Author | Alexander McCall Smith |
---|---|
Language | English |
Series | The No. 1 Ladies' Detective Agency |
Genre | Detective novel, mystery novel |
Publisher | Polygon Books |
Publication date | 2000 |
Publication place | Scotland |
Media type | |
Pages | 227 |
ISBN | 978-0-7486-6273-9 First Edinburgh edition |
OCLC | 49495035 |
823 /.914 21 | |
LC Class | PR6063.C326 T4 2002 |
Preceded by | The No. 1 Ladies' Detective Agency |
Followed by | Morality for Beautiful Girls |
Tears of the Giraffe is the second in The No. 1 Ladies' Detective Agency series of novels by Alexander McCall Smith, set in Botswana, which features the Motswana protagonist Precious Ramotswe.
The agency takes on two cases, one involving a college-aged boy who disappeared ten years earlier, and the other a local man who does not understand why his wife is so long away from home each day. The engagement of Mma Ramotswe and Mr JLB Matekoni endures, as he gets her a diamond engagement ring, and takes on two children from the orphan farm. A crime against Mma Ramotswe does not come off, leading the culprit, maid to her fiancé, to prison instead.
One reviewer finds the writing both dignified and humorous, and describes the protagonist as imperturbable. [1] Another quotes a dialogue in this novel as an excellent example how the author "plays the two cultures against each other" evenhandedly, the two cultures being the West and the "primitive" country of Botswana. [2] The satire in the conversation is remarked as worthy of Mark Twain. [2]
Newly engaged Mma Ramotswe is not impressed with Mr JLB Matekoni's maid, Florence Pena. Unknown to him, she has been sleeping in his bed with her men friends. Obvious to Mma Ramotswe is that she does not keep the house clean. The maid, sensing that the forthcoming marriage will involve unpleasant changes in her own life, attempts to plant a gun at Mma Ramotswe's home to have her jailed.
Mr JLB Matekoni is maneuvered by Mma Potokwane, the matron of the orphan farm, into offering a home to Motholeli and Puso, a sister and brother orphaned in the bush. He worries that this may affect his engagement to Mma Ramotswe. He likes the girl, who displays an aptitude for, and interest in, the work of the garage.
The first case is that of an American woman in her fifties who lost her son Michael Curtin in Africa ten years earlier. Mrs Curtin suspects he died but does not know and wants resolution. Mma Ramotswe meets the people who were involved in the community to which he belonged while his family lived in Gaborone. His attachment to the community kept him from returning to the US for his time at college. Mma Ramotswe speaks to the secretary in the college where one man from that time now teaches. It is the secretary's last day, and she dislikes the professor for what he did to a relative of hers, and to many other women. Mma Ramotswe encounters the professor, who is a womanizer, known for dishonest manipulation to gain favors from his female students. She mixes lies with the truth to him, in short uses blackmail, to pull the truth of the events from him. She was powerful against him, to keep herself in charge of the situation. The professor had just started seeing the young man's girlfriend Carla, and she was pregnant with the young man's son. Michael encountered the two together in a small hut. The two men fought; Michael ran and fell into a deep ditch (a donga) and broke his neck. Mma Ramotswe feels the goal is to let Mma Curtin come to peace, so she agrees not to bring any of this information to the police, as it ought to have been originally. They buried the son without telling anyone what happened. Next she meets Carla in Zimbabwe where she lives with that child, a son. She agrees to meet the mother of her long ago lover to tell her the story and let her meet her grandson.
Mma Ramotswe sees Mr JLB Matekoni with the children on their day out shopping for new clothes. She meets them and understands that he has adopted them. She decides he is a very kind man, and takes the children to her house, where the family will live. Mr JLB Matekoni learns on a call to his garage that his maid has been arrested. Her plan turns against her, as her friend calls the police on her, and she ends up behind bars, all events occurring without her employer being aware of them, save for the result.
Mma Ramotswe accepts the case of Mr Badule, a butcher who suspects his wife of an affair. Mma Makutsi expresses her yearning to do detective work, and Mma Ramotswe promotes her to assistant detective, while also retaining her secretarial role. Mma Makutsi follows the wife and talks with the maids at the home where the wife goes. She discovers that the woman's son – unknown to her husband – is the son of another man, himself married to a wealthy wife, who is paying for the boy's private education. Mma Makutsi finds it difficult to tell a lie, but she understands the importance of not hurting the client with information he does not need to know. Forced to report to the client herself, she tells him his wife is seeing another man so that his son can get the private school education he needs. Mr Badule does not learn the son is not his biological son, which would crush him. All the adults continue as they had, and the boy stays in school. The solution of the butcher's case is the first test of Mma Makutsi's detective and diplomatic skills.
