Screeching Weasel is an American punk rock band consisting of Ben Weasel (vocals), Trevor Jackson (guitar), Mike Hunchback (guitar), Zach "Poutine" Brandner (bass) and Pierre Marche (drums). Screeching Weasel is originally from the Chicago suburb of Prospect Heights, Illinois. The band was formed in 1986 by Ben Weasel and John Jughead. Since their formation, Screeching Weasel have reformed several times with line-up changes. Ben Weasel has been the only constant member, though Jughead was present in every incarnation of the band until 2009. Other prominent members include guitarist/bassist Dan Vapid and drummer Dan Panic, who have each appeared on six of the band's studio albums, and Green Day bassist Mike Dirnt who was briefly a member of the band.
Benjamin Foster, also known as Ben Weasel, is an American songwriter, singer, and guitarist. He is best known as the lead singer and guitarist of the punk rock band Screeching Weasel.
The Queers are an American punk rock band, formed in 1981 by the Portsmouth, New Hampshire native Joe P. King along with Scott Gildersleeve, and Jack Hayes. With the addition of Keith Hages in 1982 the band started playing their first live shows. The band originally broke up in late 1984, but reformed with Joe Queer and a new line-up in 1986. In 1990, the band signed with Shakin' Street Records and released their first album Grow Up. The album earned the band notability within New England, but with the release of their next album 1993's Love Songs for the Retarded, on Lookout! Records, their following grew larger.
Squirtgun is an American punk rock band from Lafayette, Indiana formed by record producer Mass Giorgini in 1993.
Even in Blackouts, known occasionally by the acronym EiB, are an acoustic pop-punk band from Chicago, Illinois. The band was formed in 2002 by veteran pop-punk guitarist John 'Jughead' Pierson following the demise of the punk band Screeching Weasel, for which Pierson had performed since 1986. The core of the band is formed by lead vocalist Liz Eldredge and Pierson, although a number of additional musicians have performed with the band. Even in Blackouts have been lauded by critics and fans alike for their musicianship and sense of innovation in bringing pop-punk to a new format. The energy and intimacy of Even in Blackout's live performances have attracted particular acclaim.
Boogadaboogadaboogada! is the second studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on vinyl in December 1988 through Roadkill Records. It was the group's only album to feature Fish on bass and the last with Steve Cheese on drums, both leaving the band shortly after the album's release. Although still influenced by hardcore punk, the album also shows hints of the band's later Ramones-inspired sound.
My Brain Hurts is the third studio album by the Chicago-based punk rock band Screeching Weasel. The album was originally released on CD, vinyl and cassette in September 1991 through Lookout Records. It was the group's first album on Lookout as well as the only release with bassist Dave Naked and the first with drummer Dan Panic, the latter of which would go on to appear on several of the band's albums. The album marked a very distinct stylistic shift for the group, fully moving toward a Ramones-inspired sound and completely abandoning their previous hardcore punk influences as a condition made by vocalist Ben Weasel when reforming the band after a brief break-up.
Wiggle is the fifth studio album by the Chicago-based punk rock band Screeching Weasel. Initially planned for release in November 1992, the album was finally released on CD, vinyl and cassette on January 15, 1993 through Lookout Records. Due to a "cymbal hissing" in the original vinyl version, the album was remixed and re-released soon afterwards.
Punkhouse is the first EP by the Chicago-based punk rock band Screeching Weasel. The EP was originally released on 7-inch vinyl with a limited pressing of 500 copies on July 7, 1989 through Limited Potential Records. It was the band's only non-compilation release to feature drummer Brian Vermin and the first to feature Dan Vapid, who would be featured on many later Screeching Weasel albums. Musically, the songs on Punkhouse are in a similar vein to the band's previous album Boogadaboogadaboogada!, albeit with a rougher sound.
How to Make Enemies and Irritate People is the seventh studio album by the Chicago-based punk rock band Screeching Weasel. Planned as the group's final album, it was released in August 1994 on CD, vinyl and cassette through Lookout Records. Shortly before recording the album, bassist/backing vocalist Dan Vapid left the band and, as a result, Green Day bassist Mike Dirnt was recruited to play on the album.
