and found popularity among audiences, though Darussalam remained in his wife's shadow.
Sedap Malam is a 1951 film directed by Ratna Asmara and produced by Djamaluddin Malik for Persari. Starring Sukarsih and M. Pandji Anom, it follows a woman who descends into prostitution after her husband marries another woman. It was both Persari's first production and the first film directed by a woman in Indonesian history.
Frieda Thenu, better known by the stage name Farida Arriany, was an Indonesian actress, model, and singer. She was named the most successful Indonesian film star in 1960s.