Mma Ramotswe gives a small basket as a gift to Mrs Curtin, explaining the meaning of its designs as being the tears of a giraffe, meaning that we all have something to give, and the giraffe has its tears to give. Mrs Curtin's newly found grandson, is keen on geology, identifying rocks to Mma Ramotswe as the two walk outside while his mother tells his grandmother the events of ten years earlier. The boy looks at Mma Ramotswe's engagement ring and identifies it as cubic zirconia, not the diamond Mr JLB Matekoni and she thought they bought.
Publishers Weekly mentioned the book, saying "Alexander McCall Smith (The No. 1 Ladies' Detective Agency) offers the second and third installments of his dignified, humorous Botswanan series. In Tears of the Giraffe, PI Precious Ramotswe tracks a missing American man whose widowed mother appeals to Ramotswe; meanwhile, the imperturbable detective is endangered at home by her fiancé's resentful maid." [1]
In a review of a later book in the series, Janet Malcolm mentions an aspect of the author's writing that shows best in this second novel of the series: "McCall Smith follows the satiric literary tradition in which a "primitive" culture is held up to show the laughable backwardness of Western society. . . . To illustrate the brilliant evenhandedness with which McCall Smith plays the two cultures against each other, here is a conversation between Mma Potokwane and Mr JLB Matekoni that takes place in Tears of the Giraffe, the second book of the series." [2] She quotes the conversation in Tears of the Giraffe between Mr JLB Matekoni and Mma Potokwane, matron of the orphan farm, after she has been reading some of Freud's works, finding them not wholly useful. She says that "The passage is a tour de force of double-edged irony" and she considers some of the remarks in that dialogue worthy of Mark Twain. She mentions the "playfulness" of McCall Smith in these novels, keeping them from being heavy-handed morality tales. [2]
Per Kirkus Reviews, the novels had their American publication later than in the UK. The first three novels appeared in 2002 in the US. In their review of the first novel in the series, Kirkus Reviews notes that "The first American publication of this 1999 debut has been preceded by two special Booker citations and two sequels, Tears of the Giraffe (2000) and Morality for Beautiful Girls (2001), both forthcoming in the series." [3] [4]
Sir Alexander "Sandy" McCall Smith is a Scottish legal scholar and author of fiction. He was raised in Southern Rhodesia and was formerly Professor of Medical Law at the University of Edinburgh. He became an expert on medical law and bioethics and served on related British and international committees. He has since become known as a fiction writer, with sales in English exceeding 40 million by 2010 and translations into 46 languages. He is known as the creator of The No. 1 Ladies' Detective Agency series. The "McCall" derives from his great-great-grandmother Bethea McCall, who married James Smith at Glencairn, Dumfries-shire, in 1833.
The No. 1 Ladies' Detective Agency is a series of novels by Alexander McCall Smith set in Botswana and featuring the character Mma Precious Ramotswe. The series is named after the first novel, published in 1998. Twenty-four novels have been published in the series between 1998 and 2022.
Tlokweng is a peri-urban settlement classified as an urban village located east of the capital of Botswana, Gaborone and falling under the jurisdiction of South East District Council. It can be considered part of the conurbation of Gaborone. Tlokweng stands on the other side of the river, and is on the road to the border with South Africa, the border post being just 15 km to the east. The population was 35,982 at the 2011 census. It is now part of Gaborone agglomeration, home to 421,907 inhabitants at the 2011 census. The tribe originating from Tlokweng is referred to as Batlokwa. Many people from across Botswana have come to seek permanent and sometimes temporary settlement in Tlokweng because of its proximity to the capital city where most jobs are.
The No. 1 Ladies' Detective Agency is the first detective novel in the eponymous series by Scottish author Alexander McCall Smith, first published in 1998. The novel introduces the Motswana Mma Precious Ramotswe, who begins the first detective agency in Botswana, in the capital city Gaborone, after her beloved father dies. She hires a secretary and solves cases for her clients.
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The No. 1 Ladies' Detective Agency is a television comedy-drama series, produced by the BBC in conjunction with HBO, and based on the novels of the same name by Alexander McCall Smith. The novels focus on the story of a detective agency opened by Mma Ramotswe and her courtship with the mechanic Mr. J. L. B. Matekoni. The series was filmed on location in Botswana and was seen as one of the first major film or television productions to be undertaken in Botswana.
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