Kill the Musicians is a compilation album released in 1995 which was meant to serve as a "cleaning up" of loose ends after Screeching Weasel's breakup in 1994. The compilation collects demos, B-sides, vinyl-only EPs, and other various odds and ends the band had accumulated in their career from 1989 to 1994. It came on the heels of 1994's How to Make Enemies and Irritate People, which itself was a collection of the final songs the band had written prior to splitting up. The band would soon reform in 1996 and remain together again until 2000, when they disbanded again. This collection was out of print for a short period until it was remastered and re-released by Asian Man Records in 2005. The original album contained an in-depth essay written by Ben Weasel covering the history of the band. This was later omitted from the re-issue. In 2010, Recess Records had intentions to release a double LP vinyl reissue, however production was aborted and only a small amount of test pressings exist.
Bark Like a Dog is the eighth studio album by the American punk rock band Screeching Weasel. It was released in 1996 through Fat Wreck Chords. It was the band's first album released through Fat Wreck Chords. It was also the band's first album since they disbanded for the second time. The split lasted just over a year, and during that time 3/4 of the band played together in the Riverdales. It was the band's only album to ever place a ranking on the Billboard Charts.
Television City Dream is the ninth studio album by the American punk rock band Screeching Weasel. It was released in 1998 through Fat Wreck Chords. It was the band's last album released through Fat Wreck Chords until First World Manifesto in 2011. The album is the first to feature new members Mass Giorgini, Zac Damon, and Dan Lumley. The cover art was done by Giorgini's father, noted artist Aldo Giorgini. The songs on the album are notably faster than previous Screeching Weasel albums. The album was re-released on November 9, 2010, featuring five bonus tracks from the original recording sessions.
Love Songs for the Retarded is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records. It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill. It was also their first collaboration with Screeching Weasel frontman Ben Weasel, who produced the album and co-wrote two of its songs, and the first of three Queers albums recorded at Sonic Iguana Studio in Lafayette, Indiana with audio engineer Mass Giorgini, who would continue to work with the band on and off for the next 14 years as a producer and engineer. Love Songs for the Retarded became the Queers' highest-selling album, with sales surpassing 100,000 copies.
Beat Off is the fourth studio album by the American punk rock band the Queers, released in 1994 by Lookout! Records. Recorded during a time when the Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band to deal with heroin addiction, it featured Screeching Weasel drummer Dan Panic and guitarist Dan Vapid added to the lineup. It was the third and final Queers album produced by Screeching Weasel singer Ben Weasel, who insisted on a no-frills punk sound for the album and removed Vapid's tracks from the final mix without his knowledge.
Surf Goddess is an EP by the American punk rock band the Queers, released in February 1995 by Lookout! Records. It marked the return of longtime drummer Hugh O'Neill to the band, after a forced leave of absence to deal with heroin addiction. Former Screeching Weasel member Dan Vapid, who had been a member of the Queers in 1994, played on the EP as a guest guitarist. Surf Goddess was the result of band leader Joe King and Lookout! head Larry Livermore being dissatisfied with the production techniques on the band's prior album, 1994's Beat Off, which producer Ben Weasel had insisted on keeping basic. King and Livermore wanted to incorporate overdubbing and other effects which Livermore felt were essential to the Queers' sound. In addition to the title track, which was co-written by Weasel, and the Queers original "Quit Talkin'", the EP includes cover versions of Tommy James and the Shondells's "Mirage" and the Undertones' "Get Over You".
Major Label Debut is the tenth EP by Chicago punk rock band Screeching Weasel. Despite the name, the E.P. was the first release on Panic Button Records, an independent record label owned by band members Ben Weasel and John Jughead.
Weasel Mania is a compilation album by the Chicago punk rock band Screeching Weasel. It was released on Fat Wreck Chords in 2005. The album title is an homage to the Ramones album Ramones Mania.
Pervo-Devo is the second E.P. by punk rock band Screeching Weasel. It consists of songs that were recorded for My Brain Hurts but were left off the album. The E.P. was originally included with the final issue of "Teen Punks in Heat", a sex-themed 'zine penned by Ben Weasel. There were two pressing of the record. Between the two pressings, the record label changed its name from "Shred of Dignity" to "Outpunk". All of the songs resurfaced on the band's B-sides album Kill the Musicians, though the spoken intro to "I Wanna Be A Homosexual" by Bruce LaBruce appears only on this 7".
Riverdales is the eponymously-titled debut studio album by the Chicago-based punk rock band the Riverdales. Formed after the break-up of Screeching Weasel, the band sought to write more Ramones-inspired music and the album was released on June 7, 1995 through Lookout Records with the catalog number LK 120. The group supported the album by opening for Green Day on the initial US leg of the tour for their album Insomniac. Riverdales experienced substantial success on the tour, and the album became the group's best-selling release to date.
